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Clear sand. The scenery of Qiu Si echoing the end of the world is
In Tianjingsha, Qiu Si, the scenery echoing the horizon is the ancient road.

Tianjingsha Qiu Si is a Sanqu work by Ma Zhiyuan, a writer in Yuan Dynasty. Qu Yue said, "The old vines are crying faintly, the bridges are flowing, and the old roads are sparse. When the sun sets, heartbroken people are at the end of the world. " This song juxtaposes nine kinds of scenery to form a picture of sunset in the autumn suburbs. These different scenes, bathed in the glory of the sunset, are presented to readers in a "montage" style like a focal plane, bringing readers into the late autumn season at once: several withered vines are wrapped around several bald trees with yellow leaves, shivering in the autumn wind, western Western jackdaw is in the sky, and autumn scenery is bleak. However, the crow can still have the old tree to return to, but the wanderer has nowhere to return. How bitter and helpless this is. Next is a small bridge, flowing water, and a small farmhouse with faint smoke. All this can't help but remind the wanderer of the bridges, flowing water and relatives in his hometown. In the bleak autumn wind, on the lonely ancient road, the wanderer who suffered from homesickness rode a thin horse that had not returned for a long time, and strolled into the distance in the heavy dusk. At this time, the sun sets, scattering a bleak oblique light. This is the reunion moment when birds return to their nests, sheep and cows return home, and people return home. However, the wanderer is still "the end of the world is reduced." At this moment, this situation, a wandering in a foreign country, in the face of such a bleak and desolate scene, how can it not be sad?

"Parallel Image Combination" in the whole song of Tianjingsha Qiu Si. There are ten images in the whole song, and the first nine are naturally divided into three groups. The first group is dead vines, old trees and crows on trees at dusk; The second group is the bridge, the water under the bridge and the home by the water. The third group is the ancient road, with a touch of west wind and thin horses. The last image is "sunset", which is the background of the whole song. It combines the first nine images to create a temporarily empty scene. Because it is also the product of seeing far, the works as a whole also show the spatial arrangement order from near to far. From the old tree to the flowing water, to the ancient road, and then to the sunset, the author's vision is expanding step by step. This is also one of the manifestations of image order. Draw a picture of a wanderer's long journey in late autumn with extremely simple line drawing techniques.

In the works, the author also uses the technique of callback and response to create a sad and decadent atmosphere, which sets off the stranded and helpless sadness of wandering wanderers and achieves a sad rendering effect. In the first sentence of the song, "Twilight" echoes "Sunset", emphasizing the scene at dusk; The echo of the ancient road and Tianya shows that the ancient road is so lonely and long; Especially in the echo from beginning to end, "heartbroken man" embodies the word "thinking", and homesickness is almost heartbroken, which shows his homesickness.