Reading romance novels is really fatal to Pisces. I have known this truth since 10. After so many years, my mind is mature. As a result, after reading Haiyan's novel "An affair" due to work needs, I still got deeply involved. And by the way, I revisited that version of Lao Xu's TV series. All these foreplays seem to be preparations for watching Gao Qunshu's movie version, so that when you see Angelababy and JaeHee on the big screen, you will feel very intimate. It seems that Lu Yueyue and Pan Xiaowei are possessed by their souls again. I expect them to rewrite the tragedy, but I dare not expect too much, because if it is true love, the living one will only be more painful. This time, when I watched the film, I also had more angles to feel the changes made by the film version to keep pace with the development of the times, such as Beijing changing into Shenzhen, the escape route changing from all the way east to all the way west, and the Hong Kong underworld changing into South Korean gangsters. These changes doomed the doomed love between Lu Yueyue and Jin-Hee Kim, which was different from that of Lu Yueyue and Pan Xiaowei.

Gao Qunshu's advantage in making police films is not only the control of genre elements, the scheduling of scenes, etc., but also the ability to do things that other directors dare not do in portraying police. Xue Yu, a criminal policeman played by Huang Xiaoming, his cool words and deeds, captain Li, who is extremely shrewd and has fallen when he is down, and the ultimate BOSS who speaks Sichuan dialect in the police station, all of these descriptions have promoted the plot, but the biggest role is to make the audience not look too heavy. Compared with "The West Wind is Fierce", Gao Qunshu's action scenes, car chasing scenes and blasting scenes in this play are more malicious and full of bright spots. The contest between China Interpol and Japanese and Korean gangs is gradually spread out on a nocturnal road, and the tragedy that life is thinner than paper is also launched.

But one of the most essential and impactful changes is the collocation of actors. Who will remember Xue Yu, played by Huang Xiaoming, who was played by Jiang Wu in the TV series of that year? This is somewhat unfair. The audience immediately realized Lu Yueyue's feeling of choosing gangs (just kidding). Huang Xiaoming's appearance in the film makes this triangle relationship full of wrestling. Lu Yueyue is like a balance between two worlds, and the direction of the plot determines her inclination. It can be speculated that in order to make the commercial elements and entertainment atmosphere stronger, the film seems to have cut a lot of emotional scenes, and the entanglement between Lu Yueyue and Xue Yu and Jin-Hee Kim has not been deeply reflected. However, there are a few details that are particularly well designed, which make people suddenly realize the love-hate undercurrent in the wrestling. One is that Xue Yu picked up the snakehead that jumped out of the fish tank and seemed to understand that everything was like eating the burnt stone fish on the ground without expression. The other is that at the most critical moment, he couldn't help laughing when he was listening to the cross talk in the taxi every month, and Enghish suddenly held her hand. These two details are new. The former implies Xue Yu's giving up, and the latter replaces a description in the original novel that Xiao Wei was tied with a tie every month before he died, and he changed from like to love.