The movie is based on the theme of truth and fantasy, following the trend of 2001; however, the whole movie lacks an organic combination of romance and sci-fi when it combines mainstream romance and exploratory sci-fi, and the director fails to master the mixture of the two themes, making people feel that the movie is not yet finished in both aspects. The conflict between the protagonist and the director of the company at the beginning of the movie was not resolved; the line used to intersperse "whether I killed Sofia" pushed the plot style to a Hitchcock-style suspense creation, but neither increased the entertainment nor the deepening of the theme of the movie did not help; the end of the movie with the simplest statement and Q&A quickly solved all the riddles, which deprived the audience of the fun of peeling the layers of the cocoon, and also deprived the viewers of the fun of the film, and also deprived the viewers of the fun of the film. The end of the movie quickly solves all the mysteries with the simplest statements and questions and answers, which not only deprives the audience of the fun of peeling off the cocoon layer by layer, but also makes the movie lack of flavor. The director's use of interludes is ingenious, and some of the shots are intriguing; however, the pace of the movie is not too tight, and some of the loose ends are unnecessary, so it would have been better if half an hour had been cut. （

It's a meticulous moral lesson, with some plot points folding back on themselves like Escher's contradictory staircase, requiring the viewer to do some heavy thinking, and the story's many possibilities make you want to analyze it only after seeing it twice; with the plot twisting, and the marvelous chemistry between Chris and the two actresses, both of whom are of very different genres, the movie is undeniably entertaining; it's a good one, but it's also a good one. Entertainment is unquestionable; the movie reveals a lot of surprises from the moment David ****s the night away with Sofia, it seems to be about David's life and love, and then it reveals a completely different direction with a full explanation. The only problem is that the ending illustrates the mechanism that creates the confusion rather than telling the audience what is really going on. (Roger Ebert's review)

The movie is a blend of romance, suspense, thriller, medicine, science fiction, time and space, etc. The plot is twisted and bizarre, retaining the depth and thoughtfulness of the original version, with the addition of medical science fiction suspense and thriller, taking into account the commercial and artistic, the pilot has already brought about a piece of shock, the film's philandering son, Tomko, has a great twist in the ups and downs of the emotions of the film, Cameron Diaz, although not as much as Penelope, but also quite a bit in the first scene, and the film has a great deal to say. Although Cameron Diaz's role is not as big as Penelope's, she is also quite eye-catching in her first appearance. (Netflix Community Review)

The movie seems to be deliberately trying to make some kind of sense or moral, and the plot reverses and shifts too quickly, with just-established perceptions being overturned by later episodes, so that people don't know what's going on. The beginning of the film seems to show David's life and love, but soon its direction is reversed into a conspiracy, the characteristics of this type of film is to require the audience to be highly concentrated, and together into the guessing game, and eventually all of this "conspiracy and love" have been rationally explained, so that people are convinced. Watching the plot of the movie rapidly evolve, another highlight - the actors are also entertaining, not only are they handsome and charming, but also the characters in the movie are full of machinations that are played very suitably. Can't help but recognize that this is a fresh, watchable and quite outstanding masterpiece. (New Express review)