First of all, drawing characters begins with the head, and Peking Opera characters are no exception. Then draw the head details of Beijing opera characters, and draw hats and beards. Continue to paint the costumes of Beijing opera characters, and the costumes are relatively wide. Then draw a flag behind the Beijing opera characters, called leaning on the flag, to make the characters look imposing. Finally, you can paint the painted Peking Opera characters with beautiful colors.

Draw a rock-jumping penguin. It's a little complicated. Be patient. Draw facial contours and hat bands. Painting clothes and holding a round fan in his hand. This part of the painting is relatively small and can highlight the "Facebook" part. Draw patterns on clothes. Draw a skirt under the clothes. Thrush hair and eyes.

First draw the head, ears and beard of the character Jiang Gan. Then draw the eyebrows and eyes of the character Jiang Gan. Then draw the body and hands of the character Jiang Gan. Then draw the feet of the character Jiang Gan.

Peking Opera, also known as Pingju and Peking Opera, is one of the quintessence of China and the most influential opera in China, with Beijing as the center and spread all over the country. Since the 55th year of Qing Qianlong (1790), Sanqing, Sixi, Chuntai and Hechun first performed in the south.

Four Huizhou classes, mainly Anhui artists, entered Beijing one after another, cooperated with artists from Hubei, accepted some plays, tunes and performance methods of Kunqu Opera and Shaanxi Opera, and absorbed some local folk tunes. Through constant communication and integration, Peking Opera was finally formed.

Peking Opera Character Hand-painted Tutorial The Peking Opera Character Hand-painted Tutorial is as follows:

1, first draw the approximate position of the person to be drawn with simple lines, and only draw the most important ones.

2. Then draw from the main avatar. At first, I drew it with a single line, which was very detailed. When the headdress is gorgeous and complicated, we must pay attention to the overly complicated places and summarize them ourselves, so as to simplify the complicated problems.

3. After the head is over, it is the body part. The clothes that singers wear are basically loose, but we can't just see the external clothes and ignore the internal body structure. When painting, you must think more and avoid only seeing clothes and ignoring physical characteristics.

4. The facial expressions are also more important. Every character's makeup is different, and even every expression is different. When we paint or create ourselves, we should not be divorced from the real drama.

The decoration of clothes should follow the turning point of clothes. For example, the flowers on the clothes are in a turning or squeezing position at this time, so we should pay attention to the fact that the flowers also need to be deformed with the folds of the clothes and can no longer be completely drawn.

6. Finally, the whole coloring part. This color enriches the whole painting. We can determine the color according to our own preferences, but we must first study the real opera thoroughly. Each role has its own unique personality and preferences. It can only be modified on this basis and can be edited at will.

The painter Zhang Yanjun also paints Chinese characters in Beijing Opera.

Zhang Yanjun's ink and wash Peking Opera figure painting

Zhang Yanjun's Ink Painting Peking Opera

Zhang Yanjun's Ink Painting Peking Opera

Zhang Yanjun's Ink Painting Peking Opera