In order to get rid of the homesickness, the writer of "Try new fire and new tea" used tea as a self-dismissal of his homesickness, which not only implied the poet's hard-to-get-rid depression, but also expressed his self-psychological adjustment to get rid of it.

"Poetry and wine take advantage of time", further stating: we must be detached from things, forget everything in the world, and seize the opportunity to borrow poetry and wine to entertain ourselves. "Time" refers to a good time, which corresponds to the "spring is not old" mentioned at the beginning. The whole word is written around the word "detachment", and at this point, it has entered the highest realm of "detachment". This realm is the concrete embodiment of Su Shi's mood and ci realm during his stay in Mizhou.

From the Northern Song Dynasty Su Shi's "Looking at the South of the Yangtze River and Transcending Taiwan", the original text is:

Spring is not old, the wind is fine and the willows are oblique. Try to look at it on the detached stage, and half a city is full of flowers. Mist and rain darken thousands.

After a cold meal, I wake up with wine but I feel uncomfortable. Don't miss your old country for your old friends, and try new tea with new fire. Poetry and wine take advantage of time.

Translation:

Spring is not over yet, the breeze is thin, and the willow branches dance obliquely with it. Boarding the transcendental platform and looking far away, the moat is only half full of spring water flashing slightly, while the city is full of colorful spring flowers. Further away, every tile house is in the rain shadow.

After the Cold Food Festival, I woke up with a sigh of homesickness, so I had to comfort myself: Don't miss my hometown in front of old friends, just light a new fire to cook a cup of freshly picked tea, and you should be drunk while you are still in your prime.

Extended data

Creative background:

This word was written in the late spring of the ninth year of Xining in Song Shenzong (1076). In the late spring of the ninth year of Xining (1076), Su Shi boarded the transcendental platform, looked at the misty rain in spring, touched his homesickness and wrote this word.

Ideological theme:

The first part of this word is about scenery, and the second part is lyrical. By describing the scene of spring and the complex changes of the author's feelings and demeanor, it conveys the author's helplessness and frustration about having a home and being ambitious and hard to pay, and at the same time expresses the author's open-minded and detached mind and life attitude of "doing what you use, hiding what you give up".

About the author:

Su Shi (1037-11year), whose name is Zi Zhan, and whose name is He Zhong, was named Tieguan Taoist, Dongpo layman, known as Su Dongpo and Su Xian, a famous writer, calligrapher and painter in the Northern Song Dynasty.

Su Shi was a literary leader in the mid-Northern Song Dynasty and made great achievements in poetry, ci, prose, calligraphy and painting. His poems are broad in subject matter, fresh, healthy and unique in style, and he is also called "Su Huang" with Huang Tingjian. His words are bold and unconstrained, and he is the representative of bold and unconstrained with Xin Qiji, and he is also called "Su Xin"; His prose writing is rich and unrestrained, and he is also called "Ousu" with Ouyang Xiu, and is one of the "eight masters in Tang and Song Dynasties".

Su Shi is also good at books and is one of the "Song Sijia"; He is good at literati painting, especially at ink bamboo, strange stones and dead wood. There are Seven Episodes of Dongpo, Yi Zhuan of Dongpo, Yuefu of Dongpo, Xiaoxiang Bamboo Stone Atlas, Ancient Wood and Strange Stone Atlas handed down from ancient times.

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