How to use PS to turn photos into comics. Use software: PhotoshopCC to use PS to turn photos into comics and illustration style. The steps are as follows: 1. Prepare the photos to be processed (the resolution should be larger) and anime-style sky materials.
The original image used here is: Note: This tutorial is only suitable for processing landscapes, not suitable for processing characters.
Moreover, the processing of landscapes is not suitable for dynamic objects such as vehicles and running water, so it is actually quite picky about photos.
2. Oil Painting Filter Now I feel that the "Dry Brush" filter in the original tutorial is of no use, so I only use the "Oil Painting" filter.
The "Oil Painting" filter is located in the "Filter" menu. Photoshop CC2014 may not have this filter.
The six parameters currently used are "0.1", "5", "10", "0", "0", and "0".
You can use the parameter values ??I gave you as a reference first, and you will be able to grasp them yourself after you have done more.
If you feel that the effect of the filter is not strong after using it, you can double it with Ctrl+F (_F on Mac).
3. CameraRaw filter Although the "oil painting" filter is crucial, you may not be able to detect any obvious changes at this moment.
Don't worry, you will see the effect after using the "CameraRaw" filter.
This filter is located in the "Filter" menu in Photoshop CC.
As shown in the picture, exposure +1, minimize contrast, maximize shadows, black, sharpness, and natural saturation. 4. Cut out the blue sky and replace it with the anime-style sky material prepared in advance (continue to be lazy)
Using Xin Haicheng’s cloud).
There are many ways to cut out pictures, so I won’t go into details here.
If the sky in your original photo is very pure blue or very gray (that is, there are no clouds), it only takes 10 seconds at most to use the "Magic Wand" tool.
After replacing the sky material, remember to use "Curves" or other tools to adjust the exposure of the sky so that it matches the foreground.
In fact, up to this point, for most people, a good work has been completed.
5. The final repair of cartoons and movies has lower contrast than photography, so in the final repair I often add an "adjustment" layer to reduce the contrast.
In addition, you can also observe the use of low-saturation blue-purple (dark parts), warm yellow (bright parts) and other colors in Makoto Shinkai's works, use "color balance" and other methods to process your work, and then add some light to the bright parts.
A little warm yellow fleck.
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