Is Xiao Min's finale that Jia Jia and Jia Jun are together? The drama Xiao Min Jia, starring Zhou Xun and Huang Lei, has come to an end. In fact, Jia is already very satisfied with the previous plot. Is Xiao Min's finale that Jia Jia and Jia Jun are together?

Xiao Min family finale: Are Jia Jia and Jia Jun together? On the evening of June 4th, the hit TV series Xiao Min's Family finally came to a close. This family drama, full of stories, has been touted from the beginning to the present. Fortunately, in the finale, the dissatisfaction with the drama has gone with it. Let's take a look at the ending of these CP pairs in the play.

The first is men and women. One is Liu Xiaomin (Zhou Xun), a hospital midwife, and the other is Chen Zhuo (Huang Lei), a middle-aged warm man. From the beginning, their love was furtive, separated by their adolescent children, their unsupported mother Liu Xiaomin and their ex-husband. It's not too difficult for them to fall in love!

At first, love was discovered by Xiao Min's mother. Chen Zhuo was embarrassed at dinner, saying that they could love each other, but they didn't support their marriage. Later, Chen Zhuo's ex-wife Ping Li (Amanda) went to the hospital for examination. When the phone came, she became suspicious of their relationship and finally came together. They were forced to break up because Jin Jiajun went back to school. In the end, they went through many marriages, but they wanted to be separated again because of Chen Zhuo's cancer. Fortunately, the ending was happy, Chen Zhuo recovered, and they finally left hand in hand.

The second pair of CP is Jin Jiajun and Chen Jiajia. Because of their parents, they met by chance in the cram school and often helped each other in class together, thus forming a revolutionary friendship. In addition, when Jin Jiajun was sad, Chen Jiajia revealed his parents' divorce history, which made him laugh.

Jin Jiajun is not completely unresponsive. Adolescent children are always ignorant and naive, and do not hide a person's kindness. In order to surprise Chen Jiajia, Jin Jiajun climbed the Great Wall and dressed up as a doll, which made Chen Jiajia ecstatic. After Chen Zhuo's operation, they walked by the sea and talked about life, and finally got a sweet kiss!

The third pair of CP is Jin Bo and the "lollipop" girl. As Liu Xiaomin's ex-husband, when he first appeared, he was so disgusted that he came to ask for money. He also had the cheek to ask Ping Li to take him in. He lived in his ex-wife's house many times and made his son work hard to pay his debts. Fortunately, Jinbo slowly changed behind, and Chen Zhuo accompanied and comforted Wang Sumin when he was seriously ill. In the last episode, I met my neighbor Ms. Ma and gave her a lollipop. Their fate may start here! Jin Bo can start a new life.

It's a pity that these two couples. The first pair is Liu Xiaojie (Tang Yixin) and Qian Feng (Wu Bi). As Xiao Jie's "best friend" for more than ten years, Qian Feng has always had a crush on Xiao Jie, but she has never found a chance to express her love, either at the wrong time or cut off. Luckily, he has been with Liu Xiaojie. I thought that the Xu Zheng Liu Xiaojie met after her divorce would be the "the only thrill". Who would have thought that it was a controlling and jealous "love rat", who not only kept Liu Xiaojie under strict control, but also "illegally imprisoned" her and followed Liu Xiaojie. I have to say that this kind of love is too suffocating! Fortunately, Qian Feng saved Xiaojie, but in the end, it's a pity that they are just friends. ......

The next couple are Ping Li and Hong Wei. I thought that the man Li Ping was looking for in her second marriage was a much better rich man than Chen Zhuo, but I never thought that the police would come and take Hong Wei away. When I visited Hong Wei in prison, I learned that there was an illegitimate child there. This is a bolt from the blue for Li Ping! Resolutely decided to divorce, stop loss in time, sober is Ping Li!

It's sad to see the endings of so many characters. Everyone has his own advantages and disadvantages, and there are also many people scratching their heads. Xiao Min's home game has risen from 7 points to 6.3 points today. As the bottom of the "small" series of TV dramas, I wonder whose fault it is? Has everyone seen Xiao Min's home? Do you like this TV play?

Are Jia Jia and Jia Jun together in the finale of Xiao Min's Family? The urban emotional drama Xiao Min's Family, starring Zhou Xun and Huang Lei, is drawing to a close, but what the audience never expected was that at the end of the finale, Xiao Min's family poured a dog's blood.

In fact, the plot of Xiao Min's family was already very satisfactory. Chen Zhuo and Liu Xiaomin finally got married after many obstacles. The picture of two people walking hand in hand through the noisy street, hugging each other tightly in bed and warming each other is really touching.

As a result, in the latest story, Chen Zhuo's attitude suddenly reversed and she had to divorce Xiao Min.

Many netizens say that this kind of story was written by a screenwriter who came back from studying in Korea. Otherwise, how could the "dog blood shower bag" in Korean dramas be used so well?

Moreover, Chen Zhuo's first reaction after learning that she had cancer was not active treatment, but in order not to drag his wife to choose a divorce. Of course, Liu Xiaomin firmly stated that he would never leave him and would join hands with him to fight the disease.

Chen Zhuo dragged his sick body to account for the funeral, arranged his own assets, and asked his ex-wife Ping Li to take good care of her daughter. He was afraid that if he left this world, his daughter, who had been brought up by himself, would be hit hard and be devastated.

This kind of plot is very warm, but it is also very cliche. It's like throwing dog blood in order to add drama to middle-aged couples who fall in love halfway.

Finally, Chen Zhuo, suffering from cancer, had a successful operation, which was different from the original novel. In the original book, Chen Zhuo died, leaving a tragic ending. In the drama version, the screenwriter made an adaptation, which conforms to the happy character of China people.

In addition, the disputes between Xú Zhēng and Xiao Jie are endless, which also makes netizens vomit wildly.

The audience watched Liu Xiaojie fall into the trap set by Xú Zhēng with love step by step, and saw that she had suffered a lot in her marriage. Unexpectedly, they finally divorced, and the screenwriter even gave Xú Zhēng a crazy drama.

For a period of time, let Xú Zhēng enter a mental hospital because of his morbid possessiveness, and let Xiaojie sympathize with him. For a while, Xú Zhēng escaped from a mental hospital and followed his ex-wife, causing panic for Xiaojie.

Moreover, Xú Zhēng, a "pervert", also made a "deep confession" to his ex-wife Liu Xiaojie, claiming that he followed the other party because he was afraid of scaring Xiaojie, and that his mental problems had been cured. He thought of the harm he had done to her before and wanted to apologize to Xiaojie.

The more you look back at Xiao Min's home, the more routine the story becomes. Chen Zhuoyue played by Huang Lei looks more and more like the characters in his previous "Little" series.

Including but not limited to all kinds of chicken soup-style sermons and impromptu lines, there is a feeling of letting the audience string together, but without the core of the "small" series focusing on the pressure of children's growth, the family will drag on more and more.

No wonder Xiaomin's score on Douban also dropped to 6.3.

However, some netizens said that the trivial and "dog blood" shown in the play is actually the daily life of middle-aged people. All the Xiao Min family did was expose the midlife crisis.

Xiao Min family finale: Are Jia Jia and Jia Jun together? The Xiao Min Family, which continues to arouse discussion, ushered in the ending tonight.

As a realistic theme work that has attracted much attention at the end of the year, adapted from a popular novel of the same name in northern Iraq, the "Troika" of Ningmeng Film+Wang Jun+Huang Lei is once again assembled and returned. Twenty years later, Zhou Xun and Huang Lei cooperated to "ride the dust three times" ... It can be said that many labels made Xiaomin's family bear high expectations from the beginning.

Since its launch, Xiaomin's family has continued to occupy the forefront of the hot list. The first broadcast occupied the first place in the four networks, setting a new high for Hunan Satellite TV 202 1 series. On the first broadcast day, it won 35 hot searches on the whole network, and obtained TOP 1, a real-time popular TV of Douban. Up to now, the main hot search lists in Weibo are 160+ and12top1; Tik Tok's main list has 60 hot searches, 1 1 top. With the development of the plot, the social problems of the package in the play, such as empty nesters, PUA and other topics, have constantly triggered external discussions.

This phenomenon is also found in many dramas made by Ning Meng in the past. Whether it is the in-depth exploration of female group image and female topic selection in Nothing More than 30, or the discussion of education problems at different stages in Little Separation, Little Separation and Little Separation, it has resonated with the current social mood to varying degrees.

Different from the past, this time, Xiaomin's Home cuts into the theme of remarriage from the perspective of middle-aged women, showing a different intergenerational attitude and emotional logic from middle-aged love, which is a new direction for the real theme of Ning Meng film industry.

In the last episode, Chen Zhuo had a successful operation, and after he recovered, he walked by the sea with Liu Xiaomin, fulfilling his promise to take Liu Xiaomin to play. Liu Xiaojie and Qian Feng are still each other's best friends, and they rely on each other firmly ... Everyone in Xiao Min's family has become a better self, and they all warm the people around them with love.

At the end of the story, Jia's well-known way of reconciliation is in the same strain as Ningmeng's consistent realistic expression, that is, he leads the value orientation of "warm realism" on the basis of touching collective feelings.

When warmth becomes the belief, guidance and final destination throughout the whole process of content creation, correspondingly, the realistic theme has further realized its social responsibility and guidance.

More than middle-aged feelings

Wrapped in rich social problems.

At first glance, Xiao Min's home can easily remind the audience of the educational trilogy before Ning Meng. But in fact, Xiao Min's Home focuses on the mature love centered on the divorced middle-aged people in the city.

In the play, Liu Xiaomin and Chen Zhuo, as parents, are connected with their children's education in emotional development, and at the same time they revolve around the love and marriage of Liu Xiaomin and Liu Xiaojie.

In the play, Liu Xiaomin, who experienced a failed marriage, struggled alone in Beijing and fell in love with her friend Ping Li's ex-husband Chen Zhuo in middle age. After her sister Liu Xiaojie's flash marriage, facing the pursuit of young men, she soon fell into an extreme marriage relationship again. Chen Zhuo's ex-wife Ping Li has been living a luxurious life since her second marriage. After an enterprise storm, the husband went to prison and still faced life, taking care of his illegitimate child overseas.

In Xiao Min's Home, through different female roles, divorce and remarriage, the vortex of life brings more aspects of life.

Not only middle-aged love, Jia's competition is actually the packaging of various problem stories. When adults have all the roles of parents, children and the backbone of work at the same time, these extended children's relations, parents' pension, career choice and marital status may all usher in a sudden bump.

For example, in the play, Chen Zhuo and Liu Xiaomin can secretly go out on a date and eat noodles together in a fly restaurant only after their children have a rest. Or a late-night conversation between Xiao Min and his mother before moving into a nursing home.

In addition to the mature social problems in the city, taking middle age as the midpoint, from the collision and reconciliation with the older generation to the love story of children, typical family problems in China can be seen in the limited space of Wang's family.

When getting along with her mother, Xiao Min has always had a bad feeling about her original marriage arrangement, and her mother has been taking care of her son for Xiao Min in Jiujiang. When the children grew up and the mother decided to live in a nursing home to seek a new life, the two generations were reluctant and uneasy to talk, naturally with warm tears. In the children's generation, although the love story of "kissing and kissing" is easy to be drenched with dog blood, the love of Xiao Min's children is natural only from the simplest youth confusion and family background.

A variety of topics and roles of different ages are dotted with a rare Jiujiang factory, stringing together the interpersonal relationship between the Liu Xiaomin family, ex-husband Jin Bo and Ping Li who used to be in the compound.

Some netizens laughed and called Xiao Min's home "the middle-aged love story of nine people in Beijing". Apart from the dramatic effect, what Xiao Min's Home did not avoid was actually the urban migration of a generation and the interpersonal entanglements that could not be left behind.

Don't stick to mature love, and don't give up the depiction of family characters because of the main line. As a family drama that is close to the present life, although it also has a strong sense of turbulence, on the whole, as a TV drama that takes care of audiences of all ages, the truth of Xiao Min's Home is perceptible.

The Shaping of Female Group Image

Don't force a sense of indifference between discretion.

The family relationship of divorced and remarried middle-aged people is the foothold of Xiao Min's family. In the role selection, it puts divorced women at the center of the stage. Liu Xiaomin, Liu Xiaojie and Ping Li, three divorced women, their life and emotional trends have become the main line of the story. It can be said that this is a realistic corner that the previous family drama did not reach.

Liu Xiaomin, played by Zhou Xun, is a head nurse who came to Beijing from other places to work hard. She is gentle, calm, loves beauty and has a little cleanliness. There is a feeling of warmth and oppression in Xiao Min, and through a warm person like Chen Zhuo, Xiao Min, who is slowly opening, will also show a sense of beauty beyond his age in front of the camera.

Liu Xiaojie is the opposite of her sister. She is cheerful and optimistic, and has her own pursuit of career. In the face of Ma Baonan and her shaky marriage, she decisively divorced. However, the sense of reality in her comes from the duality of her personality. On the one hand, she dares to love and hate. On the other hand, apart from drama, there are thought-provoking social problems in Liu Xiaojie's two-stage love affair, such as rational marriage, healthy partners and so on, which are all worth discussing.

Ping Li, played by Amanda, also dares to love and hate. When she was disappointed with her existing marriage, she decided to divorce and marry Hong Wei. After many years of pregnancy, she longed to have another child with her husband, but eventually she miscarried. When her husband suddenly went bankrupt and went to prison, and his family collapsed, Li suddenly knew that her husband had a child overseas.

The role of Ping Li is the most tragic in the original, but in Xiao Min's home, Ping Li is a bright color. She can handle everything clearly, and after dealing with her husband's business crisis, she can also have the courage to start a business in Shenzhen alone again.

Judging from the three female characters, each of them has had a failed marriage and escaped cowardice in the face of difficulties. These people are not the most typical "perfect women". But through different roles, we see the cowardice, entanglement and immaturity of the characters. You can also see the powerful inner strength of women.

Generally speaking, Xiao Min's Home does not write a story around the label "divorced woman". Just based on such a change, the contradiction between characters and families was magnified and released, which triggered the discussion of family relations. In the face of difficulties, Xiao Min's Home has no mandatory coolness. In the face of his son's incomprehension, Xiao Min can only endure injustice and try to enter Jiajun's defense line little by little. After Xiaojie's second marriage failed, the family and friends of both sides still had disputes and quarrels. ......

In Xiao Min's family, women are not perfect, but they are inevitably timid and courageous in real life. This kind of role-building is not very glamorous, but combines universality and curiosity to portray the identity of each role and present their own life topics.

This is also the discretion of realistic theme creation. Delicate and true group images and profiles are worth discussing, and it is not the ultimate mission of this kind of subject to torture whether there is an optimal solution.

Multi-faceted theme of realism

Breakthrough and Persistence of Ningmeng's "Warm Realism"

With the realistic theme becoming an important creative direction at present, the creators are increasingly subdividing the types of realistic themes.

In the past 202 1 year, realistic themes showed diversified explorations, including the meritorious works of Ideal Shines on China and Awakening Age, as well as Ningmin Town, Little Shed-Up, Black Storm and spy war drama The Rebel, which focused on China's education.

For a content company, it is a daily challenge how to choose a topic among the realistic themes advocated and how to resonate with the current social emotions.

It is not unrelated that Ning Meng has always stood on the user's side to gain insight into China people's emotional demands. As a drama company, user orientation is the direction that Ning Meng has been insisting since its establishment. Under the strategy of "super content connecting with the new public", Ning Meng focused the audience of this series on the "new public" group.

On the basis of the accumulation of urban themes in the past, Ningmeng films have insisted on returning the creation of realistic themes to "building the spiritual content of realistic creation with warmth" in recent years, thus forming the creative characteristics of "warm realism", that is, closely following social hotspots and people's livelihood pain points, focusing on depicting a real and textured life, avoiding difficulties and problems without whitewashing, but comforting people with warmth and light and conveying the mainstream value orientation of truth, goodness and beauty.

In these creations, warmth runs through the belief, guidance and final destination of content creation, and correspondingly, realistic themes further play their own social responsibility and guidance role.

For example, in the previous "Xiaobian" trilogy, Ning Meng's films once said that the sustainable development is not only because education is a national topic, but also because "small" can better "see the big" and reflect the subtle and profound changes of the times from seemingly ordinary daily life. In the face of educational problems at different stages, the ultimate value orientation is to soothe the anxiety of China families and stabilize their mentality.

Different from the previous "mini-series" trilogy and the theme of women in their twenties and thirties, Xiao Min's "Home" puts the story on middle-aged love and brings out thoughts on middle-aged topics from a relatively calm and gentle emotional perspective. There is a chicken feather, helplessness and forbearance, but there is also a sincere and self-deprecating reconciliation. This kind of theme is easy to handle.

Moreover, in Xiao Min's "Home", there are not only packages aimed at various social problems at present, but also the integration of female perspective and family topics, which can be regarded as a neutralization and new display of Ningmeng's previous realistic themes.

There are both the break of the original theme orientation and the enterprising of new attempts.

Attentive viewers have found the names and actors of Xiao Huanxi, Lin Leier and Wang Yidi in the credits at the end of Xiao Min Jia, and before that, there were also guests interacting with the protagonist's plot in Thirty with Nothing, which shows that Ning Meng is making more attempts and focusing on the content level of realism.

In the previous 2020 film, Ning Meng has announced that Little Joy 2 will return to the original team, and publish a series of Little Joy every four years to record the changes of China society in the past 20 years.

This means that under the expression of warm realism, from small to large, from point to more grand, Ning Meng will have more layouts at the IP content level.