The order in which I came into contact with these three books was Criminal Psychology-Silent Reading-Breaking the Cloud.
It took me three days to finish reading Criminal Psychology, and I didn't sleep for three consecutive nights.
It took me three days to read Silent Reading, but I didn't sleep for three consecutive nights.
I watched Broken Cloud for a week and just finished it.
The first two books gave me the willies, and I was so scared. I'm so scared every day, but what should I do? I want to know what happened next. Who was it in the end?
But I'm not afraid of "Broken Cloud" at all ... Maybe it's because I read an e-sports article interspersed between the first two books, but I'm not very afraid when I'm sweet.
Judging from the degree of fear it brings me, Criminal Psychology should make me even more afraid. I don't know who the murderer is at the end. I think the author may want to express a kind of darkness, not a special person. In fact, even each of us will be this kind of darkness. This kind of vague allusion is even more frightening and makes people doubt themselves.
But how can I put it? All three novels make me feel that I may be a person who came to the earth to make up the numbers. I can't keep up with their thinking at all. Many times, they have already pointed out the clues in the novels, and I have to turn to the front and think slowly to understand, which is too difficult.
Priest, author of Jinjiang Literature City, witness of orange melon, top ten martial arts writers, top 100 great gods writers and 100 industry representatives in the past 20 years of online literature. Since 2007, novels have been serialized in Jinjiang, and their works are romantic and have no CP direction.
His works are full of drama, humorous language, fluent writing and atmospheric style, and he is good at constructing all kinds of normal and abnormal world views.
In the phenomenal works such as Silent Reading by Priest, the male is just a symbol or even an imagination, but it will not have much impact on the readability and artistry of the works. Even the charm of these works is largely based on the abandonment of the indispensable male elements in traditional literature.