The female lyricist in her poems is a "fool" and a "sick person" who lingers in the mirror with a deep sense of inferiority (Met with a Mirror), and also a narcissist who is extremely lofty and proud and loves the rust spots in her body more than "you" (Love I Want). When you are thirsty, you are a devotee who is willing to sacrifice you with the blood of his youth (Face to Face), and an escapee who decides to throw away human affairs and regain "clear bones" (Firewood in the Field). It is a lonely person who let the cold flame of love illuminate the deep scar and then put it out ("Tremble"), and an infatuated person who will "love the loved one again and hurt the pain again" if he goes back to the past ("Man to Middle Age").
Her poems are full of complex meanings, such as the agitation and call of love, the disillusionment and realization of love, etc. Love is not so much the theme of her poems, but rather the core proposition that causes poets to ask metaphysical questions such as existence, truth and death.