"Farewell My Concubine" inherits Chen Kaige's thinking about people and history in his previous works, but it has a more unrestrained emotion and a fuller human touch than his previous works. A sense of ever-changing history. Here lies the powerlessness of the individual in the face of history, as well as the ridiculous but respectable dignity of the individual in the face of history. It is a happy-go-lucky attitude that is content with reality, and it is also a moral obsession that cannot tolerate a single child. The pity and admirability of human beings, cuteness and hatefulness, are like burning fire cooking oil, clashing with each other in this drama, which is touching. Every frame is filled with a sense of power and tragedy.