Zhou Shao in his later years.

1986, I worked in Shanghai Ancient Books Publishing House. In the spare time, I often see an old man with a strong figure, neat clothes and looks quite dignified chatting with young people in the aisle outside the editing room. I asked my colleague curiously, "Who is this?" They told me that his name was Zhou Shao, a special editor of our society, and he worked in one of the editing rooms, which mainly edited and published literary classics. At that time, he was seventy years old. My colleague told me mysteriously that he used to be Zhou Li 'an, a famous editor and writer on the beach in 1930s and 1940s, and his wife Mu Lijuan was Dai Wangshu's ex-wife. This really aroused my curiosity. I was working in the second editing room, which mainly edited and published literary research works. Since then, I have been free to listen to him and read some of his works, and gradually got to know something about his life story.

certified lawyer

Before describing Zhou Shao's life in his later years, it is necessary to briefly describe Zhou Shao's life experience and early deeds. Zhou Shao, 19 16 was born in June, Zhejiang Province. His paternal family background was hardly mentioned by Zhou Shao when he became an adult, only that his grandfather was a country gentleman. He died before he was born and grew up in his grandmother's house. Grandma's family is a scholarly family, which gives him a good reading environment. Zhou Shao went to the primary school attached to Shanghai Qingxin Middle School at the age of eleven, and stayed with his uncle Zhang Luan until he graduated from the middle school in June 1935. Zhang Lu 'an is a participating boss and a famous seal engraver, who is the same as Chen Julai.

1In the autumn of 935, Zhou Shao was admitted to Soochow University Law School in Shanghai. Soochow University was founded by the American Board of Supervisors in 1900. It has three schools of arts, science and law. The school of arts and science is located in Suzhou, and the original campus is now Suzhou University. The Law School is located in Kunshan Road, Hongkou, Shanghai. At that time, the law school offered preparatory courses, and it was stipulated that you had to prepare for the first year or two years at Soochow University in Suzhou before you could finish four or three years of five-year courses in Shanghai. Zhou Shao said to himself: "I was admitted to Soochow University in 1935 to study pre-law, and my examination paper was blank. I hoped that I would not be admitted, but I could fulfill my long-cherished wish of studying liberal arts in Dongdu Fusang. However, Wu Jingxiong, the dean of the law school, was my cousin, an unforgettable friend, and wanted to be my teacher. He used his authority to make an exception to admit me as a white student, and began to be a negative student for two semesters. ("The Shadow of Wu Men", "Looking for Dreams in Qinxi", Guwuxuan Publishing House, 1999)

Zhou Shao studied law school preparatory course at Soochow University in Suzhou, so he became attached to Suzhou. His early publication of "Collection of Fenmen" (Shanghai Fenxi Bookstore, 1940; Liaoning Education Press 1996, titled Qingming Collection, published jointly with Qingming Collection), and the collection of essays published in his later years, Looking for Dreams in Luxi, were all named after Suzhou place names. At Soochow University, he joined the Ningbo Hometown Association, and kept close contact with Jiang Weiguo, an economics classmate who was the president of the same year. Jiang Weiguo lived in Nanyuan, not far from Suzhou University, and Jiang Weiguo's former residence still exists in Nanyuan Hotel. /kloc-in the summer of 0/940, Zhou Shao graduated with a bachelor's degree in law. In the winter of the same year, he was screened by a lawyer's screening meeting in Chongqing, obtained the qualification of lawyer, and entered the impartial law firm on Yuanmingyuan Road near the Bund in Shanghai to practice law. 194 1 year1After the Pacific War broke out on February 7th, the firm was dissolved.

cut a brilliant figure

Before this 1937 1 1 month 12, it occupied Shanghai Huajie and half of the Shanghai concession north of Suzhou Creek. The French Concession in Shanghai and the half of the Shanghai concession to the south of Suzhou Creek are occupied and occupied areas on all sides. Only the concession is a place that has not yet been controlled by Britain, France and other countries, just like an island in the middle of the sea, so it is called an "island". The "isolated island" existed from this day until 194 1 year1February 8 when it invaded the Shanghai Concession. Zhou Shao was fond of writing since he was a child. When he was 1 1, he contributed to the local newspaper and published it. At that time, he set foot in the literary world and began his editing career, and he emerged in the "isolated island" period.

1936 autumn, he came to Shanghai, and co-organized "Talking about the Wind" with Tao Kangde, editor of Cosmic Wind Society (1908-1983) and others, and became the editor-in-chief. It broke out the following year, and it was closed less than one year after publication. Tao Kangdela joined Cosmic Wind Society as an editor, and made friends with a number of famous scholars such as Lao She, Yu Dafu, Zhou Zuoren, Feng Zikai, Yu Pingbo, Liu Dajie, Zhao Jingshen and Shi Zhecun. He also signed "Jili" and contributed to Century Wind, the supplement of Wen Wei Po, which was founded in 1938, and got to know its editor Tang Tao (1913-1992), so he co-authored essays with Lu Xun Feng, such as Tang Tao.

Luxun Feng was founded by Wang Renshu, Kong Yejing, Jin Xingyao and others on 1939 1 month with the aim of inheriting the style of Luxun's essays. "Biangu Collection" contains 6 essays 18, divided into 6 volumes, namely, Jin Xingyao, Zhou Mu, Zhou Li 'an, Qu Yi, Ke Ling and Feng Zi (Tang Tao). In addition to the six people in "Bian Gu Ji", the collection of "Hengmei Ji" added another realm of Kong. "Biangu Collection" means that the fierce Biangu, which was played to save the nation, came from "a low and urgent voice from a heavy heart". The title of "Hengmei Collection" is taken from Lu Xun's sentence "Hengmei coldly points at a thousand fingers". In the preface to "The Collection of Cross Eyebrows", Kong Yejing represents the main purpose of writing: "Not only should we reconcile with the bad tendencies of all walks of life at home", but also we have to bear the responsibility of exposing and stabbing foreign aggressors' gaffes and schemes ".

Editor-in-chief of cosmic wind

Zhou Shao was diligent in writing at that time. Apart from collections, his personal works included Qingming Collection (Shanghai Cosmic Wind Society, 1938), Wu Gou Collection (Shanghai Cosmic Wind Society, 1938) and Huafa Collection (Shanghai Yonglin Bookstore,/kloc-0). His "Qingming Collection" contains six articles, which narrates the historical events of Ming and Qing Dynasties, takes history as a mirror, and satirizes the present with reference to the past, which is full of practical significance. For example, The Career of Two Officials in the Early Qing Dynasty directly denounced: "We call people who bow down to enmity" or "puppets". Since the beginning of history, when China was subjected to foreign countries, there have always been these ugly people. It is really "it has been since ancient times, and it is now fierce." All of his works were first published in Cosmic Wind. Cosmic Wind 1935 was first published in the autumn, and it was the final issue when the Pacific War broke out in 194 1. It was an influential publication at that time, with a sales volume of 45,000 copies, second only to Life and Oriental. Edited by Lin Yutang, Tao Kangde and Zhou Shao. Later, Lin Yutang went to the United States and Tao Kangde went, which was edited by Zhou Shao alone.

From 1936 to 194 1 year, Zhou Shao also served as the editor-in-chief of Tan Feng, Cosmic Wind B and What's Going on in the World in Shanghai. 1939 and served as the editor-in-chief of the supplement "Sea Breeze" of Shanghai Circular Newspaper; 1940 and served as editor of western literature monthly; From 1940 to 194 1 year, he was also the editor of Lu Xun Feng Weekly of Shanghai Lu Xun Feng Society. From these resumes, we can see Zhou Shao's activity in the literary world that year. Chen Qingsheng said: "Zhou Li 'an and Wen Zaidao were famous essay writers of Lu Xun Feng during the isolated island period. They actively promoted patriotism and severely condemned acts, and were recognized as' school' writers." (Shanghai Literature in the Period, Shanghai Publishing House, 1995) He not only corresponded with Jin Xingyao at that time, but also influenced Jin Xingyao almost for the rest of his life (see below).

literary hack

After the fall of the "isolated island", the Japanese aggressors were harsh in all activities, and the fate of Chinese people living in the occupied areas changed dramatically, resulting in the division of culture. Scholars who stayed in Shanghai, such as Xu Guangping and Ke Ling, were unyielding and did not cooperate with the Japanese and Puppet. Or writing behind closed doors, some can rely on teaching for a living, such as Qian Zhongshu's two famous works, Talking about Arts and Fortress Besieged, and some can only live a poor life, such as Tan Zhengbi (this may be the majority); Or, like Shu Yuan and Guan Lu, they sneaked into the Japanese puppet government and engaged in the cause of God at the expense of honor. Others, such as Hu Lancheng and Liu Yusheng, took the initiative to become a culture. Zhou Shao and Wen Zaidao knew that it was dishonorable to do things for Wang Pseudo, but they still became idle literati. From 1942 to 1944, Zhou Shao was the editor and editor-in-chief of Shanghai Gujin Publishing House. Ancient and Modern was founded by Zhu Pu (1902-1970), a former deputy minister of Wang Puppet Department and deputy minister of government affairs, on March 1942. It was first a monthly magazine, and then changed to a semi-monthly magazine in the ninth issue. Zhu Pu has a close relationship with Zhou Hai, claiming that "Mr. Zhou is my better friend" (A Brief Letter to Wen Ruo in Park Garden, The Diary of Park Garden, Dolphin Publishing House, 20 12). In the article "Two Years of Ancient and Modern Times", he said: "Mr. Zhou Hai is the most helpful and powerful person. In the past two years, he has not only written articles for Ancient and Modern Times, making it more warmly welcomed by readers, but also always gives spiritual and material help whenever Ancient and Modern Times encounters difficulties."

"Ancient and Modern" mainly published literary and historical anecdotes and essays, but many of them were Wang Pseudo. Ancient and Modern has successively published Wang Jingwei's Old Friend's Story, Zhou Hai's Journey to Guangzhou, Fusang's Birthday Back in the Past, Reading the vicissitudes of life through ups and downs, The Story of Hard Learning, and Chen Gongbo's Shanghai's. As the editor-in-chief, Zhou Li 'an said in the Extra-large Editor's Postscript for the anniversary of Ancient and Modern: "It is especially commendable that Mr. Wang, the national government, took time out to write for the commemorative number after working hard at night, which is not only a unique glory of this magazine, but also a great event in China's literary history." "Another special contribution in this issue is Mr. Zhou Hai's. In the article "Two Years of Ancient and Modern Times", Zhou Li 'an wrote: "The success of Ancient and Modern Times in the past two years can be said to be a success. Needless to say, one of the people who contributed to the status of Ancient and Modern Times was Mr. Zhou Hai. Whenever there is an issue with his words, we always print more, but it is still sold out." These words are exactly the same as Zhu Puzhi's words. Therefore, people naturally regard "Ancient and Modern" as a publication of Zhou Hai, that is, a publication.

Zhou Shao is the backbone of Ancient and Modern. Zhu Pu's "Two Years of Ancient and Modern Times" says: "When Ancient and Modern Times was first published, ... there were only three editors and contributors. One was himself, and the other two were just Taokangde and Zhou Li 'an." Zhou Shao has been the editor-in-chief of Ancient and Modern since the third issue of Ancient and Modern. Zhu Pu said: "There is not a day when Li An and I don't work in the club, no matter the wind and rain, cold and heat, they never stop." It can be said that Zhou Shao contributed the most to Ancient and Modern. In order to run "Ancient and Modern" well, he also invited Jin Xingyao to help. Jin Xingyao became an unsigned editor of "Ancient and Modern" and went there for half a day every day. The last article published by Jin Xingyao before his death was "Mourning for Li 'an" written in 2003, in which he wrote that he and Zhou Shao met because of the essays written in "Century Wind". Later, Zhu Pu and Zhou Shao co-authored Ancient and Modern, saying, "Zhu Pu has no money and power, but because he has taken refuge in Zhou Hai, he has also been guaranteed economically and has become a senior hanger-on in Zhoumen." Jin Xingyao reviewed himself: "I am almost the same, and later I am willing to go against it. As the original of "Century Wind" is very innocent, as an unsigned editor of "Ancient and Modern", there is a clear distinction in history. Being scolded after victory is also self-inflicted. Everyone should be responsible for their actions. I ran into them myself. Because I am smoking at this time and need money. This is really regrettable, and many mistakes in my life have come from this. "

In addition to editing manuscripts, Zhou Shao also published literature and history such as Zhang Taiyan and his anecdotes, Recalling Yu Dafu, and The Birth of Emperor Qianlong in Qing Dynasty in Ancient and Modern Times. Because of the influence of Zhou Shao's "Ancient and Modern",1April, 942, Zhou Hai and others thought that Zhou Shao was "famous for his publications in Shanghai before, but now he has taken part in the work of peace and transportation" and "sent him as a simple Commissioner in the name of a simple treatment, not paying a salary to encourage talents", and appointed him as a simple Commissioner in the Secretariat of the Wang Puppet Association; 1944 and appointed him as "Commissioner of Investigation Department of Reserve Bank", but Zhou Shao didn't arrive at his post.

1944 10 "ancient and modern" ceased publication after the publication of the 57th issue. At the end of the publication, Zhu Pu "invited Zhou Li 'an and Wen Zaidao for a light meal, and took a break from" Ancient and Modern ",and there were still trivial things to be discussed; In the past two years, I have been through thick and thin, and I can't help but talk about my feelings. "(The Diary of Park Garden-A Record of the Rain in Chongyang, The Diary of Park Garden, Dolphin Press, 20 12). This shows the close relationship between Zhou Shao and Zhu Pu. Zhu Pu later settled down and engaged in calligraphy and painting. Lu Hao, a reporter from Wen Wei Po, asked Zhou Shao one day why he participated in the editing of Ancient and Modern. Zhou Shaohui said, "In the final analysis, it is four words: greed and fear of death."

While running a publication, from 1940 to 1944, Zhou Shao was also engaged in lawyer business in Shanghai, and his main life still depended on the income from lawyer business.

After victory, liquidation. Tao Kangde, Zhou Zuoren, Long Yusheng, who worked with Zhou Shao as the editor of "Ancient and Modern" and started the ancient and modern publishing house and Taiping Bookstore with Japanese background, were jailed as "culture", and Taiping Bookstore was designated as enemy property. Although in 1945 1 1 the book Culture by Sima Wenzhen published by Shanghai Shuguang Publishing House, Zhou Li 'an was listed as "culture" together with Tao Kangde, Hu Lancheng, Liu Yusheng, etc., Zhou Shao was not liquidated because he left early and never held the post of Wang Pseudo. From 1945 to 1949, Zhou Shao joined Tianheng Firm in Shanghai, with an address in Sichuan Middle Road, specializing in lawyer business and handling civil and criminal lawsuits. He handled housing disputes for Mr. Mao Dun, and wrote in his later years "Twilight Sketch". During this period, he left the literary world, stopped writing and no longer participated in literary and art activities.

In the great trend of the times

Zhou Shao's deeds before Shanghai are mostly found in his own recollections and related records, which are also mentioned by Cai Dengshan and others. His subsequent deeds written by Cai Dengshan and others are unknown, and are summarized as follows according to relevant records.

Shortly after Shanghai, the lawyer system was abolished, and Zhou Shao resigned after teaching history at Hongxue for one semester. 1in July, 950, he entered the private Zhengguanghe soda company as a consultant, drafted the company's articles of association, and soon became the deputy manager. Because of his unfamiliarity with his business, Zhou Shaomeng quit his job. 19561February, he attended the Shanghai Talent Association and was transferred to Shanghai Culture Publishing House as an editor. His old friend Kong Youjing was then the deputy director of the editorial department of Shanghai Culture Publishing House. Jin Xingyao was previously transferred from Shanghai Culture Publishing House to the newly established Classical Literature Publishing House (the predecessor of Shanghai Ancient Books Publishing House) in 19561month. 1June, 957, Zhou Shao was introduced by Mi Yiqun and Jin Xingyao and joined the promotion association. In the same year, Zhou Shao published a popular book with pictures based on Guan Hanqing's original book Wangjiang Pavilion in Shanghai Culture Publishing House. In May of this year, Zhu Pu came to Shanghai for a week as a famous calligrapher and painter, and met Zhou Shao on the evening of that day. "I was so excited to meet you that I could hardly say anything at the moment." Next, Zhou Shao had four days to accompany him in activities. One day, "Li 'an paid a visit to Yao of the same sex in the afternoon, and Yao of the same sex was much more proud than ten years ago" (A Week in Shanghai, Diary of Park Garden, ditto). Compared with Jin Xing Yao, Zhou Shao's comfortable life is very short. 1September, 958, Shanghai Culture Publishing House was sent to Anhui for reeducation through labor after being reported to the relevant departments of Shanghai for approval in view of the historical problems in Zhou Shaowang's puppet period. 1965 1 month, with the approval of Anhui Provincial Bureau, Zhou Shao was "dismissed and stayed in the team for employment". 19751February, Zhou Shao was approved by the relevant departments of Anhui Province to "be transferred to other jobs and enjoy public service". 1March, 1976, Zhou Shao was assigned to work in Chengdu Leather Hardware Cooperative Store, a subsidiary of Shanghai Company.

1977 1 1 month, Shanghai Municipal Committee decided to restore the organizational system of Shanghai Publishing Bureau and various publishing houses. 1978 1 month 1 day, Shanghai Literature and Art Publishing House resumed its original name. Since Shanghai Culture Publishing House had already merged into Shanghai Literature and Art Publishing House, Zhou Shao also "returned to the team" and entered the establishment of Shanghai Literature and Art Publishing House until1May, 985. Zhou Shao asked for a review of his own historical problems. 1980 1 1 month, after review, Shanghai Literature and Art Publishing House thought that the historical problems of Zhou Shao-wang's puppet period "should be corrected". To this end, it is suggested that the higher authorities cancel the decision of Zhou Shao's dismissal and dismissal in that year.

Enter Shanghai Ancient Books Publishing House

1978 1 month 1 day, Shanghai Ancient Books Publishing House was established on the basis of Shanghai Editorial Institute of Zhonghua Book Company, etc., and the old president Li Junmin actively recruited old editors. Jin Xingyao worked as an editor in Shanghai Ancient Books Publishing House. Probably because of his recommendation, Zhou Shao, who resumed his editing status, did not return to work in Shanghai Literature and Art Publishing House, but was hired as an editor by Shanghai Ancient Books Publishing House from 1979. Zhou Shao went to the ancient books publishing house to edit his favorite classical literary works; At the same time, the interpersonal relationship and academic atmosphere of the ancient books publishing house make him feel like a duck to water and give full play to his talents. Li Junmin is a loyal elder who dares to use talented people. At that time, there were quite a few editors who were similar to Zhou Shao's generation. He met Wang Mian (Kun Xi), who had just resumed his editing status and returned to work in the ancient books publishing house. In the same year as Jin Xingyao, both of them belong to the dragon zodiac, and they are well-known for their studies on the history and literature of the Ming and Qing Dynasties. Li Xueying, director of one of the editorial offices where Zhou Shao is located, is extremely serious and responsible for editing, and also has a strong interest in the history and literature of the Ming and Qing Dynasties. Many books that Zhou Shao is responsible for editing are checked and checked by her.

Zhao Changping, the succeeding director of the editorial office, is the first graduate student of Mr. Shi Zhecun, and he respectfully calls Zhou Shao "Shi Shu". Zhou Shao is a little strict with his family, and treats young editors as equals. Young editors either address him as "Duke Zhou" or jokingly call him "Old Man Zhou". Editor Ding Ruming remembers that after Zhou Shao retired, he once came to the club with the help of his son and sat in the downstairs hall, asking Ding Ruming to go down and talk. While they were talking, suddenly his son cut in. He flew into a rage and scolded, "It's rude of you to butt in when we adults are talking!" In fact, his son is about the same age as Ding Ruming, and the difference is at most three or four years old. Ding Ruming was a little embarrassed and very sorry. During his ten years working in the ancient books publishing house, Zhou Shao was mainly engaged in reviewing the manuscripts of ancient books, and he was responsible for editing more than 40 kinds of books. Among them, Fan Nan Wen Ji, Yanmen Ji, Jiegaisi Ji, Gaoqingqiu Ji, Chen Zilong Shi Ji, Mu Chu Xue Ji, Mu You Xue Ji, Mu Za Zhu, Wu Meicun Ji, Gu Tinglin Shi Ji Hui Zhu, An Ya Tang Ji, Fang Bao Ji are listed in China Classical Literature Series. Because of his full reading of poetry books, he has a deep stomach, and his manuscript review is very wide and fast. 19881February, recommended and submitted by Shanghai Ancient Books Publishing House, and passed its editorial qualification through discussion and voting at the Shanghai Publishing Professional Senior Job Evaluation Meeting.

Man Resumed business

While Zhou Shao was editing, he also took part in the collation of some ancient books. In Shanghai Ancient Books Publishing House, Cha Shenxing's Poems of Jingyetang (all three volumes, 1986), Yao Xie's Poems on Fu Zhuang (all two volumes, 1988) and Records of Historical Records were published with his punctuation. In his later years, he resumed his career as Mrs. Feng, and wrote many essays rambling about literature and history and recalling the past, including Twilight Essays (Shanghai Ancient Books Publishing House, 1995), Dream in the Creek (Guwuxuan Publishing House, 1999) and Essays Towards the Evening (Shanghai Ancient Books Publishing House, Shanghai Ancient Books Publishing House, 2008). His monographs include Spring and Summer of Qing Poetry and Officials of China in Ming and Qing Dynasties. Zhou Shao-xi's poems about Qing Dynasty, especially those of Qing Dynasty poets Wu Weiye and Huang Zhongze, were named "Wu worships Huang". He once told Ding Ruming that when he went, he actually brought a collection of two people, and their poems accompanied him through the long years.

"Spring and Summer of Qing Poetry" was signed by Zhou Li 'an. He divided Qing poetry into four seasons, and narrated the stories of poets in the early and middle period of Qing Dynasty by writing essays. This is one of the "Poetry Square" of Zhonghua Book Company () Co., Ltd.,1April 1990 edition, 199 1 year was published by Jiangsu Ancient Books Publishing House, and this set of books was edited by Jin Xingyao. This set of books also includes the Book of Songs by Jin Xingyao. The Official of China in the Ming and Qing Dynasties is one of the series of Ming Bian Old Words published by Liaoning Education Publishing House 1998. There are also Ghost in the Sixth Palace by Jin Xingyao and Windsor Women in the Deep Palace by Kun Xi. Zhou Shao writes very quickly, and his stories are handy. Most of his works are written during the break of exercise.

19871February, Shanghai Bookstore Press hired Zhou Shao and three retired editors, Yang Youren of Shanghai Ancient Books Publishing House and Wang Zhiyi of Shanghai Dictionary Publishing House, as special editors of China Modern Literature Series. China Modern Literature Series is edited by Fan Quan, an old friend of Zhou Shao's. Fan Quan is an experienced old publisher and has set up a powerful editorial board for the series, including Shi Zhecun and other experts in various fields. There are two young editors, Gong Jianxing and Zheng Xiaofang, in the editing room. Gong Jianxing later transferred Xinmin Evening News as the editor of the supplement Luminous Cup, and became famous under the pen name Xipo. Zheng Xiaofang, the granddaughter of Zheng Chaolin (1901-1998), moved to Shanghai from her hometown in Fujian to take care of Zheng Chaolin's life, and later transferred to china welfare institute Publishing House for editing. At that time, a place was marked out in the dining hall upstairs of Shanghai Bookstore on Fuzhou Road, and a writing desk and bookcase were put there, where they were editors. After years of hard work by these young and old editors, 199 1 year 12, a series of 20 million words in 30 volumes, was published. 1997, the book won the honorary prize of the third book award.

In order to open up the topic, Zhou Shao suggested to Zhao Changping that the columns of Cosmic Wind, One Chapter of Autobiography, Human History and Celebrities should be compiled into a book, Unforgettable Memories, which was published by Shanghai Ancient Books Publishing House on 1999. This book is a collection of life fragments of intellectuals such as Cai Yuanpei, Zhou Zuoren, Lao She, Yu Dafu and Xu Zhimo, which is not only of historical value, but also readable. Influenced by this book, I planned 10 series of famous journals, and selected famous journals such as Yusi, Crescent Moon, Taibai, Cosmic Wind, Human World, Modern Times and Vientiane, among which Dai Wangshu was selected, and Zhou Shao specially accompanied Dai Wangshu's daughter Dai Yongsu to our agency to collect sample books and manuscript fees.

In addition to colleagues, Zhou Shao's friends in his later years included Shi Zhecun and his younger friends Lu Hao and Gong Jianxing. Zhou Shao liked playing cards when he was young, and he also liked sparrows in his later years. Professor Chen Zishan of East China Normal University recalled that his father Chen Xinmin "had close contact with Zhou Li 'an, because they once worked in Shanghai Zhengguanghe soda factory. From the end of1970s to the end of1980s, Zhou Li 'an often came to my humble place to drink and chat with my father. Later, my father and mother often went to Zhoufu to play with Zhou Li 'an and Mu Lijuan "(Chen Zishan's No Diaries, Shandong Pictorial Publishing House, 2022).

Zhou Shao often visited Mr. Shi Zhecun in his later years. Chen Julai's work "Memories of An Zhi Characters" was entrusted to Shi Zhecun before his death, and Shi Zhecun submitted it to Zhou Shao for publication. Lu Hao and others compiled Vientiane for Liaoning Education Publishing House, and Zhou Shao serialized Vientiane, and then published it in a single line, which made him famous for a while. Zhou Shao also wrote Chen Julai and Zhejiang seal engravers, Tobacco Notes and There was a Year in 1930s for Vientiane. He and Mr. Shi have the same hobby of smoking cigars. Mr. Shi sent several Havana cigars to Zhou Shao, who could not bear to smoke them and kept smoking them. Later, when he smoked cigars, Ding Ruming bought them box by box in a cigarette shop in Xujiahui for him. He wants the more expensive brand made by Tongxiang cigar factory, which is packed in a pack of 10 sticks with a triangle of 6 cents. He is reluctant to buy it, but he wants a pack with a low price of 27 cents. Later, Tongxiang tobacco factory closed, and he sighed. Of course, this is the price in the early 1980s.

After Zhou Shao retired, he borrowed a room from Shanghai Literature and Art Publishing House to live alone. The house is on Jiashan Road. I have been there. I remember it is a pavilion in the middle of the building, with one living room and one bedroom. He hung a plaque "Wu Bai Huang" in the closet, and also hung a photo of him and his wife Mu Lijuan when they were young on the partition. He is in good health and insists on taking a cold bath in winter. He likes drinking, and he suffered from gout in his later years. Mu Lijuan forbade him to drink, but he still refused to listen, and invited young editors to drink together. Because of gout, it is inconvenient for him to walk. He went out on crutches and lost a few teeth. A young colleague joked with him and said, "A toothless (shameful) person is good at walking." He didn't think it was enough and laughed. The more young people run on him, the happier he is. Zhou Shao likes watching TV plays in the evening. There was a "Qing Palace Opera" that was popular. After reading it, he wrote a miscellaneous feeling and sent it to the Luminous Cup of Xinmin Evening News for publication. Kun Xi's article "Huai Zhou Shao" notes: "Zhou Jun tasted the cloud, but with a bottle of wine and a pen, the text can be made in an instant. Even so, it is inevitable that there will be mistakes if you don't check the literature, so there are doubts about the smell. Zhou Jun didn't care, but he just wrote this angrily. " However, shortly after Zhou Shao's death, "Glowing Cup" also published his saved manuscript.

Mu Lijuan in her later years.

Zhou Shao and Mu Lijuan

Writing about Zhou Shao and Mu Lijuan is an unavoidable topic. The story of Mu Lijuan and Dai Wangshu has been described in many books. Mu Lijuan was interviewed as Dai Wangshu's ex-wife and Mrs. Zhou Shao. On the 20th1June15th, Xinmin Weekly published Mu Liying's Sister Mu Lijuan: Divorced from Dai Wangshu.

Mu Lijuan, a native of Cixi, Zhejiang Province, was born in an industrialist's family in 19 17. /kloc-graduated from Shanghai Nanyang girls' middle school in 0/935. Mu Lijuan's eldest brother is Mu Shiying (1912-1940). Mu Shiying, Liu Naou and Shi Zhecun were both famous writers of New Sensation School in 1930s. 1935 In April, Dai Wangshu (1905-1950) returned to Shanghai from France and lived in an apartment with Liu Naou and Mu Shiying. At this time, Shi Jiangnian (Shi Zhecun's sister), Dai Wangshu's fiancee who had been in love for eight years, had another love, and everyone sympathized with him. So Mu Shiying introduced his sister Mu Lijuan to Dai Wangshu.

The couple got married in Shanghai Xinya Hotel on June 1936. 19-year-old Mu Lijuan married Dai Wangshu, who was 12 years older than herself. After marriage, she had a daughter Dai Yongsu, nicknamed Duo Duo. 1939, Dai Wangshu came with his wife and daughter. Due to the difference in age, experience and personality, their relationship is in crisis. 1June, 940, Mu Shiying, then president of Wang Pseudo's National News Agency, was arrested by secret agents in Shanghai, and Dai Wangshu forbade Mu Lijuan to go back to Shanghai to attend the funeral. In the winter of the same year, Mu Lijuan's mother died in Shanghai. Mu Lijuan went back to Shanghai to attend the funeral despite Dai Wangshu's blocking. 1943 1 month, the two divorced.

After Mu Lijuan returned to Shanghai, Zhou Li 'an, who had long known each other, often came to see her as a friend of Mu Shiying and chatted with her. Zhou Li 'an was one year older than Mu Lijuan, still single, and was very prosperous in Shanghai at that time. He fell in love with Mu Lijuan. 1March, 94315th, they got married at Shanghai Golden Gate Hotel. In the April issue of the same year, Liu Yusheng, who acted as the master of ceremonies at the wedding, wrote "The Marriage of a Literati" to record the wedding scene of two people. There are quotations in Cai's mountaineering, so I won't repeat them here. A young colleague jokingly accused Zhou Shao of being unloved. He said with a smile, "This is the pearl returning to Hepu. Mu Lijuan and I used to live in the countryside only across a river, which is the front and back village. " His hometown, Zhenhai, is close to Cixi and can be regarded as a fellow villager. In the 1990s, Liu Cunren (Liu Yusheng), who has settled in Australia and become a famous scholar, always told us when he came to Shanghai, and let us arrange for him to meet with Zhou Shao for a chat when he had the chance.

Mu Lijuan and Zhou Shao have three daughters and one son after their marriage. 1949 years later, Mu Lijuan went out to work and proofread in Classical Literature Publishing House. After Zhou Shao went to work in Shanghai Ancient Books Publishing House, Mu Lijuan also came to the club from time to time, and sometimes participated in the tourism inspection activities of the Shanghai Ancient Books Publishing House branch of the Promotion Association with Zhou Shao. Jin Xingyao once served as the director of the branch.

Zhou Shao spent his last days in the old house. He and Mu Lijuan's old house were building a house in an old Shikumen in Jiangyin Road, Shanghai. I have been there, and I remember it was on the second floor, with the window facing the West Road. After Zhou Shao's death, my colleagues and I went to express our condolences on behalf of Shanghai Ancient Books Publishing House. Mu Lijuan told us that after Zhou Shao got sick, he didn't want to stay in the hospital, so he lay at home and let Mu Lijuan accompany him to the end.

In August 2022, Mu Lijuan died at the age of 103.

Gao keqin

That's all about getting married with dragon men and women in the same year. It's about shanghai table's sharing. After reading the marriage between men and women, I hope this will help everyone!