The top ten treasures of Shanghai Museum are: white glaze printed Yunlong pattern plate in Dingyao, nail washing in Jun kiln drum, wooden leaf pattern lamp in Jizhou kiln, Ru kiln plate, six-tube bottle with white porcelain lotus mouth pattern, Liu Ti Lu smoke map, Gaoyi map, Xiashan map, grasshopper Hua Die map and Qingbian seclusion map. Among them, Ding Yao White Glazed Yunlong Map, Liuya Lu Yan Map and Qingbian Seclusion Map are of great value to visit.

1, Ding Yao white glaze printed Yunlong pattern board.

The carcass of this kiln plate is even and thin, the glaze color is white and slightly yellow, the outer wall has the common characteristics of "tears" on kiln porcelain, and the mouth edge is inlaid with copper edge; The plate is printed with Yunlong pattern, which is very clear and represents the highest level of porcelain printing technology in Song Dynasty. It is one of the most exquisite porcelain in Ding Kiln. Now it's in Shanghai Museum.

2. Liu Yan Tu

This picture is divided into two parts. In the front part, there are four white-headed crows perched on the roots and branches of willow trees. In the back section, there are four geese drinking water by the water beside the reeds. Crows and geese have different expressions and are full of vitality. This painting vividly reflects the simple style of Song Huizong's flower-and-bird painting. The color is mainly ink, with a little light color. The ink color is rich and varied, the pen is round and smooth, and the whole is smart and clumsy, simple and elegant.

There is an inscription saying, "The brushwork is natural, and every grid is removed, with ink in shades, which is somewhat like life." Quiet and pure, unable to shape. It is in line with the aftertaste of Jiangnan ink painting. The picture shows "one person in the world" as a token of flowers in Evonne. There are seals such as "Xuan He Zhong Mi" and "Imperial Book" on the painting.

3. The seclusion map of Qingbian

This painting depicts the scenery of Xing Wu, Wang Meng's hometown. This painting is composed in a noble way. In the picture, the mountains are steep, the trees are lush and the waterfalls are hanging high. Several houses can be seen on the left side of this picture. The figures in the painting are different in shape. One sits idle in the room, and the other walks on the mountain path with crutches, which shows the leisure and seclusion of the literati.

This painting has various techniques, skillful brushwork and rich ink color. Wang Meng's description of moss spots on rocks is flexible, flexible and harmonious, which embodies the characteristics of rocks in the south of the Yangtze River. Although the overall layout of this painting is complex, its density is appropriate and its picture is magnificent, which is in great contrast with Ni Zan's lonely and naive painting style.