There is only so much on the Internet that you have to extract what you need from it and then integrate it into an article "The Same and Ever-changing". The teaching design is the same-the repetition in creation is ever-changing-the repetition and change in artistic creation in the duration of time, space or the comprehensive duration of time and space. ..... Teaching design ideas This teaching design is based on the premise that students consult Mr. Liang Sicheng's relevant materials before class and retrieve and understand some knowledge of architecture and architectural history.
Only after students grasp the writing background can they understand and grasp the connotation of the article more deeply. This article is a self-reading text. Teachers should give students enough time to read by themselves, and only do a little instruction.
It is necessary to guide students to clarify the structure of the article and summarize the main points of each paragraph. In addition, it is necessary to organize students to discuss and let them list specific examples of repetition and change in artistic creation and appreciate the laws of artistic creation. Teaching objectives (1) Knowledge objectives 1. Understand the artistic law of repetition and change in artistic creation.
2. Understand the rigorous and dialectical analysis method of things in this paper. (2) Ability goal 1. Train students to master the reading method of Tiaogouxuan.
2. Train students to summarize and analyze the content of the article. (3) Emotional goal 1. Appreciate the author's love for human civilization, traditional culture and architectural civilization, and guide students to evaluate the city around them, care about their hometown and pay attention to society.
2. Understand the implicit beauty of music, painting and architecture in taste of china traditional culture, and understand the artistic laws revealed by the author. Teaching emphases, difficulties and solutions 1. The meaning of the text title "sameness" refers to repetition in artistic creation, and "ever-changing" refers to changes in artistic creation.
"sameness and ever-changing" refers to the repetition and change of artistic creation in the persistence of time, space or the comprehensive persistence of time and space. Architecture is an art of time and space, and a successful architectural creation is a dialectical unity of repetition and change.
"Synaesthesia among music, painting and architecture" means that music, painting and architectural creation all pursue repetition and change in the duration of time or the comprehensive duration of time and space, that is, the artistic law of communication between different artistic categories. 2. The dialectical unity relationship between repetition and change in artistic creation. Any continuous artistic creation needs both repetition and change.
Only by repetition without change, the work will be monotonous and boring; Only by changing without repetition, it is easy to fall into sloppy and messy. Solution 1. According to the content of the text, let the students find some examples from their familiar songs (music) or buildings, and specifically talk about their understanding of repetition and change.
2. Sort out the structure of the article, find out the main idea of the full text, summarize the main points of each paragraph, and analyze and discuss how the text embodies the artistic principles of sameness and ever-changing. Teaching methods: self-reading method, discussion method, blackboard and chalk teaching process 1. Clear the goal, clarify the structure of the article, grasp the theme of the article, and understand the dialectical law of repetition and change in artistic creation.
Second, the overall perception 1. Introducing a new lesson From the topic, it seems difficult to understand the two contradictory words of "sameness" and "ever-changing". What should the article write? But as long as you look at the subtitle, you can know that the article is about "synaesthesia between music, painting and architecture" So, what does "synaesthesia between music, painting and architecture" mean? Is this synaesthesia the synaesthesia in figures of speech? Read the article carefully, and the answer is in it.
2. Author and related background introduction Liang Sicheng, the eldest son of Liang Qichao, was born in Xinhui, Guangdong Province in 190 1 year in Tokyo, Japan. After the founding of the People's Republic of China, he served as deputy director of the Beijing Urban Planning Commission, vice chairman of the China Architectural Society, member of the Chinese Academy of Sciences, deputy to the first, second and third sessions of the National People's Congress, member of the Standing Committee of the third session of the National People's Congress, and Chinese People's Political Consultative Conference.
1972 1 month died in Beijing. He is a master of contemporary architecture in China, an architectural theorist and educator. He is the main designer of the national emblem of the Chinese people and the monument to the people's heroes. He founded the architecture departments of Tsinghua University and Northeastern University.
Liang Sicheng also made outstanding achievements in architectural theory. In recent years, in the 1950s, his proposals and calls for the transformation of Beijing's urban areas and the protection of cultural relics attracted much attention, which made people sigh and thought-provoking.
Third, the key and difficult learning and the process of achieving the goal 1. Read the opening paragraph and find out the meaning of "sameness" and "variety" in the topic. [Clear] "sameness" refers to repetition, and "ever-changing" refers to change.
The meaning of this paragraph is that any continuous artistic creation needs both repetition and change. Only by repetition without change, the work will be monotonous and boring; Only change without repetition, it is easy to get into a mess.
"Synaesthesia among music, painting and architecture" refers to the repetition and change in these artistic creations. This paragraph is the outline of the full text.
2. Read paragraphs 2~7 by yourself and summarize the main points. [Clear] These paragraphs mean that as a continuous artistic creation, music, dance and painting are the unity of repetition and change.
Paragraphs 2 and 3 talk about music, paragraph 4 talks about dancing, and paragraphs 5, 6 and 7 talk about painting. Music is an art that lasts for a long time. The repetition of music refers to its theme, and the change refers to its rhythm. The author takes Schubert's "Trout" quintet as an example to illustrate it.
Dance is mostly an art of comprehensive and continuous time and space, and almost all dances are repeated in changes, which means the repetition of actions. The "hand scroll" in painting is also a comprehensive and continuous art of time and space, with the unity of repetition and change. The author takes Zhang Zeduan's "Riverside Scene at Qingming Festival" and Li Gonglin's "Grazing Scene" as examples to illustrate.
3. Read paragraphs 8~ 15 by yourself and summarize the main points of these paragraphs. [Clear] What these paragraphs mean is that as an art with continuous space, most buildings are the organic unity of sameness and ever-changing.
The author lists the Great Hall of the People, the Forbidden City, the humorous garden and the promenade of the Summer Palace and other buildings, which strongly proves this point. The author explained in detail the corridors of the Forbidden City and the Summer Palace.
From Zhonghua Gate to Tiananmen Square, the Forbidden City is a thousand-step corridor arranged in one breath. From Tiananmen Square to Wumen Gate, there are repeated courtrooms, and after entering Wumen Gate, there are similar halls. Every group of buildings in the Forbidden City are all built in a unified specification and form, and even the colored paintings and carvings are the same.
The same weight.
2. Reading the same and ever-changing feelings. It is better to teach people to fish than to teach people to fish. How to write a post-reading feeling: After reading a book, an article, a paragraph, or a few famous sayings, write an article about the specific feelings and enlightenment.
The format of the feedback (in short): The first paragraph summarizes the main contents of the book, what the author wrote and what he wanted to express. In the second paragraph, choose a more important point, or a place that you think is important, and express it in your own words. I think which one is better and what kind of opinion do I have.
The third paragraph combines the life in the book with the real life to express my true feelings, how I feel in life, how I feel, and what I have learned. Do the above three points, then the feeling of reading this article will basically come out. Of course, it is not necessary to divide it in the middle of the three paragraphs. It is good to be detailed properly, but the structural level must be distinct, reading and feeling should be combined, and the focus should be on "feeling".
There are usually three ways to write after reading: one is to abbreviate the outline, the other is to write the feelings after reading, and the other is to extract good sentences and paragraphs. The title can be "Thoughts after Reading" or "Thoughts after Reading".
First of all, we must examine the questions clearly. When writing, we should distinguish what is primary and what is secondary, and strive to make "reading" grasp the key points and "feeling" write out the experience.
Secondly, we should choose materials. Reading is the basis of writing. Only by reading carefully can we deeply understand the content of the article, grasp the key points and grasp the thoughts and feelings of the article, and feel something. Only by studying hard can we find the connection point between reading feelings. This point is the central idea of the article, which is the sentence that points out the central idea in the article.
When writing a work, you can't cover everything. You should write about the changes in your thoughts and actions after reading it, and make a fuss about some of them. ? Third, writing the post-reading feeling should start with the brief introduction of the content of the work read, and then write the experience.
The original content is often summed up in 3~4 sentences. At the end, most of them return to the works they read.
We should focus on the word "feeling" and remember to contact our own life reality. ? Finally, the matters needing attention in writing the post-reading feeling: ① Writing the post-reading feeling is by no means copying or simply repeating the original text, and it can't be played arbitrarily without the original text, but should be based on writing "experience".
2 write with true feelings. It should be a heartfelt feeling, not a "letter of criticism" or a "guarantee".
(3) to write unique fresh feelings, and strive to have new ideas to attract readers or infect readers. I'll give you two sample essays for reference: 1, "The Old Man and the Sea", which is terrible in the eyes of many people. Once it becomes rampant, it can crush people's fighting spirit, make people completely collapse and lose hope of life.
If failure can't defeat you, but you trample on it, then success must belong to you. The old man portrayed by the famous writer Hemingway in The Old Man and the Sea is a tough guy who can't be beaten.
The Old Man and the Sea mainly tells a special fishing experience of an old fisherman named Santiago. After not catching a fish for 84 days in a row, he finally found a huge marlin.
The old man tried his best to kill the marlin. However, waiting for the elderly is a bigger test.
A group of big sharks came sniffing blood. In the end, the sharks ate up the marlin fish, and the old man returned home triumphantly with tenacious will, although only a bare skeleton was dragged back ... The road of life is tortuous, and it is normal to encounter failure. We should always have a strong and unyielding heart to face failure, and success will surely come to us.
2. Reflections on Robinson Crusoe Recently, I read Robinson Crusoe written by Defoe and benefited a lot. On a voyage, Robinson was caught in a terrible storm and capsized. No one survived except him.
He was stranded on an isolated island. With his amazing perseverance and courage, he created his own small kingdom with his own hands when he had nothing.
Twenty-eight years later, he left the island by his own wisdom. Living in a deserted island for 28 years! What an amazing number! After reading it, I can't help but reflect on myself: how many days can I live if I live on an isolated island? One day? Two days? What can I do? Can chop wood? Can hunt and cook? I'm all thumbs even washing my own clothes! I think I should learn from his optimistic spirit, which is not afraid of difficulties. I should stick to it stubbornly whenever and wherever and create a new world with my own hands.
3. The same and ever-changing teaching plan "Same and ever-changing" The teaching design is the same-the repetition in creation is ever-changing-the repetition and change of artistic creation in the continuation of time, space or the comprehensive continuation of time and space.
..... Teaching design ideas This teaching design is based on the premise that students consult relevant materials of Mr. Liang Sicheng before class, and retrieve and understand some knowledge of architecture and architectural history. Only after students grasp the writing background can they understand and grasp the connotation of the article more deeply.
This article is a self-reading text. Teachers should give students enough time to read by themselves, and only do a little instruction. It is necessary to guide students to clarify the structure of the article and summarize the main points of each paragraph. In addition, it is necessary to organize students to discuss and let them list specific examples of repetition and change in artistic creation and appreciate the laws of artistic creation.
Teaching objectives (1) Knowledge objectives 1. Understand the artistic law of repetition and change in artistic creation. 2. Understand the rigorous and dialectical analysis method of things in this paper.
(2) Ability goal 1. Train students to master the reading method of Tiaogouxuan. 2. Train students to summarize and analyze the content of the article.
(3) Emotional goal 1. Appreciate the author's love for human civilization, traditional culture and architectural civilization, and guide students to evaluate the city around them, care about their hometown and pay attention to society. 2. Understand the implicit beauty of music, painting and architecture in taste of china traditional culture, and understand the artistic laws revealed by the author.
Teaching emphases, difficulties and solutions 1. The meaning of the text title "sameness" refers to repetition in artistic creation, and "ever-changing" refers to changes in artistic creation. "sameness and ever-changing" refers to the repetition and change of artistic creation in the persistence of time, space or the comprehensive persistence of time and space.
Architecture is an art of time and space, and a successful architectural creation is a dialectical unity of repetition and change. "Synaesthesia among music, painting and architecture" means that music, painting and architectural creation all pursue repetition and change in the duration of time or the comprehensive duration of time and space, that is, the artistic law of communication between different artistic categories.
2. The dialectical unity relationship between repetition and change in artistic creation. Any continuous artistic creation needs both repetition and change. Only by repetition without change, the work will be monotonous and boring; Only by changing without repetition, it is easy to fall into sloppy and messy.
Solution 1. According to the content of the text, let the students find some examples from their familiar songs (music) or buildings, and specifically talk about their understanding of repetition and change. 2. Sort out the structure of the article, find out the main idea of the full text, summarize the main points of each paragraph, and analyze and discuss how the text embodies the artistic principles of sameness and ever-changing.
Teaching methods: self-reading method, discussion method, blackboard and chalk teaching process 1. Clear the goal, clarify the structure of the article, grasp the main idea of the article, and understand the dialectical law of repetition and change in artistic creation. Second, the overall perception 1. Introducing a new lesson From the topic, it seems difficult to understand the two contradictory words of "sameness" and "ever-changing". What should the article write? But as long as you look at the subtitle, you can know that the article is about "synaesthesia between music, painting and architecture"
So, what does "synaesthesia between music, painting and architecture" mean? Is this synaesthesia the synaesthesia in figures of speech? Read the article carefully, and the answer is in it. 2. Author and related background introduction Liang Sicheng, the eldest son of Liang Qichao, was born in Xinhui, Guangdong Province, and was born in Tokyo, Japan in 190 1.
After the founding of the People's Republic of China, he served as deputy director of the Beijing Urban Planning Commission, vice chairman of the China Architectural Society, member of the Chinese Academy of Sciences, deputy to the first, second and third sessions of the National People's Congress, member of the Standing Committee of the third session of the National People's Congress, and Chinese People's Political Consultative Conference. 1972 1 month died in Beijing.
He is a master of contemporary architecture in China, an architectural theorist and educator. He is the main designer of the national emblem of the Chinese people and the monument to the people's heroes. He founded the architecture departments of Tsinghua University and Northeastern University. Liang Sicheng also made outstanding achievements in architectural theory.
In recent years, in the 1950s, his proposals and calls for the transformation of Beijing's urban areas and the protection of cultural relics attracted much attention, which made people sigh and thought-provoking. Third, the key and difficult learning and the process of achieving the goal 1. Read the opening paragraph and find out the meaning of "sameness" and "variety" in the topic.
[Clear] "sameness" refers to repetition, and "ever-changing" refers to change. The meaning of this paragraph is that any continuous artistic creation needs both repetition and change.
Only by repetition without change, the work will be monotonous and boring; Only change without repetition, it is easy to get into a mess. "Synaesthesia among music, painting and architecture" refers to the repetition and change in these artistic creations.
This paragraph is the outline of the full text. 2. Read paragraphs 2~7 by yourself and summarize the main points.
[Clear] These paragraphs mean that as a continuous artistic creation, music, dance and painting are the unity of repetition and change. Paragraphs 2 and 3 talk about music, paragraph 4 talks about dancing, and paragraphs 5, 6 and 7 talk about painting.
Music is an art that lasts for a long time. The repetition of music refers to its theme, and the change refers to its rhythm. The author takes Schubert's "Trout" quintet as an example to illustrate it. Dance is mostly an art of comprehensive and continuous time and space, and almost all dances are repeated in changes, which means the repetition of actions.
The "hand scroll" in painting is also a comprehensive and continuous art of time and space, with the unity of repetition and change. The author takes Zhang Zeduan's "Riverside Scene at Qingming Festival" and Li Gonglin's "Grazing Scene" as examples to illustrate. 3. Read paragraphs 8~ 15 by yourself and summarize the main points of these paragraphs.
[Clear] What these paragraphs mean is that as an art with continuous space, most buildings are the organic unity of sameness and ever-changing. The author lists the Great Hall of the People, the Forbidden City, the humorous garden and the promenade of the Summer Palace and other buildings, which strongly proves this point.
The author explained in detail the corridors of the Forbidden City and the Summer Palace. From Zhonghua Gate to Tiananmen Square, the Forbidden City is a thousand-step corridor arranged in one breath. From Tiananmen Square to Wumen Gate, there are repeated courtrooms, and after entering Wumen Gate, there are similar halls.
Every group of buildings in the Forbidden City are all built in a unified specification and form, and even the colored paintings and carvings are the same. The same repetition shows the atmosphere of royal weather.
However, there have been changes in reunification, and the change from facing the room to the main hall is the change.
4. One-size-fits-all and ever-changing reading answers 18. After reading this article, talk about what the "one-size-fits-all" in architecture means.
(2 points) A: 19. The order of explanation in paragraph 3456 of the article is as follows: First, take the example to explain that simple repetition makes this building solemn and majestic; Then, the first three halls, the last three halls, corridors, tables, buildings and doors of the Forbidden City in Beijing are cited to illustrate the artistic effects. Finally, it is emphasized that excellent buildings win by the unity of repetition and change of building image. (2 points) 20. Read the following link materials and use the relevant knowledge in the article to talk about where the body of Lugouqiao is now.
(3 points) Link materials The Lugou Bridge in Beijing is more than 200 meters long, and there are 28 1 root columns on both sides of the bridge, and the columns are about one meter apart. The stigma is engraved with a lotus seat, and under the seat is a lotus leaf pier.
Looking around, the two rows of columns are magnificent. This 28 1 watchtower has lions with different postures carved in the Jin, Yuan, Ming and Qing dynasties on each pillar.
Some of these stone lions embrace their mother and son, some whisper to each other, and some are as vivid as listening to the sound of water. 1984 After verification, as many as 489 stone lions were found on the bridge.
A: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _18. Answer: The "sameness" in architecture refers to the method of repeatedly using various components or other components to achieve artistic effects. Rating: 2 points for this question.
19. Answer: Dialectical unity of repetition and change of dozens of columns in the Great Hall of the People (or changes in repetition) score: per space 1 minute, ***2 points. 20. Answer: ① The uniformity of stone pillars and the ever-changing of stone lions; ③ Repetition and change in the continuation of time and space, so that flow and stillness, illusion and reality are harmoniously unified.
Scoring: There are three points in this question, each point is 1 point, and ***3 points.