Natural paragraph 1 to 2 is the first paragraph, which talks about the preparation for the Spring Festival in Beijing starting from the eighth day of the Lunar New Year.

Natural paragraph 3 to 4 is the second paragraph, which talks about the joyful mood of the children and the busyness of the adults in preparing for the New Year.

Natural paragraph 5 to 6 is the third paragraph, which talks about how to celebrate the twenty-third day of the Lunar New Year.

Natural paragraph 7 is the fourth paragraph, which talks about how to celebrate New Year's Eve.

Natural paragraphs 8 to 10 are the fifth paragraph, talking about the first six days of the first month.

Natural paragraph 10 to 11 is the sixth paragraph, which talks about the Lantern Festival.

Natural paragraph 12 is the seventh paragraph, which talks about the end of the Spring Festival, the adults working and the children going to school.

Extended Information:

This article is a customs journal, the author uses the simple and unadorned language full of Beijing flavor to paint a picture of the folk customs of the Spring Festival in old Beijing, to show the grandeur and bustle of the Spring Festival, to demonstrate the warmth and beauty of Chinese festive customs, to express the author's love for traditional culture, and to display, through comparison, the great power of the new era of changing the customs, and finally, the author affirms the new customs and praises the new society.

The Spring Festival in Beijing is an essay written by modern writer Lao She in 1951. The text depicts a picture of the folk customs of the Spring Festival in old Beijing, showing the grandeur and bustle of the Spring Festival and the warmth and beauty of Chinese festive customs. At the same time, it compares the Spring Festival in the old and new societies, highlighting the fact that the new society has changed its customs and customs, and that the Spring Festival has been held in a joyful and healthy way, which expresses the author's praise for the new China and the new society. The whole text is full of Beijing flavor of simple language, simple and natural statement, without carving, fluent through, but also has a strong expressive and infectious force.

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