The author of "Ode to the Goose" was King Luo Bin of the Tang Dynasty.

Goose, goose, goose, singing to the sky.

White hair floats on the green water, and anthurium stirs the clear waves.

Translation:

Goose Goose, facing the blue sky, a group of geese stretched out their curved necks and sang. White feathers float on the turquoise water. The red soles stirred the clear water.

Appreciation:

The first sentence of the poem uses three words "goose" in succession. The use of this repeated chanting method expresses the poet's love for geese and enhances the emotional The second sentence describes the way the goose crows, giving people a sense of sound.

The sound of the goose is high and loud, and the word "qu" makes the goose stretch its neck and raise its head. The image of squawking toward the sky is very vivid. This sentence writes about what is seen first, and then what is heard. The above is about the situation of the geese marching on the land, and the following two sentences are about the arrival of the geese. The scene of swimming leisurely in the water.

Creative background:

"Ode to the Goose" is said to be a poem written by King Luo Bin when he was seven years old. When he was a child, King Luo Bin lived in a small village in the north of Yiwu County. There is a pond outside the village called Luojiatang. Every spring, the willows are floating on the pond, the water is crystal clear, and there are flocks of geese on the water. One day, a guest comes to the house.

The guests saw that he was handsome and smart, so they asked him a few questions. The seven-year-old King Luo Bin answered questions fluently, which surprised the guests. When King Luo Bin followed the guests to Luojiatang, a group of white geese were floating in the pond. The guests wanted to try King Luo Bin. , he pointed to the goose and asked him to write a poem with the goose. King Luo Bin thought for a while and then composed this poem.

"Ode to the Goose" is a poem about objects, which focuses on describing the similarities and dissimilarities of things. Objects must have both form and spirit, embodying interest. They are neither pure objects, but cannot be separated from the original objects. Of course, the "god" here is not owned by the object itself, and the object is an object without emotion or thought. , there cannot be any "god", but its shape is often connected with the human heart in some way, so it is possible to express the author's emotional spirit by depicting the appearance of things.