Big waves wash sand, mud and sand fall

It's good that the cross talk industry is busy, but it also brings a lot of people to join in the fun, so many things in the cross talk industry are distorted, such as the worthless Taiping lyrics being praised to the sky, but the unnecessary ceremony of knowing is put on a sacred coat.

interestingly, some media and netizens don't even understand the appellation between crosstalk performers. For example, in countless media, the famous actor Zhang Guoli became Degang Guo's granduncle, which is obviously wrong.

In fact, the discussion about the relationship between Zhang Guoli and the crosstalk industry started as early as a few years ago when Crosstalk has a Newcomer. Many people questioned whether Zhang Guoli had the qualification and level to be the summoner of crosstalk industry, and whether his comments on crosstalk performances were reliable.

Let's see how close Zhang Guoli is to the music industry.

First, Hai Qing Di Ji

Zhang Guoli was born in Tianjin in 1955. Note that Tianjin people are very important to the cross talk industry.

At the age of p>16, Zhang Guoli became a railway worker. His work unit was the Second Railway Bureau of China Railway (then called the Second Railway Bureau), and his unit was in Chengdu, Sichuan. Pay attention to the railway system, which is also very important for his future.

There are several famous artists in the Art Troupe of China Railway Second Bureau, including Yang Ziyang, the third disciple of Hou Baolin and Ma Ji's former partner, and others including Liu Baorui's disciples Gao Hongshun (Gao Yuanjun's son) and Zhou Wenyou (Zhou Deli).

Yang Ziyang held a cross talk training class in Chengdu, and invited Wang Yongsuo, a master of comic, to give a lecture, because comic has something in common with stand-up cross talk in some performance skills. Later, Yang Ziyang also accepted Wang Xun as his disciple, and Wang Xun was also Wang Yongsuo's disciple.

at that time, Zhang Guoli participated in the propaganda team of China Railway Second Bureau, and was responsible for the announcement. In all kinds of off-site performances, because Mandarin is better and I am familiar with crosstalk, I often talk to Yang Ziyang, Zhou Wenyou or Gao Hongshun temporarily.

Because Zhang Guoli took the stage to talk cross talk, but he didn't learn from his teacher, so his situation is generally called "Hai Qing" in the phonology circle. However, it was in the 197s and 198s, and the music industry didn't pay attention to this. For example, Cheng Zhi, the "Baby Robe", the "Director of Intelligence" statement, and Cao Duo, the "Yellow Eyebrow Demon King", all of them often said cross talk at parties or even attended music industry parties, and no one went to ask them who their master was.

Second, the friendship between the two Haiqing

Because of Yang Ziyang, Hou Yaowen, who is also a railway system, went to Chengdu to study Wang Yongsuo's comedies. The dormitory where he lived happened to be Zhang Guoli, Zhou Wenyou and Gao Hongshun, so the two Haiqing knew each other. Yes, Hou Yaowen was considered Haiqing without a master at that time.

They all belong to a railway system, and Zhang Guoli is Yang Ziyang's colleague, and Yang Ziyang is Hou Baolin's apprentice. Therefore, Zhang Guoli called Hou Yaowen, who is six years older than him, elder brother, and third brother according to the ranking.

During studying in Hou Yaowen, two Haiqing, who are similar in age, established a profound friendship.

Later, Zhang Guoli chose to drift north and went to live in Hou Yaowen's home directly. Hou's family was very hospitable at that time, and often became a temporary stop for colleagues or friends from all walks of life. Old people, such as Yang Shaohua, and young people, such as Wang Ping, stayed at Hou's family.

During his stay in Hou's home in Zhang Guoli, he kept in touch with all kinds of people who came to Hou's home to ask for advice and learn arts every day, so he learned a lot about crosstalk, but he was already a mature film and television actor.

In the hit drama "The Story of the Editorial Department", Zhang Guoli played a sissy, and it is estimated that his second brother, Hou Yaohua, also acted as a matchmaker. In the almost back-and-forth film Yuan's Property Case, Zhang Guoli co-starred with Hou Yaohua, and Zhang Guoli was nominated for best actor in Hundred Flowers Award for this film.

In addition, in the Spring Festival Evening of 1993, Zhang Guoli and Tianjin crosstalk actor Liu Yajin collaborated on the sketch "Selling". To be honest, although Zhang Guoli was a familiar face at that time, he was obviously not as well received as Liu Yajin.

Later, through the hit drama "Prime Minister Liu Luoguo", Zhang Guoli finally became popular. Coincidentally, this drama was adapted from Liu Baorui's representative stand-up comedy "Fight between the monarch and the minister".

It can be said that Zhang Guoli's experience before his popularity was more or less inextricably linked with the music industry, and Yang Ziyang, Hou Yaowen, Hou Yaohua and others were also his nobles.

Third, Zhang Guoli's crosstalk generation

Later, Zhang Guoli was transferred to the unit railway art troupe in Hou Yaowen, but Hou Yaowen, a Hai Qing, established his own crosstalk teacher by acting as a substitute, but Zhang Guoli did not choose to do so. Although he had the conditions, he still took root in the film and television circle. Liu Wei and Fan Wei, both big coffee makers in film and television circles, have crosstalk teachers. That's because they were serious crosstalk actors with a master before they became famous. Zhang Guoli was not. He entered movies and then TV series through drama.

Therefore, Zhang Guoli has no seniority in the comic dialogue field. Degang Guo usually calls him "uncle" in the program, not "uncle". In some random media interviews, Zhang Guoli said that he was Degang Guo's uncle, and Degang Guo corrected him, so he should be called uncle, because Zhang Guoli is not a crosstalk performer, and he is not Hou Yaowen's brother.

So, since Zhang Guoli is not a crosstalk performer, he is both a summoner and a commentator in Crosstalk. Does he have that qualification? Is his comment reliable?

In my opinion, strictly speaking, Zhang Guoli is not qualified to be a summoner of the crosstalk variety "Crosstalk Newcomer", not because he has no teacher, nor does Yang Yi, but he should be qualified to be a summoner.

The key point is that Zhang Guoli has no convincing cross talk works and performance experience at all. He only relies on connections, coffee spots and traffic when he is a summoner.

If Degang Guo is asked to comment on a film actor's acting skills, people will probably be convinced by Degang Guo's coffee table, but Degang Guo doesn't have convincing film works and acting skills. Can people be convinced?

I think Zhang Guoli is still qualified to comment on the performances of crosstalk performers. After all, crosstalk performances have something in common with skits, film and television performances, and people in several professions can also communicate with each other.

But when it comes to the professionalism of reviews, Zhang Guoli's reviews can only be described as average. After all, the industry is subdivided. For example, although they are all big coffee in film and television circles, Yang Mi is definitely not as professional as Zhang Ziyi when it comes to commenting on film acting, that's for sure.

To sum up, if we define the relationship between Zhang Guoli and the phonograph circle, Comrade Zhang Guoli has played a connecting role in the friendship between the film industry and the phonograph circle and contributed to the development of the crosstalk industry. Therefore, he should be an old friend of the phonograph circle.