First, Bai Juyi's Mid-Autumn Moon
Wan Li's clear light is incredible, adding sorrow and benefiting hate to travel around the world.
Who has been stationed outside Gansu for a long time? Where is the new parting before the court?
After falling out of favor, Ji returned to the hospital night, but when the veteran went upstairs.
According to how many people are heartbroken, Jade Rabbit and Silver Toad are far from knowing.
Appreciation: The Mid-Autumn Moon is a seven-character poem written by Bai Juyi, a poet in the Tang Dynasty. At the beginning of this poem, I put pen to paper in a complaining tone, saying that the moonlight is puzzling and incredible, and the place it shines adds sorrow and hatred to the world. Then describe in detail all kinds of worries brought by moonlight: homesickness, sadness in the hospital, sadness in the palace, and homesickness of prisoners of war.
Moonlight makes all kinds of people cry, but the moon is unaware of it. It is simply the first-class fool in the world. The whole poem has a unique conception, and the poet seems to chant the moon, which is actually ironic, unique and novel, and there is no lack of humor.
Second, Yan Shu's Mid-Autumn Moon
A frost shadow turns to the court, and this evening brings people to the corner alone.
Su E may not have no regrets, but the jade toad is lonely and lonely.
Appreciation: The Mid-Autumn Moon is a seven-character quatrain written by Yan Shu, a writer in the Northern Song Dynasty. It was the Mid-Autumn Festival, and the moonlight cast shadows on the ground through the sycamore trees in the courtyard. The poet was stranded in a foreign land, unable to reunite with his family. He thought that Chang 'e was only accompanied by lonely and swaying osmanthus trees in the cold moon palace, and there would be melancholy and resentment, thus euphemistically expressing the homesickness of the wanderer.
The whole poem is from scenery to emotion, from near to far, and the levels are orderly. The last two sentences set pen to paper from the other side, reflecting their own homesickness and disappointment, and they are relevant to the scene, especially feeling elegant.
Third, Su Shi's "Yangguanqu Mid-Autumn Festival"
The twilight clouds are overflowing and cold, and the silver man turns to the jade plate silently.
This life is not a good night, where to see the bright moon next year.
Appreciation: Yangguanqu Mid-Autumn Festival is a word written by Su Shi, a writer in the Northern Song Dynasty. This poem describes the reunion of the author and his younger brother Su Zhe after a long separation, enjoying the Mid-Autumn Moon, and also expressing the sadness and emotion of breaking up soon after the reunion. This little word, entitled "Mid-Autumn Festival", is naturally the joy of writing "a full moon"; Posting "Yangguanqu" involves other feelings.
This word is written from the beauty of moonlight to the joy of "full moon", and from the night of that year to the Mid-Autumn Festival of the following year, it comes down to other feelings. The image is concentrated, the realm is lofty, and the language is beautiful and meaningful. "Yangguanqu" was originally based on Wang Wei's poem "Send Yuan Er Shi An Xi", and Su Shi's word is similar to Wang Wei's poem in four tones, which is generally in line with the lyrics of ci writers.