Because the use of skills is to show some emotional scenes in dance works more vividly, I think the skills in action not only refer to jumping, turning, turning or rapid and continuous skills, ground rolling, aerial turning, large-scale flying and so on. , including teacher Yang li Ping's hands and arms, and the unique shoulder shaking in our Mongolian dance; Kneel on the top of the bowl, hit the bowl, and break the bowl: the use of handkerchiefs in Northeast Yangko and so on. These can be regarded as unique skills, which can bring amazing beauty to the audience. The skills are varied and colorful.
Movement and harmony, deformation and reality, the most important feature of dance is movement. Every dance must move. Without movement, it can't be a dance. In order to make full use of skills, the choreographer should have a thorough understanding of skills, and make detailed and comprehensive action arrangements after careful research, such as: what kind of works show what kind of emotions, what kind of plots, how to add or add what skills, in order to increase the vocabulary of dance works and increase the emotional appeal of dance works.
For national dance, we should not copy the skills of blanket skill directly, but change it on the basis of its original technology, so that it can better meet the needs of dance, have national characteristics and better serve national dance. In the process of choreography, national dancers should also learn from the skills of other nationalities to enrich and improve their own dances. The skills in national dance should conform to the national culture, religious beliefs, customs and habits, and have the individual characteristics of the national people. Foreign skills should be nationalized.
Reasonable use of skills can not only reflect the professional ability of dancers, but also receive good stage effect and be recognized by the audience. In recent years, dance, a beautiful body art, has been popularized, and more and more fans have joined in the dance. With the popularization of dance art, dancers pay more and more attention to the training and application of dance skills. Now many dance competitions have set up professional groups and non-professional groups. The competition has higher requirements and standards for the players in the professional group. Choreographers and actors will add unique skills to their dance works to show their personality differences from other contestants. Like college students? Li Tao Cup Dance Competition? In the middle school stage, players should prepare a skill set to show their outstanding personal strength while completing their own works. The judges use this to judge the comprehensive strength of the contestants, which shows the importance of a reasonable combination of skills and dance.
Everything is constantly changing and developing, so is the art of dance. It will develop in a higher and more refined direction, with higher requirements for us and more difficult dance skills. At the same time, it will improve the appreciation of dance works and give the audience a strong visual impact. Therefore, it is also a great challenge for the creation of dance. The addition of skills will be more scientific and reasonable.
In dance creation, we can conceive a suitable plot according to the change and development of the plot and the mood of the role. We should not only apply skills to dance works reasonably, but also change and develop existing skills if possible to meet the requirements of dance for skills. Rational use of skills is an essential ability of dance choreographer.
When the choreographer enters the rehearsal hall to prepare for choreography, various dance steps, movements and techniques come to mind. What is your basis when you consider and choose the most suitable dance means? What is the starting point? This must be clarified first. As a creative principle of realism, we should insist on starting from content, starting from characters and starting from life. Dance itself is not our goal. Our aim is to express the life events and characters reflected in the works through a series of dances. What I'm talking about here is only a highly skilled dance. Not all dance works have to add skills to become dances. Dance skill is not a necessary element of dance, it just plays a role in increasing the visual effect of dance.
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Without dancing. If you want to add skills, you must add them reasonably and use them reasonably. We can also develop and change the existing skills according to the needs of dance. In short, we just hope that skills can fully serve the comprehensive art of dance and be closer to dance. In the future practice of editing and directing, we should carry forward the fine style of our predecessors' teachers and learn their spirit of exploration and learning. Try to combine tradition and modernity, inheritance and innovation, artistry and appreciation, poetry and popularity, national characteristics and the development of the times, so that dance can become a broad and profound art category and contribute to dance, a long-standing art category.
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