Works: Shanghai Aurora Museum, Dragon House in Kyrgyzstan, Asia International Art Museum.
Ando's architecture has always been a criticism of modernism. He criticized and reformed the whole modernism by borrowing the form of modernism. Ando used modernist materials, vocabulary and dogma with social influence in his architecture.
Attacking the paranoid tendency of functionalism, Ando's anti-functionalism is about the air-conditioned facade and the building relative to the residents. He thinks that this comfortable building cuts off the connection between man and nature.
Tadao Ando has always adopted a closed attitude towards this city in his early days. In fact, Ando is an advocate of "urban guerrilla warfare". He advocated that we should not pay attention to the position of society and cities. In Ando's works, people begin to realize the individuality of urban public space, which should be a complex commercial facility next to 1984 Kyoto Takasaki Kawasaki.
In addition to his usual method of moving back and forth, Ando opened the building to the river, creating a multi-level space and opening it to nature, creating a new public space for people passing by the bridge.
Extended data:
Ando is a self-taught architect. He didn't get any degree, and he didn't get any master's instruction. Ando's success is attributed to his extensive reading and travel, and he gained inspiration by personally experiencing these historical buildings. To this day, he has been going on without interruption. Ando first felt the existence of architectural space in the Pantheon in Rome.
Ando once said, "What I feel is a real space. When the building is illuminated by a hole with a diameter of 9 meters in the center of the dome with its simple geometric arrangement, the space of this building really exists.
In this condition, objects and light are imperceptible in nature. This feeling can only be obtained through the intermediary of architecture. What really touched me was the power of this building. "
Baidu Encyclopedia-Tadao Ando