A Q Zheng Zhuan
This novel has many classic dialogues, which make people laugh after reading, and then worry about the people and things.
A Q Zhengzhuan 1
Mr. Lu Xun once said, "There is no road in the world, and when more people walk on it, it becomes a road." He opened a new era of vernacular novels. Many people say that Lu Xun's novels are obscure and difficult to understand, and do not advocate reading them. But I think that reading his novels requires an extremely strong sense of responsibility as well as a serious attitude. When one carefully tastes the words and actions of the characters, there are not only jokes, but also sorrows, the sorrows of that society, and the great sadness of Mr. LU Xun's heart is implicit in them. The pain of "everyone is drunk and I am awake alone" is a feeling that people of our generation cannot understand. I think it was the stormy times that created the great Mr LU Xun, and Mr LU Xun also made a great era. It is said that his writing is like a sharp sword hitting the heart of the enemy directly. Indeed, he sees the enemy's weaknesses clearly and kills them with a single blow. He was calm and serious at all times.
The first time I read "Q" was in junior high school, when I was young and foolish, I only thought it was funny, and smiled and disappeared, and as for the deep meaning, I couldn't understand it, and had no intention to explore it. Now read Mr. Lu Xun's works again, was y moved, which the smallest points, are visible in its heart, and the character of Q, in my mind is more and more vivid, more and more real, originally thought that the place of ridiculous, now but also feel sad.
"Q" is divided into nine chapters to tell the story of Q's tragic life. The novel is neither long and tedious nor boring. The whole novel records Q's long and short life in a seemingly flirtatious tone, full of drama and evocative.
The first chapter is the author's preface, titled Preface, the content of the preface, as well as the introduction of the novel's protagonist, Q, Q's identity seems to be a mystery, we can only speculate that we know a roughly, the author is equal to the Q in that era, the place, the unchuang, sounds less reliable, the article The beginning of the article seems to be a bantering tone for us to introduce Q, this insignificant little man. The first is to introduce us to Q in a seemingly playful tone.
The second chapter shows the meaning of the word "Q", which we often use. Q was always ridiculed by the village people, but he despised them in his heart. When he fights with others, Q always loses, but he is not angry when he loses, instead he is very happy, he says to himself: "I am finally beaten by my son" full of superiority, but this kind of spiritual victory is not always useful, really can't be solved, he hits himself as if he hit the other side, and then go to sleep, this ridiculous Q, always live in his own world, this is the most important thing in life. Always living in his own world, this is a kind of perverted psychology. This is also Mr. Lu Xun's criticism of the Chinese people after the Opium War: on the one hand, they were slavishly obedient to the imperialists, and on the other hand, they were frantically repressing and exploiting the subjects under their own rule. On the one hand, the Chinese rulers boasted of their greatness, but on the other hand, when they were already in a critical situation, they wanted to use the method of spiritual victory to comfort themselves.
The third chapter, "Continuing Yousheng Zhiliu", in which AQ actively messes with three people in succession, first Wang Hu, the lice catcher, and then Wang Hu, the louse catcher. First, Wang Hu, a lice catcher, just because his lice are less than Wang Hu's to find Wang Hu fight. Heh, Q's ridiculous self-esteem can not help but make me laugh. In life, we are not often for the inexplicable comparison, so that they are not happy? Sometimes for the sake of ridiculous self-esteem to do some waste of life. But ah, the real self-esteem is others can not take away nor step on the inextinguishable, however, what is the real self-esteem, I still have to comprehend. After losing a fight with Wang Hu and cursing the son of the money master, Ah Q was beaten up, and then insulted a little nun, which made him angry and full of pride. Q is supposed to be vulnerable, but when he meets the little nun, he bullies her, which is typical of bullying behavior, making me want to sympathize with Q but not sympathize with him.
In Chapter 4, Q seduces Mrs. Zhao's maid, Wu Ma. Wu Ma is in shock and lets everyone know about it. Wu Ma is also an exploited person who deserves sympathy, but Wu Ma also despises Q and lets the whole house know about it for the sake of her own innocence. This is human indifference between the two bottom-feeders . This behavior of Wu Ma also indirectly leads to Ah's sad ending. Mr. Lu Xun wrote A Q and Wu Ma, it is more like the relationship between the feudal government officials, for their own interests, will not consider the death or life of others, which can be seen in the selfishness and indifference of the feudal society.
Chapter 5, "The Problem of Livelihood," Q since the last time he molested Wu Ma, the village women to see him to avoid Q also no one to find him to do short-term jobs, he later realized that the original other people have found a small D to work, Q is very angry, they look for the small D fight, did not win, and then he went to steal nuns carrots, but by the big dog chasing and biting. After careful consideration, Q decides to leave Weizhuang. In this chapter, Ah Q's position in the village is replaced by Little D. There are many similarities between Little D and Ah Q. They are both poor people living in the lowest level of the society. Little D is capable of belittling himself as much as Ah Q. However, from the way Mr. Lu Xun treats him compared with Ah Q, there is less ridicule and sarcasm, and Mr. Lu Xun puts a new hope on Little D.
Chapter 6 is mainly about Ah Q's return to Weizhuang, the village people treat him with great respect, but gradually found that the situation is not right, Ah Q told others that he is just the underhandedness of the thieves, and so he was ridiculed by the village people again. In this chapter, it can be seen that although Q escaped from Weizhuang, his character has not changed at all, still cowardly and incompetent still boastful and arrogant, Q is a loser wherever he goes, which makes me feel a touch of sadness. The character of the lazy but love of vanity, so that Q no matter when and where they are looked down upon.
Chapter 7 is about Ah Q who heard that the revolutionaries were coming and he was bent on revolution, but he ended up missing out. Q was bent on revolution, but in fact, Q did not know what revolution is all about, why revolution, he just blindly and self-righteously want revolution, here, Mr. Lu Xun profoundly criticized the unflinching position of the feudal dynasty at this time. Wanting to be killed but wavering mind, not knowing the reform for how purpose, just like A Q, missed the opportunity to control their own destiny.
Chapter 8, "No Revolution", Q went to the "fake foreign devils", wanting to revolution, but was ignored, Q feel very reluctant, and at night to see the old master Zhao's house was robbed. In the ninth chapter, Q was killed as a scapegoat, and finally finished his ridiculous life.
Throughout his essay, Mr. Lu Xun meticulously depicts the "triumph of the spirit" even when Q was killed. The ruler's "method of spiritual victory" and the anesthetized education of the people are the very anesthetics that keep the working people awake. They are able to keep the working people oppressed and exploited forever. They will always be submissive to the rulers.
Mr. Lu Xun with a full-blooded, ruthless criticism of the feudal rulers of corruption and incompetence, he used sharp writing, playful tone, will be Q self-esteem and arrogance, bullying the weak and afraid of the hard, self-deceiving appearance in front of us. He is a fighter of the nation, he used words to appeal to the masses of the people to wake up, and we, the people struggling in the depths of the fire, will always be his most sympathetic people.
Nowadays, our motherland is free from the feudal dynasty's stripping south and oppression, we live in a new era of peace, happiness, freedom and equality, many people say that Lu Xun's writing is no longer suitable for modern times, but I think we need! Our social inferiority has not been completely eradicated, we need to always remind ourselves, not that sad times, can not become a Q like people. Although we need the spirit of optimism, but do not need the "Q spirit".
"Q" is a novel that must be read by young people in our time. The thoughts and warnings that it brings to us are the great wealth that Mr. Zeng Xun has left for us.
A Q Zhengzhuan 2
In his essays, there are many criticisms of the addiction to watching the killing of the head. Here Lu Xun once again with sharp and sharp language, penetrated the skin and flesh of the watchers, live painting the soul of the watchers. This portrayal does make the article more critical and the theme of the work more profound. But this portrayal of the ideological success, but in the art is a failure, it does not meet the artistic reality.
As we all know, "The True Story of Ah Q" is not only Lu Xun's best novel, but also the most outstanding novel in modern Chinese literature. The novel focuses on creating an image of Q full of spiritual victory, and this image not only highly summarizes the characteristics of backward peasants in the period of the 1911 Revolution, but also summarizes some of the human weaknesses of the whole Chinese people at that time, revealing the inferiority of the people. No matter from the depth and breadth of artistic generalization, the image of Ah Q is higher than all other images in modern Chinese literature. On the other hand, the method of creating the image is also quite brilliant, with its appropriate environment depiction, wonderful dialogues, profound and realistic psychological performance, and cold, craggy, subtle, refined and ironic language, all of which are admired by people. It can be said that "Q" has become an insurmountable peak, and many aspects of it are a model for people to learn.
However, like the radiant sun is inevitably black, "The True Story of Q" is not flawless, in its ninth chapter, "reunion" of the last written before the death of Q to see the eyes of all the spectators of the psychological portrayal of a paragraph in the art of the existence of obvious hard injuries.
When Q saw the people waiting to applaud the killing, the author wrote: "In this moment, his thoughts were like a whirlwind in his head. Four years ago, he had met a hungry wolf at the foot of a mountain, always following him, wanting to eat his flesh. He was so scared that he almost died, but fortunately there was a wood knife in his hand, so that he could rely on it to strengthen his courage and support to the village; but he always remembered the wolf's eyes, fierce and timid, flashing like two ghosts' fire, which seemed to be far away from piercing through his skin and flesh. And now he saw more terrible eyes than he had ever seen before, dull and sharp, not only chewing his words, but also chewing what was beyond his flesh, and always following him not far away, but not near. These eyes seem to be joined together and are already there to bite his soul."
For the watchers, Lu Xun is heartfelt and abhorrent. Watching slides while studying medicine in Japan, saw foreigners killing Chinese, while other Chinese in the spectators, faces now numb look, that shot greatly stimulated Lu Xun, and fixed in his heart, he thought, "all the stupid and weak nationals, no matter how sound and strong physical, can only do meaningless publicity material and spectators," and the The first thing he wanted to do was to heal their souls, and from then on, he abandoned medicine and turned to literature to fight for the transformation of the national character. For the spectators of the inner darkness and ugliness of Lu Xun in a number of works have exposed and attacked, in the "medicine" wrote Hua Lao bolts to buy human blood buns, the spectators of the ugly state is: gathered in twos and threes, and surrounded by a semicircle, the neck stretched out very long, as if more ducks, by the invisible hand held; in the "blessing" in the author of the maggot written by the kind of sympathy for the people is to follow the xianglin sister-in-law surrounded by xianglin sister-in-law to listen to her over and over again; Ah Mao tragic story; in the "blessing", the author wrote people that maggots sympathy is followed xianglin sister-in-law to hear her Ah Mao's tragic story; in the novel "public display", Lu Xun used the whole novel to reveal the darkness of the heart of the spectators; in the "Q Zheng Zhuan" written before the Q's ugliness is, back from the city to talk to others about its kill the revolutionaries, the mouth is still happy to say "kill the head, good! Nice!" In his essays, Lu Xun also criticized this kind of addiction to watching the killing of heads. Here Lu Xun once again used sharp language to penetrate the skin and flesh of the spectators and draw out their souls. This portrayal does make the article more critical and the theme of the work more profound. But this portrayal of the ideological success, but in the art is a failure, it is not in line with the real art. Firstly, with the mental state of Ah Q, he would not have such thoughts. Q is a numb and confused little man full of spiritual triumph who is good at deceiving himself and others. In the past, not to mention, even in the decision of his own life and death of the drawing of the confession, but still do not know what is going on, but also ignorantly determined to draw a circle, until to the execution ground, he did not wake up like sinus, but only to deceive themselves and others shouting "another 20 years and another", even the minimum of hate for this society, which harmed him to death are not. AQ is so pathetic and miserable. How could the sad and pitiful Q suddenly develop a profound thought and a deep understanding of the spectator? Wasn't Q also a spectator? Not to mention Q, even the more sober intellectuals who could have some understanding of the darkness of the society at that time, how many of them could recognize the ugliness and darkness in the heart of the spectators? This description is obviously not in line with the real Q thought, is the author of Lu Xun wrote here can no longer tolerate, so will turn the brush, through the association of Q on the watchers of the extreme exposure and scourge, is the author of their own thoughts instead of Q's thoughts, which is obviously a taboo of literary creation, in the art is a failure. Secondly, even if Q had such a profound thought, even if the content of this association was reasonable for Q, in the circumstances, a person who was going to be shot at the execution ground would never show such a bitter hatred to the spectators in his heart again. He may hate the so-called revolutionaries who wronged him; he may still hate the fake foreign devils who did not allow him to revolutionize to the present day; he may be afraid of letting Wang Hu Xiaodi know the joke; he may also deceive himself and others and think, "Who dares to commit the crime of killing the head, but I, AQ, dare, and so I am satisfied with the death; and of course, he may not want to think about anything, but only the fear of death. In any case, in any case, in the last moments before his death, he will not be associated with the spectators alone how. The author's portrayal of this is also artistically distorted.
Perhaps the author knows all this, but when he writes here, the author's hatred of the spectators has been difficult to control by reason, and do not speak of whether Q has such a profound thought, and do not speak of whether it is possible to make such associations at this moment, anyway, even if it is taboo, even if to make the sacrifice of art, but also to put their own sharp daggers thrown guns to the spectators. Perhaps here the author has been unable to solve the conflict between thought and art, and had to give up art and seek thought. Although "Q" has such artistic flaws, but we can still understand the author's good intentions. After all, the flaws do not cover up the excellence, even so, Q is still one of the best novels in modern literature in China.
After reading Q Zhengzhuan3
Lu Xun, as the founder of modern Chinese literature, his great achievements in the field of novels and miscellaneous essays are still unparalleled, and his masterpiece, the novel Q Zhengzhuan, has been translated into more than 40 different languages, which has won a high reputation for Chinese literature in the world. The profoundness of Lu Xun's criticism in "The True Story of Ah Q" comes from his thought of "deep anger" on the one hand, and his language art of humor and irony on the other. The following is the combination of the novel "Q Zhengzhuan", to explore the feeling of Lu Xun's language art.
When we evaluate Lu Xun's literary language, the most frequently used words are "dagger" and "shotgun", which describe the depth and power of his language. Sharp language, fully demonstrated Lu Xun's unique style, this unique style, is to take a variety of grammatical and rhetorical means, as well as playful interspersed with polemical language, resulting in a witty, sarcastic miscellaneous color, the following list of its kind. Kinds of, taste this language effect.
First, the Zhuang word harmonization, big words used in a small way, the Zhuang in harmony
Lu Xun has always been very serious, but is like his serious characters, but has a harmonic and good at harmonic side, he is often in the need to be serious when it becomes careless, but in the big can be careless when it is serious, inadvertently form a humorous satirical effect. The first chapter of "The True Story of Ah Q", when writing about the title of the novel, said: "Only when I put down my pen, I felt a lot of difficulties," Confucius said: "If the name is not correct, then the title is correct". Confucius's "theory of correct name" is a typical expression of the hierarchical concept of the ruling class, a "Zhuang word" of the ruling class, which is used here in a sarcastic and comical flavor. In the eyes of Mr. Zhao, Ah Q is not even worthy of the sex Zhao, but also worthy of the "right name"? Another example is that when Q went to a nunnery to "revolutionize", the nuns opened the door to the nunnery a crack and said: "Revolutionary revolution, revolution, revolution, revolution, revolution, revolution, revolution, revolution, revolution, revolution, revolution, revolution, revolution, revolution, revolution, revolution, revolution, revolution. What are you going to do to us?" Revolution is a serious matter, but in the eyes of the fake foreign devils and Q, it is nothing but "bullying". The mouth of the "revolution" as a "mantra", the practice is the reality of vandalism, "revolution" in the Weizhuang has been seriously tarnished. Another example is "September 14th of the third year of the Xuantong era - the day when Q sold his hitchhiking company to Zhao Baiyan". Lu Xun intentionally used the solemn event of the restoration of Shaoxing in the history of the Xinhai Revolution to illustrate the incident of Q selling the hitchhiker's company, which seems to be comical and ridiculous. This is a harmonious way of writing, which fully demonstrates that the "revolution" is far less important than a small matter of daily life to attract people's attention, and exposes the fatal weakness of the Xinhai Revolution, which failed to mobilize the masses, and at the same time, shows his own skepticism towards the revolution.
Second, the opposite of what is said seems to be praised, but in fact, it is degraded
Lu Xun is a master of antithesis, and he has always lost no time in the appropriate time, to the opponent's absurdity and error to the end, to form a satirical effect. In The Tragedy of Love, Lu Xun linked Q's spiritual triumph with some so-called "national treasures" of the time, saying, "This is perhaps a proof that China's spiritual civilization is superior to that of the whole world!" In the same breath, he satirizes some of the dregs of traditional Chinese culture. After Q's thoughts about women, Lu Xun followed Q's mentality and wrote: "Most Chinese men could have been sages, but unfortunately they have all been ruined by women." The hierarchical concept of male superiority and female inferiority has existed for thousands of years in the feudal society of China, and its poisonous deep scourge of the lower class people such as Q, coupled with some ignorant pseudo-doctrinal Mr. push the wave, so there is a "Daji death of the Shang Dynasty, Bergsi-decayed Zhou" argument, Lu Xun here to copy the pseudo-doctrinal tone, in fact, the drunkenness is not the intention of the wine.
Third, the caricature of exaggeration, amplification of the ridiculous
"Q" has many descriptions, with the nature of the caricature of exaggeration. For example, Q's courtship, that blunt and shocking confession, living picture of Q does not know what love is the ignorance of the ignorant phase. Then look at the scene of Q being rounded up, "a team of soldiers, a team of soldiers, a team of police, five detectives, quietly to the Weizhuang, by the darkness surrounded the Tugu Shrine, right across the door set up a machine gun,? It was only after a reward of twenty thousand dollars was offered that two of the regimentals took the risk of overstepping the wall and going in, and then swarming in and catching Q out". An unarmed, thin body, people see people bully, can not beat Wang Hu Xiaodi, occasionally only bully the little nun A Q, innocent A Q, sleeping A Q, let the ruling class as a great enemy, here there is obvious exaggeration, we close the book, close your eyes, however, the ridiculous scene of the roundup of A Q is still vivid in our minds, as if the picture is as clear as can be seen. Lu Xun is deliberately magnifying the ridiculousness of the roundup to expose the brutality and weakness of the reactionary rulers.
Fourth, the precise use of words, teasingly innovative words
Lu Xun has always been accurate and precise words, fully demonstrating his profound linguistic skills. For example, the name of Q: in the Q rebellion, singing opera in the street "flew a pass", Zhao Taifang even called Q as "old Q", showing the Q's compliments; Zhao Baieye called Q "Q brother" to show the closeness, and Zhao Baieye called Q "Q brother". "The change of title fully exposes the ruling class' fear of revolution and its ugly face. But Q to "old Q", "Q brother" and other beautiful name, indifferent, he is only used to his proper name "Q", which is how pathetic. How sad it is that he only got used to his proper name "Ah Q". A few ordinary titles contain rich and profound contents. Sometimes, Lu Xun handy words, but also all the effect of satire, such as writing Q to the little nun to vent their anger, in the hotel to the crowd to laugh at a paragraph, the work finally wrote: "? Hahaha! Q very proudly laugh." "? Hahaha!? The people in the hotel also laughed with nine points of triumph." Here the word "nine points", purely fabricated, and then carefully taste, Q complacent because he molested the little nun and satisfied, and the people in the hotel because they could not personally molest the nun and some regret, but saw the process of Q bullying the little nun, so there is also "nine points" complacent, here a wonderful use of the word "nine points" complacent, here a wonderful use of the word "nine points" complacent.
Fifth, humorous and lively dialogue, highly dramatic, characterization of the language
For example, Q to the nunnery to steal radishes, caught on the spot by the old nuns, Q said two words, "When I jumped into your garden to steal the radish?" "Is this yours? Can you call him to oblige you? You?" Q's sophistry makes people laugh, and at the same time, it exposes the rogue and deadbeat side of his character. In addition, Lu Xun inherited the technique of white description in classical Chinese novels, and was especially good at "pictorial painting that conveys the spirit of the character", which is characterized by "no detailed drawing of eyebrows or names, but only a few strokes, but the spirit of the character is exactly the same". Lu Xun knew this well, and often used a few brushstrokes to convey the spirit of the characters, placing them on the theater stage and creating the effect of a theatrical performance. For example, in a passage from the interrogation of Ah Q, Ah Q said, "I was going to ? to come and vote?" This intermittent sentence, according to the previous text, it can be seen that Q is to come to vote for the revolutionaries, the interrogator: "So, why don't you come (to vote)?" The reactionary official arbitrarily decides that "cast" means "surrender". Q: "The fake foreign devils forbid me!" The truth of the matter is that the fake foreign devils did not allow Q to revolutionize the country. Interrogator: "Nonsense! It's too late to say anything now. Where are your accomplices now?" The intention is to convict and not to be able to say, so that the two things that are not answered are dramatically combined together, wronged, hated? So the innocent A Q nonsense was sent to the guillotine, such a dramatic effect, at the same time that people feel funny, can not help but say that contains the sorrow of the tears - A Q so stupid people deplore, the revolution is so stifled called the indignation of the people.
In short, Lu Xun, as a master of language, is brief in its linguistic expression, and refined in its core. Lu Xun's language is carefully refined from life and the "lips and tongue of the living", and has a strong expressive power. His critical spirit towards the weaknesses of Chinese society and human nature in a particular period of time determines the style of his language, which is characterized by a great weight of words. Humor, reflecting Lu Xun skillful mastery of the art of language, satire is more of its ideology and spirit of appearance, we study the great work of "Q", more familiar with the language style of the great writers, to master some of the basic language skills.
A Q is the story of 4
The author of this book is Lu Xun, and I have always heard that his work is difficult to read, so I want to enjoy it this time. The chapters of this book are familiar to us as the Diary of a Madman, Kong Yi Ji, and The True Story of Q.
At the beginning of the story is the Diary of a Madman, when I read this chapter, I feel full of cannibalism, almost everywhere can be said that every moment in the story of a group of people want to eat the individual. In it, the main character is a cannibal, and when the main character realizes that he might be used as an object of consumption by the crowd, he is so afraid that even when he sees children and dogs on the road, he thinks that their eyes are the eyes of people who desperately want to eat them. On the surface of cannibalism, I personally feel that it is more of a satire on the darkness of the society at that time, as well as the hardship of the grassroots people as a whole.
Next is to talk about Kong Yiji, he gave me the impression that he is an honest man, literate so a few words, but often the streets and alleys of the people want to see his jokes, never owed money for meals, when the boss said, "Kong Yiji still owes nineteen money," we know that, Kong Yiji may have died. In the chapter of "Medicine", when a child got sick, his elders gave him "bright red buns", thinking that human flesh could cure all diseases. It was a time of feudalism, corruption and superstition.
By the time I got to the story of Q, I felt that this man was the epitome of the grassroots people of his time. In the article, Q gave me the most profound impression, that is, his so-called spiritual victory method, was beaten, there is always comfort their own reasons, giving people a feeling of weakness, in fact, that is the majority of Chinese people at that time the inferiority of the people? Weakness. When he knew that he should be married and have children of the reckless behavior shown, so that the employer kicked out of the house, and later chose to go to the city to steal, sold into silver, this is his mid-career, but stealing there is always a broken time, and from then on to the end of the road.
By the time of the revolution, Q wanted to surrender to the revolutionaries, but was eventually killed by the revolutionaries in a parade, which is nothing more than a reflection of the society at that time, the gun hit the head, the revolution will be killed. Before the shooting, Q did not say save his life, which also means that the revolution is inevitable.
These are my deepest thoughts since I read this book.
A Q Zhengzhuan 5
Lu Xun's "Q Zhengzhuan" I have read many times, and still have not been able to fully understand the deep meaning of it. Probably because of my own mind is particularly stupid, unlike some people, a glance can see the mystery, a glance can dig out its practical significance to, and let it create value, bring rich social wealth (in fact, is his own wealth), but also propaganda of our country's great literary Lu Xun, for the construction of our socialist spiritual civilization edifice base n bricks, added m pieces of tile. I really admire the brains and vision of these brilliant people.
Perhaps because I once read a few ancient books, poisoned by the old ideas, more conservative thinking, belonging to the category of nerds, so I have never known only for the saints to set up a shrine (such as the Wuhou Shrine?). Wuhou may be the "wisdom of the saint"), for the ghosts and gods set up temples (such as Wenchang Temple, Medicine King Temple, etc.), and never knew that there would be people for the Q such as not know the name and not know the line of work even more no great achievements and had been pulled to the intersection of the most inconspicuous little man shot to show the public of the building of the temple. However, in Shaoxing, a place of beautiful mountains and waters in China, there is a "Tugu Shrine" dedicated to Ah Q. The Tugu Shrine is a temple for Ah Q in Lu Xun's novel. The Tugu Shrine is the place where Q lived in Lu Xun's novel, in Weizhuang. I don't know how it came to be in Shaoxing. Maybe it's a branch or a chain store. But I'm too ignorant to have heard of another Tugu Shrine, which is supposed to be the only one until now. Maybe Weizhuang is Shaoxing and Shaoxing is Weizhuang, but I don't know anything about archaeology and I haven't verified it. In the end, Tugu Shrine why will open in Shaoxing, that will have to wait for knowledgeable scholars to test the test. Anyway, now Shaoxing is such a Tugu Shrine.
So what is enshrined in the Tugu Shrine? I have not been, not very clear, probably is the God of Society Valley God it, so bless the local wind and rain, the harvest. However, our shrewd businessmen, as if not so fraternal, favor to the gods only, down to the people. However, they do not worship Ah Q inside, because he is not a saint, and they set up this Tugu Shrine for Ah Q only because this is the place where Ah Q used to "stay". I thought about this question for a long time, and finally I figured it out: the so-called "Tugu" means land and rice. The god who blesses the land and rice is now Grandpa Qian and Brother Kong Fang, the God of Wealth. Imagine that the boss of the Tugu Shrine, the temple priest, is not under the blessing of this almighty god to get the land to build houses and buy houses and the rice to eat a full stomach? As for Q and Lu Xun, is only the god of wealth incense burner on the incense burner, just special waiting for those who love Lu Xun, love of culture, love of tourism, "incense" to come to an incense burner. Figured out these, I am more on those bosses and temple Zhu admiration to the ground: they not only blessed their own Tugu, but also to bring the local Tugu, but also let the "incense guest" to get the priceless spiritual enjoyment, as if the good men and women after the worship and prayer of the spirit of the spirit of the same comfort. They established this Tugu Shrine, really beneficial to themselves and others, beneficial to the country and the people, work in the present, beneficial in the thousand years, really can be saints carry on!