(1) Cloud Gate

The fusion of ancient songs, dances and music is related to the totem worship of primitive clans. The Huangdi clan used to take the cloud as a totem, and its music and dance were called Cloud Gate.

(2) Waiting for people's songs

According to legend, it was written by Tu Shanshi's daughter in Lu's Spring and Autumn Annals. The lyrics of this song are only "waiting for someone", and only the word "waiting for someone" has real meaning. This is the bud of music, and it is the language that breeds.

2. Xia and Shang Dynasties

(1) Big summer

Yu Xia controlled water and benefited the people, so there appeared the music and dance "Great Summer" praising Yu Xia.

(2) Periplaneta

Xia Jie had no choice, Shang Tang cut it, and the music and dance "Da Bi" appeared to praise Shang Tang for cutting Jie.

3. Western and Eastern Zhou Dynasties

(1) The Book of Songs

After Confucius abridged it in the Spring and Autumn Period, China's first collection of poems, The Book of Songs, was formed. It contains 305 poems1* * * about entering music from the early years of the Western Zhou Dynasty to the middle of the Spring and Autumn Period. The most wonderful part of The Book of Songs is "Wind". They are the songs of the 15th National Congress and spread around Henan Province, including several nearby provinces. In addition, there are several genres of "elegance" and "elegance" created by literati, as well as the epic sacrifice song "Ode". According to the analysis of handed down figures, the songs in The Book of Songs can be summarized into ten musical structures.

(2) Nine songs

Qu Yuan, a famous patriotic poet, edited nine Songs of the Chu based on The Songs of the Chu before and after the Book of Songs was written, which has strong Chu cultural characteristics.

(3) Chun Xue

Also known as "Yangchun Ancient Songs". As a widely circulated ancient pipa, "Spring Snow" has a fresh and smooth melody, lively festivals, and everything is thriving when winter goes and spring comes. A vibrant scene of early spring seems to appear before our eyes. According to legend, it was written by Liu of Jin State or Qi State in the Spring and Autumn Period. Yangchun and Snow White in the existing music scores are two instrumental works. In the spring, everything knows spring, and the wind is clean, while the snow is noble and clean.

/Music/Track 05b. MP3 file

(5) Bangbangzi

This is a traditional representative work of northern bangdi music, which was adapted from northern folk tunes by the famous flute player Feng Zicun. The original song is a clip card of the "Errentai" clock, named "Touching the Bangzi". The tune is lively, cheerful and optimistic, with the theme of * * *, six sentences, and the falling tone mode decreasing step by step, which are 3, 2, 1, 6, 5 and 5 respectively. The whole song is composed of * * * four paragraphs, which is a variation structure. The first paragraph presents the theme, slow, clear and full of singing. The melody is polished by sliding, splitting and twisting, which is concise and lively. The first variation uses chopping and tongue twisting to modify the melody, which is humorous. The second variation is a little faster, the pronunciation rhythm runs through the whole song, and the music becomes light and warm. Third, the variation speed is faster, the improvisation is greater, and the "flower tongue" (vibrato) is spent many times, which makes the music more enthusiastic and pushes it to a climax.

/Music/Bangbangzi.mp3

(6) partridge flying

This is one of the main representative works of Jiangnan flute, which is beautiful and moving. Originally Hunan folk music, it was also used for flute solo or bamboo ensemble. It was later adapted by Lu Chunling, a flute player, and developed into a flute solo with strong Jiangnan style. Music shows people's lofty desire for freedom and light through the image description of partridges flying. Music is divided into two parts: adagio and adagio. The adagio part is the adagio of primitive folk music. Players give full play to Qu Di's rich lyrical specialty, and make the music melodious, euphemistic, clear and mellow through the control and change of breath, the application of timbre and volume change, and the techniques of sliding, light tone, typing and overlapping. The middle board is a variation of the prelude, and the music is vivid, showing the partridge spreading its wings and flying. Melodious and lyrical adagio and smooth and lively allegro make the music rich in layers and contrast.

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(8) Rivers

Formerly known as "Jiang Ershui", it was a Guan Sheng Qupai in the propaganda music of Liao and Shang Dynasties, which was popular in Northeast China. Later, the melody of "Duan Tou" was added, and the arranger regarded the qupai as "slowly adding flowers", making it a sad and touching melody. The whole song consists of three parts, ABA body structure. "One" is a qupai of "Jiang Ershui", which uses a feather mode and * * * nine sentences, and the tune is sad, like a human voice crying. The "B" section is adapted from the "Duan Tou" material and turned into a homophonic mode. The melody is soft and deep, which is in contrast with the previous work. The last paragraph is the reappearance of the change of "A", and the characters are slightly sad and climax after climax.

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Your legend

Percussion was originally the opening music of China traditional opera, which was a kind of qupai, accompanied by array formation and other scenes. Folk artists also often play to add festive atmosphere. Shanghai National Orchestra was adapted from Your Legend and played in southern Jiangsu. There is a strong contrast between the speed, dynamics and timbre changes of the music, which makes the tune more magnificent, just like the triumphant return of a long-distance bus surrounded by thousands of troops.

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(15) Moonlight on the Spring River

National orchestral music, originally pipa music, is called "Sunset Flute Drum". About 1925, Liu of Shanghai Datong Music Association first adapted it into a national orchestra. After liberation, it has been adapted many times, which is more perfect and deeply loved by domestic and foreign audiences. Through euphemistic and simple melody, smooth and changeable rhythm, clever and delicate orchestration and clever performance, music vividly depicts the charming scenery of the riverside on a moonlit night and praises the charm of Jiangnan water town. The whole song is like a long scroll of landscape painting, with delicate strokes, soft colors, beautiful and elegant, and fascinating. This song was adapted for piano by Liyinghai, for Senguan Quintet by Liu Zhuang and for symphonic music and painting by Chen Peixun. Quanqu is the most common multi-stage structure in national instrumental music.

/.../sjsiyuwen/Liu Jiao/Zi Yuan/Yin Yue/Chunjiang.mp3.

(16) cloud chasing the moon

National Orchestral Music, 1932 When Ren Guang was the director of the program department of EMI Music Company, together with Nie Er, he ordered a batch of national orchestral music for EMI Music Band and made a record. The colorful clouds chasing the moon was one of them, which was written in 1935. 1960 Peng Xiuwen adapted the orchestration according to the Central Broadcasting National Orchestra. Music vividly depicts the charming scenery of the vast night sky with the national pentatonic melody, exquisite arrangement of various musical instruments and brisk rhythm. The tune is melodious and lyrical.

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(17) Rain hits bananas

Guangdong music was first composed by Chou He Town 19 17. Pan arranged the music, which was one of the outstanding works of early Guangdong music. The music is smooth and lively, full of vitality, and it beats the banana through the rain in early summer. It shows people's inner joy and is full of southern flavor. The music material comes from the variation of "Eight Plates". The music is beautiful and moving, by slowing down variations such as adding flowers, using cadence, continuous contrast and short-breaking melody phrases. After the 1960s, it was adapted and adopted some new technologies to make the music more beautiful.

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(18) Nice to meet you

The flute solo, originally a kind of folk music in Inner Mongolia, later spread to the north of Zhangjiakou and became the cut of local operas such as Shanxi Bangzi and Errentai. This song is adapted by Feng Zicun as a flute solo, which shows the joy of seeing relatives after parting. The music is lively and has a strong local flavor. The structure of music is a common variation form in folk instrumental music. Under the condition of keeping the paragraph structure unchanged, we use various skills of the flute, such as strength, speed, rhythm and other musical elements, to develop and enrich the musical theme image from the side. The beginning of the song adopts the form of dispersion, slow speed and the use of glide, which shows inseparable feelings. Variations 1, a brisk and lively rhythm, show the joy of reunion after a long separation; Variation 2, the rhythm is more cheerful and the sense of joy is further developed; Variation 3, faster, more passionate, and the musical atmosphere reached its climax.

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(19) gusuhang

Flute solo. The river string is called Qu, and the music adopts the mode of Kunqu opera. The colors are bright, sweet and lyrical, and the quiet introduction brings people into picturesque artistic conception. Later, the lyric andante seemed to make people appreciate the attractive scenery of ancient Surin. After that, the music became an impassioned Allegro, which made people feel full of enthusiasm and vitality, and the theme reappeared. The melody is more euphemistic, which makes people feel immersed in the infinitely beautiful scenery.

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(25) "Fantasia of Three Stations Gorge"

Liu 1960 created the famous erhu solo works such as Narrative of Northern Henan. The main part of the song is full of vitality and dance rhythm, and the middle part is lyrical and song-like tune. When the main part is reproduced, it is faster and more enthusiastic. Music eulogizes the optimism and heroism of today's builders with full emotions.

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(30) "Fishing boats sing late"

In ancient China, the names of songs were often used. The title of the song is taken from Tang's Pavilion Preface: Fishing boats sing late and the coast is poor. This music describes the fisherman singing home at night. * * * is divided into two parts. The first half is 4/4 beat, slow, and it is the beginning and receiving part. Beautiful melody, showing carefree interest. In the second half, 2/4, the speed becomes faster, the melody is modeled as rising and falling, and the mood becomes more active and enthusiastic. Count the "turn" department. Finally, at the end, the melody gradually drops and becomes more stable.

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(3 1) China Sixth Flower Board

One of the eight famous songs of Jiangnan silk and bamboo. This piece of music is a variation of Slow Flowers based on Old Liu Ban. Lao Liu Ban is a popular folk tune, which can be seen all over the country. Jiangnan silk and bamboo artists have made various variants of "Old Liu Ban", including four variants: fast flower cloud board, flower six board, middle flower six board and slow six board, and the original old Liu Ban and * * * are called "five generations living under one roof". But in the folk, it is generally not a complete set of performances. China's Hualiuban is one of the variations that are often played because of its moderate speed, both decorative and melodious, elegant style and mild joy.

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(32) "Overlord Dismantling Armor"

Pipa solo is a famous pipa tradition in Wu Qu. This spectrum was first seen in Pipa Story 18 18 compiled by Chinese in Qing Dynasty. Music is based on the battle between Chu and Han in the history of China, depicting the decisive battle between Liu Bang and Xiang Yu. Music shows the preparation before the war, the fierce war scenes and the end of the war in turn by the narrative methods commonly used in traditional Chinese opera and Zhang Hui's novels. "The Overlord Dismantles His Armor" highlights the heroic tragedy of the overlord in the western Chu Dynasty, and depicts a magnificent picture of the ancient battlefield, which makes people immersive.

/online music/zgzp/bawangxiejia . MP3