From the first stage in Berlin (1900 12 1) to the farewell concert in London (1976 May 3 1), artur rubinstein fascinated the piano music scene in this century. The stout man who plays the piano unhurriedly has the white hair, broad chin and Jewish outline of European Bohemians (Picasso captured his charm well), and his straight back leans forward slightly to establish his ebony and ivory kingdom. His left leg is bent at a quite elegant angle under the piano stool, and his right leg is placed on the "soul" of the instrument. He and Alau are both gentlemen on the music stage and masters of elegant manners. Some pianists sweep the keyboard with their personal style, but artur rubinstein just plays the piano; Some pianists pushed the music to a climax reluctantly or as expected, but artur rubinstein just kept playing on the keys. He makes every moment in music more enjoyable and convincing. His touch of keys is solid and his notes are correct, so his passionate or lyrical phrases are not exaggerated. His music is a typical elegant style, which enriches his life by learning and experiencing music. Some people are only good at certain music, but his repertoire covers everything.

His affair with a woman is also a legend. "London holland street (19 1 1) ... When artur rubinstein walked into the room, the room suddenly narrowed. He is not tall but very young, with broad shoulders and a pair of delicate hands (fingers are wide, like Rachmaninov's 12 degrees) that I have never seen before. Above the shoulder is a childish, strange and ugly face, but the head shape is very beautiful. There is an ugly thick short curly hair of dark gold on the face. Pale eyes shine with wisdom, and his Jewish nose and Polish elegance are also his characteristics. Light and firm lips smiled nervously. It seems that he can only see his vitality from his chin, which is enough for people to look at him more. " Muriel draper described Artu in this way (Midnight Music, 1929). "(She) has a pair of rare beautiful jade hands, but her face is hard to understand: the long and narrow head is covered with long golden hair tied with a hairnet, and her high cheekbones, short and slightly flat nose, full mouth and thick lips make her look like a fair-skinned black person. She has feminine charm and I fell in love with her. " This is artur rubinstein's description of Molly (my youth, 1973, the first half of artur rubinstein's memoirs). In his recital, Blake Steinway was surrounded by flowers sent by admirers, and his eyes always seemed to be fixed on beautiful women. From the classical music in the first half of the concert to Chopin's encore (Waltz in C minor, Mazzuca's Op.33 in D major, and perhaps Chabrier's humorous waltz), anyone who has enjoyed Rubins' live concert will be deeply impressed by his music. For Sohulok, artur rubinstein was the first person of the last romantic school, a great king in the golden age, and an impromptu poet with intuition and aristocratic temperament. He makes himself and art more attractive, more suitable for the tastes of the public, and becomes a part of life. You must have feelings when you play ball. He often complains that the post-war generation "uses less brains and does not act." They are afraid of feeling and making mistakes. Piano playing career is not safe, but it is necessary. Seize the opportunity and what happened. The world doesn't like timid people. No one can resist being involved in art and audience. If you don't lose five pounds and shed ten drops of blood, you can't perform at the concert. " (Abraham Zahin, The Pianist's Words 1957) "Music should avoid being emotionless. No one can persuade me to go to a concert or performance that can't resonate with me emotionally. I'd rather go to a coffee shop to have a good cup of coffee and light a cigarette. For me, this is a really happy emotion. Music must be infectious. " (Interview with Henry Bladen,1962 February 1 1 London Sunday Times)

When artur rubinstein was young, he often lived among the princes and nobles of the European royal family. They all like him, so artur rubinstein's performances in France or Latin America are very smooth. Artur rubinstein and Russian pianist Anton artur rubinstein share the same surname (but are not related by blood), so there is no difficulty in communicating with Russians. Although meticulous Germans have successfully trained pianists like Dabel and busoni, they still can't accept artur rubinstein's "nonstandard" piano gestures; Britons and Americans want to get a refund after listening to music with 30% errors (artur rubinstein himself admitted). Artur rubinstein knows the seriousness of the problem. He changed from a dissolute trousers (he loves food, good cigars, wine and women more than work) to a real artist and got married on 1932. "The reason why I changed myself is that I don't want someone to see my wife after I die and say to her,' Your husband is a lazy guy and never does anything serious in front of the piano'." With his talent, artur rubinstein became a truly great pianist. "It was very important for me (although I had to practice a lot of etudes by Cherny and Clementine again), so I began to practice diligently. However, two hours, three hours to four hours, this is the limit. I never said that I practiced piano all day or all night. No, no,no. Don't exaggerate. I am a powerful pianist again. "