"I grope for this vast land with my damaged palm", and the first two lines of the poem play a leading role in the whole poem. It is conceivable that there is no map in the dark and damp dungeon. Therefore, "the damaged palm gropes for this vast land" can only be a surreal imagination in the psychological field, so that it can "grope" the map of the motherland in its mind. The poet uses symbolism, and the "enlarged land" symbolizes the motherland. The "damaged palm" is not only realistic, but also an image. Dai Wangshu talked about the territory of China several times, just like a leaf, but it's a pity that a piece is missing, hoping to see a complete leaf one day. Now he is entitled "The Broken Palm". Obviously, this palm is a metaphor for his yearning for the motherland, and it also points to his close call. The word "damage" is full of blood and tears, which includes both the pain of being deeply destroyed and the hatred of Japanese atrocities; There are both sympathy for the slaughter of hundreds of millions of compatriots and deep thinking about the fate of the suffering motherland ... It is all this that has turned into an uncontrollable internal drive, making the poet endure the pain of body and mind and write this masterpiece.
"This corner has turned to ashes, and there is blood and mud in that corner". "Ash", "blood" and "mud" summarize the bleak scene of the occupied areas. The invaders burned and looted, leaving ruins everywhere and people displaced. The palm of the poet's hand is damaged, and the land of the motherland is fragmented. The poet and the motherland have the same fate.
"This lake should be my hometown ... I touched the algae and the cool water", and the "palm" led the poet to his "hometown", where the scenery used to be so beautiful and charming. The author wrote about the spring, flowers, tender willows, seaweed and water in his hometown, which aroused his sensory experience such as sight, smell and touch, as if he had returned to his hometown personally. The synthesis and connection of these various sensory experiences make the poet's illusion world three-dimensionally and vividly presented to the readers, so that the readers also strongly feel a deep patriotic thought and the pain of death. The deep homesickness between the lines is in sharp contrast with the reality that the author is in prison.
"The snow peaks in Changbai Mountain are freezing cold ... I dipped in the bitter water of the South China Sea without fishing boats", and the "palm" touched a large area of land from north to south. Everywhere in Changbai Mountain, Yellow River, Jiangnan, Lingnan and Nanhai, the author highlights the characteristic things in this area: snow peaks, water and sediment, new grasses, Artemisia scoparia, litchi flowers, etc., which are the feelings of various sensory organs on the present situation of the country, the hints of the people's miserable life in the occupied areas, and the poet's expression of his feelings to the motherland in prison. "The litchi flowers in Lingnan languish in loneliness" The poet endowed litchi flowers with the "lonely" feeling that talents would have with anthropomorphic usage. Emotionally, these lines are melancholy, negative and cool, expressing the poet's unspeakable feelings for the suffering motherland.
"Invisible palms sweep across the infinite mountains and rivers,/fingers are stained with blood and ash, palms are stained with darkness", and the poet's thoughts gallop on the motherland, leaving behind the impression that the country has been trampled by invaders wherever he goes.
"Only the distant corner is still intact,/warm, bright and strong, and spring flourishes." Palm finally found the land with "one corner still intact", which is the hope of China and the last piece of pure land that has not been trampled on to resist aggression and maintain national dignity. From here on, the poet's mood is no longer low, but he becomes warm, clear and positive. He has never experienced the life in the liberated areas personally, but he is emotionally yearning. This is his lyrical description of the liberated areas.
"On it, I touched it with my damaged palm,/like the soft hair of a lover and the milk in a baby's hand." This is the second time that the words "I use my damaged palm" appear in the poem, which is an emphasis. With patriotism and persecution by the enemy, I found comfort in this warm land. The palm stroking "like a lover's soft hair, a baby's milk in his hand" is in the imaginary virtual, combining metaphor and simile, which contains emotional richness. The two images of "lover's soft hair" and "baby's milk" are used appropriately, arousing the most intimate touch in people's life.
"I put all my strength in the palm of my hand/stick it on it, and send my love and all my hopes". I express my heart and firmly believe that the anti-Japanese struggle led by China's * * * production party will win, and the hope for national rejuvenation in the liberated areas lies.
"Because only there is the sun, it is spring,/it will drive out the gloom and bring Su Sheng", and the similarities between "sun" and "spring" are used to describe the liberated areas, which can bring light and awakening to the land of China. The damaged palm gropes here, and no matter how painful and heartbreaking it is, it will disappear in the "spring sunshine". Nothing is more exciting than a glimmer of light on this sleepy land. The poet's desire for victory and hope for the nation are manifested in this powerful and inspiring poem.
"Because there is only one place where we can't live like animals and die like ants ... there is eternal China." The poem ends in a high-pitched tone, and the author expresses sincere feelings for the liberated areas and ardent hopes for the future of the motherland. The two metaphors of "animals live like animals" and "ants die like ants" are used to contrast the liberated areas with the hot-water occupied areas, where national rejuvenation will be realized and "eternal China" will be born.
The poet arranged two parts to show the specific content of "groping". Part of it is land that has been ravaged by the enemy and turned into ashes, full of blood and mud; One part is a distant corner that is warm, bright, vigorous and still intact. These two parts are juxtaposed together, which just constitutes a horizontal contrast. The poet uses two sets of pen and ink to render two different colors, which gives readers a strong stimulus. The poet's hatred for the enemy and his deep love for the motherland are naturally displayed.
There are many objects described in this poem, but we don't feel complicated when reading it. This is because the poet unfolded the contents of the poem in imagination, and in imagination, the poet's palm touched the vast land. First, the hometown of the occupied area, then from the northern part of the motherland to the southernmost part, and finally stay in the liberated area. Summarizing every characteristic scenery on the motherland, the author highlights the tactile function of the palm, such as "coolness", "coldness", "sliding out", "thinness", "softness" and "dipping". In this way, a wide range of description objects are relatively concentrated, which runs through the clue of "the feeling of the palm". So we don't feel confused when reading.
In addition, this poem has a special rhyme way. Sometimes it's four lines with a rhyme, sometimes two lines with a rhyme, and sometimes two lines with a rhyme. For example, from the fifth line, the rhyming words are "Xiang-Yi-Fang-Liang", "Grass-Artemisia", "Strain-Water", "Mountain-Darkness", "Fu-Breast", "Palm-Hope" and "Living-Country" in turn. This flexible rhyming method not only embodies the freedom of modern form, but also makes the whole poem have a relatively coordinated rhythm.
Extended content: I read comprehension and answers with my damaged palm.
I used my damaged palm
Dai wangshu
I used my damaged palm
Explore this vast land
This corner has turned to ashes,
That corner is just blood and mud;
This lake should be my hometown,
(In spring, the embankment is full of flowers,
The tender willow branches are broken with strange fragrance)
I touched the algae and the coolness of the water;
The snow peaks in Changbai Mountain are freezing cold.
The yellow river's water and sediment slipped out between its fingers;
Paddy fields in the south of the Yangtze River, your new grass.
Is so thin, so soft ... Now there is only Artemisia;
Litchi flowers in Lingnan languish in loneliness,
I am immersed in the bitter water of no fishing boats in the South China Sea. ......
Invisible palms sweep across the infinite mountains and rivers,
Fingers stained with blood and ash, palms stained with darkness,
Only the distant corner is still intact,
Warm, clear, firm and vigorous spring.
On it, I stroked it with my broken palm,
Like a lover's soft hair, a baby's milk.
I put all my strength on the palm of my hand and put it on it,
Send love and all hope,
Because only there is the sun, not the spring,
Will banish gloom and bring Su Sheng,
Because that's the only place where we don't live like animals,
Die like an ant ... There, eternal China!
July 3, 1942
14. I wrote about my hometown in the poem. What scenes did I write about my hometown in spring? How to mobilize a variety of sensory organs to make people feel like they are there?
A:
Reference answer
The author wrote about the flowers, tender willows, seaweed and water in my hometown in spring; It mobilizes vision, smell and touch, and makes people return to their hometown as if they were there.
15. Which poems describe the scene of the liberated areas? What are the characteristics of the author in choosing images and words?
A:
Reference answer
The sentence describing the scene of the liberated area is that only the distant corner is still intact. The author touched the remote corner of the liberated area and his mood suddenly changed. Because it is warm, clear and full of milk in the hands of soft-haired babies who are full of spring lovers, it has always been praised as two metaphors, which makes people feel more cordial to the liberated areas. In the lyrical description of the liberated areas, the author chose beautiful and vibrant scenes, and the words he chose were mostly positive and warm, which strongly expressed his sincere feelings for the liberated areas.
16. How did the poet compare the liberated areas with the enemy-occupied areas? What's the use of writing like this?
A:
Reference answer
From the emotional color of words, it is negative and cool to write about enemy-occupied areas; Writing about the liberated areas is positive and warm. There is a clear contrast before and after. From the selected image, writing about enemy-occupied areas, such as the cold snow peaks in Changbai Mountain, the water in the Yellow River with sediment, the Artemisia scoparia growing in paddy fields in the south of the Yangtze River, the languid litchi flowers in the south of the Yangtze River, and the bitter water without fishing boats in the South China Sea, is a bleak scene. The liberated areas are written with words such as love, hope, sun and spring, reflecting the warm, clear and vigorous scene of spring, which is in contrast again. The use of contrast makes the author's emotional tendency more vivid and better expresses the poet's deep love and hate.