This drama, some people say, is a routine of Korean drama, a minor of Taiwan Province puppet, and a mixture of Japanese male masters, Korean male masters and national male masters. I'm impressed. It reminds me of many routines of Korean dramas, because it makes me see the suspended fairy tales of lovers in Dolphin Bay, where the prince turns into a frog and the stars herd sheep. For example, men and women always talk on the balcony, which is good for you. The interaction between men and women at home reminds me of a romantic house. Men and women can cross the bridge rice noodle, but live in the rich people's homes in the magic capital, which is a natural contrast with the domestic idol drama "Terrapin".
I especially like its respect for the light of human nature in details. In real investment banks, how can they be so heartless and so many people suddenly wake up? Although the drama tries to respect its self-consistent logic in the workplace, this logic is particularly unrealistic and full of dreams when put into reality. It is also the root of its criticism by many people. However, from this frame of thinking, the play is obviously to echo people's deep expectations of ideal choice and ideal world.
I hope the wise man can make the enemy disappear in a blink of an eye and plan a thousand miles on his sofa. I hope that there will be a general marshal who will cut through the thorns in the darkest shopping mall, seek power rehabilitation and save unjust people. I hope my lover will plan for me everywhere and give me respect everywhere. I don't have to be high or low with him in my heart (even if my status and income are there). I hope my inner desire for light can be conveyed to others and moved by others, instead of being laughed at.
I really enjoy the drama's delicate understanding and response to the audience's values. It's not just an imitation salute, it finally shows me the real yearning side of human nature, except for the mode of worshipping money and forcing green tea, where silly, sweet and brain-dead men and women lick dogs. And it is not even violent, such as the revenge of women in the harem struggle, such as the questioning and resistance of women in gender topics. It's very simple. It seems to be realistic and ideal. It is the world we hope to replace and yearn for.
Generally speaking, we can see that in the sweet pet market, love dramas are divorced from pure ip reproduction, relying entirely on the audience's faces, relying entirely on the ambiguous old terrier, relying entirely on the incompetence of the female host and the omnipotence of the male host to dream of love, relying entirely on the fit of the male and female faces and the circle of love to create a Soviet-style pattern, and began to re-use the equal gender relationship, using the emotional story between the self-respecting and intelligent female host and the male host who seems to be omnipotent but actually needs to grow up.
I hope that domestic idol dramas with such quality and value trends can flourish. After all, there are many serious dramas, such as workplace dramas, historical dramas, dramas, anti-war dramas, tribute dramas and so on. There are already many creators who want to make more efforts to create a deeper reality and dig deep into a big topic. If you can't do it, you will make a bad film, and many people use scales, lower limits and templates to make their ideals and beliefs stink. But adults also need fairy tales.