What kind of calligraphy art world can we see in Mr. Ma Baoshan's calligraphy works? Below are the pictures of Ma Baoshan's excellent calligraphy that I compiled for you. I hope they can help you!

Appreciating Ma Baoshan's Excellent Calligraphy Pictures 1 Ma Baoshan's Excellent Calligraphy Pictures 2 Ma Baoshan's Excellent Calligraphy Pictures 3 Ma Baoshan's Excellent Calligraphy Pictures 4 Ma Bao Shan's Personal Profile

Ma Baoshan, whose name is Shouchang, pen name is Fu Ying, and his name is Yi Ming. Calligrapher, Yi Dao calligraphy, creator. Born in Gujiao City, Taiyuan, Shanxi Province in 1941, he is a senior editor with a university education. He is a director of the Beijing Law Society. He has served as the deputy director of the Legal Daily and the deputy editor-in-chief of the China Lawyer's Newspaper for many years. He is currently the executive vice president of the China Behavioral Law Society, the president of Tiantai Yi Dao Research Institute, the president of Yiming Painting and Calligraphy Institute, and the honorary president of Huaxia Metropolitan Press Club.

Yi Dao Calligraphy, Yi Dao Yao Shuo, Yi Dao Collection, Yi Dao Gua Shuo, Yi Dao Tai Chi Shuo, Yi Dao Xiang Shu Logic and Yi Dao De Shuo have been published. In the field of philosophy research of the Book of Changes, a brand-new perspective, a brand-new concept, a brand-new method, a brand-new argument and a brand-new system are given.

There are principles in calligraphy creation

First, there are three creative principles

1. The lines are firm and muddy-* * * from the proficiency of lines. Line is a combination of force and potential, so the pen should be calm and happy, steady and light, and tend to * * * when the pen is heavy. According to the font size, the trend of typesetting, the line is oblique and the overall vertical trend.

2. The structure is strange and steady-pay attention to the center of gravity. Side, escapement, density and height.

3. The composition is consistent-there is a gap between the words * * * and the number of * * in one section; Penetrating bead type * * * centerline * * *; Snake-like * * * swinging left and right * * *; Thin film type * * * sparse and bright * * *.

two, seven layout points

1, one word can't make it.

2. There is an echo between words, connecting the preceding with the following, and the left reflects the right belt, and the line spacing and word spacing cannot be equal. Put the book eye in the center, but it can be bigger, and the words are connected with the surrounding air.

3. On the whole, exhibit works with strong ink. Hanging at home is suitable for thinning.

4. There must be no typos in the works, and the variant characters are not too uncommon.

5. The overall layout of the work is more important on the top than on the bottom.

6. judging the quality of a work mainly depends on the overall visual effect: rhythm, ink color and pen use.

7. In twos and threes, it seems to be scattered and continued, and the pulse is consistent. This layout is also wonderful.

Three or ten keys to writing

1. Eight-sided appearance: With the help of eight-sided appearance, the ink color naturally appears dark and light, wet and dry, dry and wet, thick and light, and light and thick, which makes the work full of rhythm.

2, combining rigidity with softness: rigid force-iron-silver hook * * * thick * * *: soft force-flowing water * * * *.

3. Cherish ink like gold: regular script requires dipping in ink once to write a word or even a number; Write 3-5 words in a cursive stroke. At the end of each stroke, the brush hair should be restored, and the paper should be raised.

4, suddenly enlightened: the blank space is wide and narrow, and the wide space gives people a sudden sense of openness. Art is a process from creating contradictions to solving them.

5. Use both sides: the center will gain strength and the side will gain momentum and change. Center is the requirement of rationality and the core of calligraphy aesthetics; The flank is the embodiment of emotion and the means of calligraphy to communicate with the spirit.

6. Deliberate: Before you create, you should be thoughtful and deliberate repeatedly, so as to be "well-prepared".

7. In one go: Calligraphy is the expression of feelings, not the expression of skills. Write in a good state of body and mood. Write casually, in one go.

8, patchwork: Under normal circumstances, the line spacing of works should be wide and the word spacing should be important. Avoid juxtaposition of words and stagger them. There is a gap between the number of sections, and the arrangement and combination should be rhythmic, the size and characters should be staggered, and the middle book eye should be highlighted.

9. The pen is full of emotion and interest. Calligraphy is silent music and invisible dance. Seek echo in change, make the whole harmonious, and have strong rhythm and visual impact. Use my poor pen well, use it slowly, move quietly, and write ink interest.

11, pay attention to gas penetration. The spirit of calligraphy is the echo between pointing strokes and different words, and the trend between words.

Four or twelve pen details

1. No horizontal painting in cursive script. The cursive script with horizontal lines should be as short as possible and have a vertical sense. Can be replaced by dotted lines and thin lines.

2. avoid the phenomenon of flat drag, dry pen and the same thickness caused by fast, and leave it everywhere.

3. Ink is dull and dull. Re-start with thick ink, and the strokes of thick ink characters should be clearly explained.

4. Avoid "eyes" in words to prevent too many "eyes".

5. The middle line is the focus of the work. In a work, there should be several prominent, wonderful and individual words. This is also called "book eye".

6. Long line characters are very important, so be careful when receiving the pen, and generally use dry pen at the end of the gesture.

7. Words with heavy pen and ink should not be equal in area. There should be a transition between heavy and light words, so as not to be lumpy.

8. The thin pen should be tough, and the thick pen should be strong. There should be a thick pen with iron and silver grooves, and a thin pen with flowing water.

9. The ink is slightly slower when dry, slightly faster when wet, slightly slower when coarse and slightly faster when fine. The cursive script has the meaning of regular script, and the regular script should be written.

11, when handing in the pen, the beginning and end should be clear, and each pen should be explained clearly.

11. Pay attention to lifting and pressing: even but uneven, straight but not straight, straight in the song, straight in the song. To "press down with a pen".

12. Center and winger are used together, with eight fronts, center in detail and winger in thickness.

five or four key points of inscribing

inscribing is an integral part of the text and cannot be underestimated. Key points:

1. The signature is less than half the size of the main text. The two lines should be high on the right and low on the left, and don't change pens.

2. You should not leave too many blanks in the signature, and pay attention to the light and heavy proportion.

3. The stamped work is covered with glass and books.

4. It is best not to have more than three seals.

1. Appreciation of Ma Baoshan's Excellent Calligraphy

2. Appreciation of Ma Baoshan's Fine Calligraphy

3. Appreciation of Ma Baoshan's Classic Calligraphy

4. Appreciation of Ma Baoshan's Excellent Calligraphy

6. Appreciation of Ma Baoshan's Selected Calligraphy

7. Appreciation of Ma Baoshan's Classic Calligraphy

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