I. Introduction to Zhao Mengfu

Zhao Mengfu (f incarnation) (1254, 10,1October 20th [1]-1322, July 30th [1]), with the word ang. Xing Wu, Zhejiang (now Huzhou, Zhejiang) people. A famous calligrapher, painter and poet at the end of Southern Song Dynasty and the beginning of Yuan Dynasty, his grandson, a descendant of Qin Wang Zhao.

Good books for two or three generations.

Zhao Mengfu's two sons, Zhao Yong and Zhao Yi, are also famous for their calligraphy and painting, while his wife, Guan Daosheng, is clever and good at writing, drawing ink bamboo and Mei Lan with excellent brushwork. Yuan Renzong once took the calligraphy of Daosheng, the calligraphy of Zhao Mengfu and his second son Zhao Yong, the hardcover yu fu and the imperial seal in the minister's prison. He said, "It is also a miracle to let future generations know that there is a couple and father with a good book!"

Zhao San Dai's representative works

The Volume of Zhao III's Horses and Horses is a collection of horses and chariots drawn by Zhao Mengfu, Zhao Yong and Zhao Lin. In the 22nd year of Yuan Dynasty (A.D. 1362), Wang Meng wrote an inscription on Ma Tu of Zhao III collected by the Zen master in Xueting, saying that the brushwork is more important than Cao Ba and the brushwork is more important than Han Gan. The Combination of Cao Han by Zhao Mengfu shows the development and evolution of Zhao Anma's characters.