The prelude of the Knife Club, the flute, the study of weapons, the artistic conception of Hu Jinquan's rivers and lakes, and the new martial arts films absorb tradition and innovate again. However, technology suppresses emotions. Tsui Hark, why don't you let Jet Li Zhou Xun recite a few poems?

The familiar music of gongs and drums brings memories. The inn where the heroes gather, the eunuch and the heroes. Several villains are more popular, including feminine Chen Kun, glass-eyed Fan Shaohuang, and bright-eyed second gear head. Kwai Lun Mei's group of Tatars are also very funny about Tsui Hark. Not to mention the weakness of the plot, what really scratches the head is the 3D that was boasted before. For example, if people compete in animation, they will always play instead of playing.

Longmen inn is still here today, but I don't see the proprietress of that year. IMAX has a great visual effect, and the story is quite satisfactory. It has a martial arts tune made in Hong Kong in the 1990s, but it is just a new bottle of old wine. Technically, 3D is definitely an advantage, but the slow mirror used for 3D's sake is empty but lacks the blood boiling in action. In some places, I even feel fake. Chen Kun's performance was great, and he put it away freely. Jet Li has a man who looks like Chen Guantai.

I can see that it is a film made with heart, but it lacks surprises. Old bottles make new wine. The bottles are good enough, but the wine is not so fragrant. Since the search for people in the deep sea, Tsui Hark has lost his previous domineering. Although the output is getting higher and higher, the quality continues to decline. The star lineup is still blinking, but none can match the Maggie Cheung version of the gold inlaid jade. Chen Kun did well, much more charming than other actresses in the play.