-Li Yu (Five Dynasties)-"When are the spring flowers and the autumn moon?" How many pedestrians shed tears when Yugutai fell into Qingjiang River? -Xin Qiji (Song) "Bodhisattva Man writes a wall in Jiangxi" But since the water is still flowing, although we cut it with swords, we raise our glasses to eliminate our worries. -Li Bai (Tang Dynasty)-"Song of Shu Yun's farewell to the school book in Xuanzhou Inclined Building/Escorting Yu Shuhua to climb the building" blows this house and hurts that house, but only blows the water to the geese.
-Wang Pan (Ming Dynasty)-"Singing the Horn of Heaven" has a thin shadow, shallow water and a delicate fragrance at dusk. -Lin Bu (Song Dynasty)-Xiao Mei in the Mountain Garden (I), which pushed the mountain to the top of the world.
Bad times never die. -Xiang Yu (Han Dynasty)-Song of Gaixia evokes the soul. Why, Shan Gui secretly cried the wind and rain.
Yuan Haowen (Jin Dynasty) Touching Fish Qiu Yan Ci/Mai Beitang and you answered, "I'm dissatisfied" and rested at the foot of Nanshan ... —— Wang Wei (Tang Dynasty) —— Introduction to the farewell author: Li Yu, the monarch of the Southern Tang Dynasty during the Five Dynasties and Ten Kingdoms Period, was in office from 96/KLOC-0 to 975.
Han nationality, born in Pengcheng (now Xuzhou, Jiangsu). Li Yu was born in Jinling on the seventh day of July in Tianzhu three years.
Li Jing, the sixth son of Southern Tang Dynasty, succeeded to the throne in the second year of Song Dynasty (96 1). In the eighth year of Kaibao, Song Jun breached the capital of the Southern Tang Dynasty, Li Yu surrendered to the Song Dynasty, was captured to Bianjing, was made a general, and disobeyed orders.
Later, he fell ill and died in Bianjing (notes in the Song Dynasty said that he was poisoned by Song Taizong because he was a homesick noun "Yu Meiren"). Although Li Yu doesn't understand politics, his artistic talent is extraordinary.
He is good at calligraphy, painting, melody, poetry and writing, especially at words. Famous works of past dynasties, such as, Langtaosha, Wu Yeti, etc.
Li Yu, who failed politically, left an immortal chapter in the field of ci, and was called the "Emperor of Ci through the ages". Xin Qiji (165438+May 28th 040-1207-65438+1October 3rd) was born in Licheng County, Jinan, Shandong East Road (now four winds Zhacun, Yao Qiang Town, Licheng District, Jinan).
Shandong was occupied by Jin people at birth and joined the anti-Jin army at the age of 2/kloc-0. He once served as Minister in Jiangxi and Minister in Fujian.
Posthumously presented to Shi. Together with Su Shi, they are called "Su Xin".
Also known as "Jinan Er 'an" with Li Qingzhao. Xin Qiji died in the autumn of12007, at the age of 68, because of disagreement with the ruling pacifists.
Xin Qiji was a poet and general in the Southern Song Dynasty. As a great poet in the Southern Song Dynasty, his ci is full of enthusiasm, generosity and tragic.
Powerful brushwork, diverse artistic styles and uninhibited. His main works include Jade Case Garden, Qingpingle Village Residence, jathyapple in Xijiang River Walking along Huangsha Road, Nian Nu Jiao Fu, Pruning Plums in January of Mid-Autumn Festival, Jia and so on.
Li Bai (70 1 -762), whose real name is Taibai, also known as "purple laity" and "fallen fairy", was a great romantic poet in the Tang Dynasty, and was praised as "poetic fairy" by later generations, and was also called "Du Li" with Du Fu. In order to distinguish himself from two other poets, Li Shangyin and Du Mu, that is, "Little Du Li", Du Fu and Li Bai merged again. He is cheerful and generous, loves to drink and write poems, and likes to make friends.
Li Bai was deeply influenced by Huang Lao's idea of sorting out villages. Li Taibai's Collection has been handed down from generation to generation, and most of his poems were written when he was drunk. His representative works include Looking at Lushan Waterfall, Difficult Travel, Difficult Road, Entering Wine, Liang, and Zao Zuo Bai Di Cheng 323 13 133335. There were biographies of Li Bai's Ci and Fu in the Song Dynasty (such as Wen Ying's Xiang Ji). As far as its pioneering significance and artistic achievements are concerned, Li Bai's Ci Fu enjoys a high status.
Wang Pan (about 1470 ~ 1530), a native of Gaoyou, Jiangsu Province, was a writer and painter of Sanqu in Ming Dynasty, and was also known as the crown of Nanqu. When I was young, I didn't take the imperial examination. I have never been an official in my life. I am addicted to landscape poetry and painting, building a building in the west of the city, and singing songs with literati all day long, hence the name "West Building".
There are 65 poems and 9 divertimentos in Wang Pan Sanqu, all of which belong to Nanqu. He is the author of Yuefu of Wang Xilou, Qingming Day Tour in Jiangyin, Yuefu of Mr. Wang Xilou, Wild Recipes and Poems of West Building.
Lin Bu (967 or 968 ─ 1028), Han nationality, was a poet in the Northern Song Dynasty. The word Jun Fu, later known as Mr. He Jing, was born in Qiantang (now Hangzhou, Zhejiang).
Lin Bu was born in a Confucian family. He is quiet and old. In his early years, he traveled to Jianghuai and other places, lived in seclusion in the lonely mountain of West Lake, and never married. He is accompanied by plum blossom crane, and is called "plum wife crane". Song Zhenzong heard his name, gave him millet silks and asked the long collectors when they were old.
He is arrogant and complacent by nature, indifferent to fame and fortune. He claimed: "However, my ambition is suitable, not suitable for my family, nor for fame and fortune. I only think that green mountains and green waters suit me. " Wang Wei (70 1 -76 1), a native of Qixian County, Shanxi Province, was a representative poet in the prosperous Tang Dynasty. He initiated a school of ink painting, which was called "Shi Fo".
In the ninth year of Kaiyuan (72 1), he was a scholar and was appointed as Tai Lecheng. There are more than 400 poems today.
Wang Wei is proficient in Buddhism and is greatly influenced by Zen. Buddhism has a Vimalakīrti Jing, which is the origin of Wang Wei's name and ci.
Wang Wei is good at painting and calligraphy, and he is also proficient in temperament. Together with Meng Haoran, they are called "Wang Meng".
There are works such as Collected Works of Wang Moshu. Wang Wei, a Zen master, studied Taoism and was proficient in poetry, books, painting and music. Together with Meng Haoran, they are called "Wang Meng".
Su Shi commented: "Poetry is full of paintings; Look at the picture, there are poems in the picture. " Xiang Yu (232 BC-202 BC) was born in Xia Xiang (now southwest of Suqian, Jiangsu Province) and the capital of Pengcheng (now Xuzhou, Jiangsu Province). He is the representative of China's military thought "Brave School", and he is as famous as Sun Wu and others.
The death of the body is recorded in the history books. In the annotation of Historical Records of Xiang Yu, Ceng Dian clearly knew that Wang Xiang "died in the country of five years and in Dongcheng".
The Historical Records of Emperor Gaozu recorded it more clearly: "In the fifth year of the Han Dynasty ... he rode a general to Guanyung to hunt down the eastern city of Xiang Yu, beheaded 80 thousand people, and then decided Chu." After Qin's death, he was called the overlord of the West Chu, and the system of enfeoffment was implemented, making Qin heroes and nobles of the six countries kings.
After fighting for the world with Liu Bang, the Chu-Han War lasted for four years. In 202 BC, he was defeated and committed suicide by the Wujiang River in Gaixia (now Lingbi South, Anhui). The ancients commented on it as "brave feather, unparalleled throughout the ages", and the word "overlord" originated from Xiang Yu.
Yuan Haowen (1 190—1257.
2. Describe the poem "Cuihu (Tang Dynasty)" that two people passed by. Peach blossoms set each other off in this door last year.
Today, I came here again. I don't know where the girl went. Only the peach blossoms are still there, smiling in full bloom in the spring breeze. Last spring, in this family's home, I saw that beautiful face and peach blossom set each other off, which was particularly rosy.
When I came here again today, the girl didn't know where she had gone. Only peach blossoms are still smiling and blooming in the spring breeze. Extended data:
The whole poem takes "human face" and "peach blossom" as the running clues, and through the comparison between "last year" and "today", it expresses the poet's feelings caused by these two different experiences in a tortuous way.
Contrast and thinking play an extremely important role in this poem. Because it is written in the memory of the beautiful things that have been lost, the memory is particularly precious, beautiful and full of feelings, which is a vivid description of "peach blossoms set each other off"; It is precisely because of such beautiful memories that I feel particularly disappointed to lose something beautiful, so I have the feeling that "people don't know where to go, but peach blossoms still smile proudly in the spring breeze".
Judging from the storyline, this is an impromptu poem, which seems to give people only two simple pictures-a face set against the peach blossom and a peach blossom after the face is gone. However, because the activities of the characters run through it, and because of the contrast and contrast between the pictures, the peach blossoms in the picture and the poets outside the picture skillfully show the occurrence, development and ups and downs of the characters' feelings, such as first meeting, lovesickness after parting, affectionate revisiting and unexpected disappointment. , all of which are expressed implicitly or in situ.
The whole poem is naturally muddy, like a clear spring gushing from the bottom of my heart, clear and mellow, which makes people memorable. "Seeking Beauty in Spring" and "Seeking Nothing Again" can be written as narrative poems.
The author didn't write it like this, but it just shows that Tang people are more accustomed to feeling the events in life with the eyes and feelings of lyric poets.
3. Who helped the passing poem? There are only two kinds of romantic feelings in the world, one is called caring for each other, and the other is called forgetting each other in the rivers and lakes. What we have to do is to strive for the second time to care about the people we love the most and forget the rivers and lakes with the people we love. It may not be impossible, but it is predestined and affectionate. We like to look back at the past at the wrong time and think of those loves that have crossed our lives like meteors. We often blame each other's mistakes on fate. In fact, in the final analysis, fate is such an illusory and abstract concept. What really affects us is often the moment when we meet and fall in love. The communication between men and women is full of hesitant uncertainty and embarrassing reserve. A small variable can completely change the direction of choice. If they appear earlier, they may not be closely connected with another person, or they may meet later. Late arrival, two people slowly learned tolerance and understanding, kindness and compromise in their respective love experiences. Maybe when they come together, they will not give up so easily, turn around willfully and let go of love. Who did you meet at your most beautiful time? When you love someone deeply, who is by your side? How much time did love give you? Meet and part, choose and regret? It's not that I don't feel bad, I don't regret it, I just don't have time to hug anymore. If I love someone but can't be together, I can't meet them at the right time. If I love them, I love them at the wrong time. What choice can I have but to cherish the tears from my heart and walk away silently? In the wilderness of time, it is a rare fate to meet a lover among thousands of people, neither earlier nor later. More often, we just keep thinking about each other, the spring when flowers are floating in the wind, and the autumn when maple leaves are falling, until the sky is snowing and the years pass. After repeated sad sighs, we can finally understand-even if it is sincere, even if it is close, even if we are both. It still takes time to perfect and test the world. There are too many restrictions and hidden taboos, too many unpredictable changes and involuntary separations. A turn may be missed for a lifetime, and all the struggles and efforts will take many years to fully understand. Maybe this is not enough for a joke played by fate. God only blinked in the clouds, and all the endings have completely changed at the right time and met the right person. It is a kind of happiness to meet the wrong person at the right time, a kind of sadness at the wrong time, a sigh at the wrong time, and a petal of helpless memories sweeping across the lake. Love is not a thousand words, nor is it getting along day and night. Love is when you wake up in the middle of the night and find yourself still far away.
4. Cui Hu (Tang Dynasty), a poem describing two people passing by, is called "South Village of Capital".
original text
Last spring, in this door, the girl's face contrasted with the peach.
Today, I came here again. I don't know where the girl went. Only the peach blossoms are still there, smiling in full bloom in the spring breeze.
translate
Last spring, in this family's home, I saw that beautiful face and peach blossom set each other off, which was particularly rosy. When I came here again today, the girl didn't know where she had gone. Only peach blossoms are still smiling and blooming in the spring breeze.
Extended data:
The whole poem takes "human face" and "peach blossom" as the running clues, and through the comparison between "last year" and "today", it expresses the poet's feelings caused by these two different experiences in a tortuous way. Contrast and thinking play an extremely important role in this poem.
Because it is written in the memory of the beautiful things that have been lost, the memory is particularly precious, beautiful and full of feelings, which is a vivid description of "peach blossoms set each other off"; It is precisely because of such beautiful memories that I feel particularly disappointed to lose something beautiful, so I have the feeling that "people don't know where to go, but peach blossoms still smile proudly in the spring breeze".
Judging from the storyline, this is an impromptu poem, which seems to give people only two simple pictures-a face set against the peach blossom and a peach blossom after the face is gone.
However, because the activities of the characters run through it, and because of the contrast and contrast between the pictures, the peach blossoms in the picture and the poets outside the picture skillfully show the occurrence, development and ups and downs of the characters' feelings, such as first meeting, lovesickness after parting, affectionate revisiting and unexpected disappointment. , all of which are expressed implicitly or in situ.
The whole poem is naturally muddy, like a clear spring gushing from the bottom of my heart, clear and mellow, which makes people memorable. "Seeking Beauty in Spring" and "Seeking Nothing Again" can be written as narrative poems. The author didn't write it like this, but it just shows that Tang people are more accustomed to feeling the events in life with the eyes and feelings of lyric poets.