The author of Liang Zhu's story is not fastidious, based on a well-known folklore, and should be a folk artist, but the specific name is not fastidious.
2. The violin concerto Liang Zhu was created by He and Chen Gang. From this beautiful story, they chose three main plots: "Grass Bridge Becoming sworn", "Anti-marriage between Britain and Taiwan" and "become a butterfly", and based on the tune of Yue Opera, they wrote this single movement title concerto of 1959. The whole song is sonata-style. Later, in order to give full play to the performance and playing skills of solo instruments, the band was no longer in the position of a group, and concertos based on flute and violin appeared. As for which one is famous, it depends on your type. Yu Lina's is good.
3. butterfly lovers, a Shaoxing opera, has become the most striking play in this theme because of its wide spread of film version.
Yuan Xuefen and Fan Ruijuan first performed The History of Liang Zhu's Mourning in 1945 and 195 1 respectively. The East China Yue Opera Experimental Troupe rearranged the play and added "Becoming a Butterfly". The script was dictated by Yuan Xuefen and Fan Ruijuan, written by Xu Jin, directed by Huang Sha, and arranged by Chen Jie and Yan Xue. Scenery design of Xinghe Su Shifeng. Fan Ruijuan plays, Fu Quanxiang plays, Zhang Guifeng plays Zhu, Lv Ruiying plays, Wei Xiaoyun plays Jiu Si, and Jin Yanfang plays his mistress. The play participated in 1952, the first national opera viewing and performance conference, and won the script award, premiere award, music composition award and dance design award. Starring Fan Ruijuan and Fu Quanxiang won the first prize as actors, Zhang Guifeng won the second prize as actors, and Lv Ruiying won the third prize as actors. 1953+0953, the drama was produced by Shanghai Film Studio into the first domestic color opera art film, written by Xu Jin and Sang Hu, directed by Sang Hu and Huang Sha, and starring Yuan Xuefen and Fan Ruijuan.
Liu Yin of Sichuan Opera also participated in the performance of 1952, and won the script award and the first prize as an actor, while Yuan Yukun and Liu won the second prize as actors.
There are many different versions of related stories in Peking Opera, among which the most popular ones are The Story of Liu Yin transplanted by Ma according to Sichuan Opera and the masterpiece Marriage Against Britain and Taiwan by Cheng in his later years.
Liu Yin was designed by Wang Yaoqing and premiered by Du Jinfang and Ye Shenglan at 1953. The whole drama is divided into 10 performances, with important performances such as Another Family in Yingtai, Liu Yin Becoming sworn, Talking in the Library, Farewell to Mountain People, Thinking of Brother in Yingtai, Visiting Friends in Zhu Zhuang, Sacrifice and so on. It gives people a fresh and refined artistic beauty, and it is also exquisite in vocal design. Whether it is the choice of tunes or the change of plates, it not only maintains the traditional charm, but also innovates and changes. It is recognized as a masterpiece of traditional opera in the early days of the founding of the People's Republic of China.
1954, Peking Opera master Cheng wrote and performed an immortal play "Ying Tai Anti-Marriage" with reference to other operas. This play is the only one edited and performed by Cheng after liberation, and it is also the last work in his life. The drama of this drama remains unchanged, including Another Family, Becoming sworn, Library, Farewell and Surprise Employment. It started with "surprise engagement" There are many breakthrough creations in the lyrics and vocals of this play. From the lyrics: "I hope my father will leave the wedding as I wish, so that I can marry Liang Jun, you are my dear old Yan's relative", "But why do you have to marry my daughter and me to a stranger" ... This is almost equivalent to the sentence of prose poetry being "loaded" by the master, and it is strict.
Shan Bo Ying Tai is a traditional rice drama, which was created by Shao and based on the song Jin Ge. The script retains the characteristics of "Jin Ge", which is more white and less vulgar and easy to read. Almost every scene has a long solo or duet. Among them, "Twenty-four Worshiping to Taiwan" is the most prominent, with more than 100 lyrics lingering. Formed a complete set of singing similar to Qupai couplets. In the performances such as "Antong buys vegetables from Shanbo" and "Twelve Banquets on the Balcony", the names of dishes, recipes, customs and sayings all come from the unique customs of southern Fujian. As soon as "Seeking Medical Treatment" came out, Shanbo was seriously lovesick, and it was also a Minnan custom for Yingtai to cut her hair and trousers as a gift. The whole drama festival is different from other operas, such as English drama. On the other hand, there is a metaphor of visiting spring to see the scenery. The performance of "Tomb in Sacrifice to Yingtai" focuses on mourning and mourning for Yingtai. There are also plots such as "Shan Bo goes to hell to see his predecessor" and "Rebirth the Soul", and the more distinctive one is "Shan Bo's Acacia Cry", which fully expresses the complex feelings of Liang Shanbo's love and hate. 10000000005 Zhangzhou Hunan Opera Troupe performed, and a theater performed 300 performances in a row. Qian Tianzhen and Hong Cailian played Zhu Yingtai and Liang Shanbo respectively and won the title of outstanding young actors in Fujian Province.
Besides, almost all kinds of dramas, such as Henan Opera and Pingju Opera, have been handed down from generation to generation.
In recent years, two TV series adapted from the story of Liang Zhu have caused controversy. One is starring Chi Xiaoqiu and Zhu Qiang in Shenyang Peking Opera Theatre, and the other is rehearsed by Hangzhou Yue Opera Troupe. These two new dramas have made a great leap forward against tradition in both plot setting and theme mining, especially in the way of stage presentation. Because there are not many performances and the scope is not wide, the author is not good at commenting. I just want to say a few words about my impression of Chi Xiaoqiu's "crying grave" at that time. The drama gave me a good overall feeling, especially the rearrangement of sleeves, which played a good role in setting off. The vocal design of the memory part was also very touching, but the first few lines of the aria were somewhat "winding" and sounded unsatisfactory.
In recent years, Chen Yi, a descendant of Fu School of Zhejiang Yue Opera Troupe, starred in Sacrifice to the Grave and become a butterfly in the new edition of butterfly lovers.