What are the common methods for sketching still lifes such as bottles, jars and plates? The painting methods and techniques of plates in still life sketches are also a matter of great concern to art students. I believe that many art students want to master the painting methods and techniques of plates in still life sketches. When learning art, we cannot learn blindly. We must cultivate keen observation skills and Application ability, but also the professional quality and literacy of an art student, so let's learn the painting methods and techniques of plates in sketching still lifes.
Sketch is a combination of light and shadow, a graceful world composed of black and white. The girl who draws and sketches is quiet and delicate, and the boy who draws and sketches is deep and noble. The plate is a frequent sight in sketches and is also one of the most basic combinations. So how to master its painting method? Below I will introduce you to the painting methods and techniques of sketching plates in still life.
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① First of all, when it comes to plates, many students will find the shape of the plates difficult. Drawing, it is indeed true. The shape of the plate is an oval with perspective changes, which is similar to the perspective circle we draw when we draw jars. So we can also find their most similar points in shape.
Under normal viewing angle, the perspective lines on both sides of the plate extend backward and disappear at one point. In the picture below, there is a circle in the middle of the ordinary white plate. The perspective of this circle is relatively It will be stronger and will not be consistent with the perspective of the outer contour circle. Be sure to pay attention to the difference.
②The second point is that we should pay attention to the painting method of the plate. The plate itself is not very complicated. The difficulty lies in how to express its thickness and volume. Of course, the most important part to do these well is observation. , the thickness of the plate and some small turns we can find through observation.
The sense of volume needs to be conveyed by projection and the texture of the plate. When we draw the plate, we should not draw it ambiguously. Drawing harder lines will make the texture of the plate more realistic.
①Why does a plate appear in many still life compositions? We analyze it from several different points. The first is that the combination of the plate and the jar is exactly complementary in shape. One is taller and fatter, and the other is very flat. The second is that the dark color of the jar matches the white plate very well. It is suitable. Thirdly, some fruits can be placed on the plate. The combination of fruits and plates can be said to be very natural.
A good sketch requires different combinations of shapes and a reasonable distribution of black, white and gray. It is most appropriate to arrange a white plate in a group of darker still lifes.
②The plates in the work below exist entirely for the sake of the continuity of the picture. First of all, this work is a large overlook, so it will be very difficult to arrange the space. At this time, Some long still lifes are needed to enrich the picture, and the position of the white plate is just right, connecting the pears at the back with the still life at the front, and at the same time making this relatively empty area very rich.
The placement of still life must be helpful to the picture, rather than appearing very redundant. Of course, we can also adjust the position subjectively, in order to make the picture more comfortable and reasonable.
① First, let’s talk about the most common white disk. As mentioned at the beginning of the article, the shape of this kind of disk is relatively conventional, but it is difficult to get started. As long as we grasp the rules of perspective, it is still possible. Easier to draw.
Secondly, Xiaozhi helped everyone identify several thick places on the plate. When it comes to details, you should pay attention to the fact that the projection of the still life on the plate will change according to the internal shape of the plate. At the same time, the inside of the plate is curved and does not feel very flat. It should have the feeling of being slightly concave in the middle. The details must be Be sure to grasp it.
② The second type is white blue and white porcelain. Compared with the plate above, it is thinner and more slender. It also has many patterns. These patterns are very beautiful. We should not think that If they are difficult to draw, just ignore them. You must know that these details are very helpful for us to express the form, because the pattern will change according to the change of the form. If you draw this change, the sense of perspective inside the plate will be stronger. The thing to note is not to draw these at the beginning, but to draw them later when adjusting the picture.
③The third type is a relatively deep plate. The sides of this kind of plate are relatively high, which we can also understand as the thickness of the plate. If you encounter this kind of plate, you need to draw a sense of depth when you draw it. There is a distance from the edge to the bottom, and there will be some obstruction when the fruits or vegetables are placed inside. The detail part is to pay attention to the intersecting relationship of lines.
④The fourth type is stainless steel dinner plate. This kind of plate is relatively rare and relatively difficult to draw. First, the shape is too large, but it is relatively regular. The texture is stainless steel and reflective. It is relatively strong, which makes its own black and white gray levels richer and more difficult to paint. This kind of plate will have many small turns, and there will be a lot of heavy colors and bright colors. If you encounter it, you must be careful and patient to paint it. If you still encounter an angle like the one in the picture below, you should also pay attention to the perspective changes of the plate and the shape of the still life on the plate.
⑤ The fifth type is the fruit bowl. The one in the picture below is dark and has a larger curvature. The characteristic of this bowl is that the surface is smooth and has a bit of a glass feel. , plus it is black itself, then its highlights will be relatively strong. Except for the darker edge line of the bowl, the rest of the color should be grayer, so that it will have a crystal clear texture. If it is a frosted bowl, don't make the highlight so strong. You can make it a little rougher.
⑥The last type of bowl is also similar to a dinner plate. It is longer in shape and has a certain depression in the middle. The texture should be plastic and relatively smooth. It is suitable for displaying fruits such as bananas and cut watermelons. There are some relatively small lines and black edges on the plate that you can pay attention to. Especially when there is nothing on the plate like the picture below, it is more about the details and texture of the plate.
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