1. Playing posture

The proposition of playing posture has always been put at the forefront for a reason. Playing posture is like laying a foundation. If the posture is wrong, it will affect the later practice and performance. Non-standard playing posture will bring bow, chest, tense legs, stiff hands and lax pressing holes.

There are three main aspects to standardize the performance posture. The control of the mouthpiece is the hand shape and the posture of the body. The body should not be too stiff to be natural, the chest should be straight, the musical instrument should be relaxed, the finger should be pressed on the hole accurately, and if it is not allowed, it will go out of tune.

second, the use of breath

Hulusi is a playing instrument, and controlling breath is the basic condition for playing Hulusi. The timbre of cucurbit silk is soft and light. If the breath is used too hard, it will cause the feeling of sound explosion, which is noisy and harsh.

In fact, no matter which instrument you play, the control of performance strength is an art, and it depends on the characteristics of the instrument. The timbre of cucurbit silk is soft, and the strength of blowing is also relatively soft.

1. The control of the mouthpiece is not strict enough

The control of the mouthpiece has been mentioned in the playing posture. First of all, the mouth should be tightly sealed with the mouthpiece, and the corners of the mouth should not leak. Once there is air leakage, there will be air leakage sound.

2. Unstable breath

Unstable breath is a common problem for many beginners of cucurbit silk, and it can be solved by including four aspects: long tone training, vibration training, strength change training and cyclic ventilation training. Choose different practice methods according to the beginner's learning progress. Beginners can choose long tone training. By playing a long tone with stable timbre and pitch, the breath is controlled through the mouth, abdomen or chest.

3. The influence of breath on the duration of music

In the process of playing, the control of rhythm affects the overall effect of music. The control of breath needs to be broken when it is broken, and it needs to be connected. If the duration is delayed or shortened, it will produce different musical feelings. Beginners can easily procrastinate when playing long notes, or stop early on shorter notes.

Third, the practice of fingering

One of the most commonly used fingering of cucurbit silk is the fingering with the drum sound of 5. A drum sound is a sound made after all the holes are pressed. In addition, there are other fingering methods, such as drum sound as 1, drum sound as 2, and drum sound as 3. It is suggested that beginners learn the fingering method of drum sound as 5 first, and other fingering methods are not commonly used, so they can learn it again in the time scale. The "Gourd Finger Table" is attached with a drum sound as a five-fingered table. Extended information

playing skills

1. Single-spit

There are two notations for the marks of single-spit in the music score, one is English T, and the other is inverted triangle _. The technique of single spitting is to pronounce a word "spit" in your mouth with your tongue. The use of monosyllabic vomiting is to clearly distinguish between sounds and make each sound grainy. In the process of playing cucurbit silk, we often encounter several sounds repeating, such as 333,222 in the music score "Mary has a lamb". If you just use your breath instead of your tongue, these sounds will become vague.

2. Legacy line

The function of Legacy line is to connect sound and sound continuously. The sound within the Legato line should be coherent and smooth. No, don't breathe within the Legato line, and finish playing in one breath. Legacy lines can be used with other playing marks.