As a post-95 generation, I should have been at the forefront of the trend culture, feeling the high value of hip-hop culture, idolization, infatuation with men's and women's groups and so on. But since I became a fan of Deyun Society, I have been deeply immersed in the charm of traditional folk art. I knew nothing about traditional folk art before, but now I can simply hum a few words. This is the change that Deyun Society has brought me.

I like Deyun Society because I began to like Zhang Yunlei's crosstalk performance, and I was gradually infected by the charm of Zhang Yunlei's Quyi. Starting from Taiping's lyrics "Exploring Qingshui River", I gradually stepped into the door of traditional opera. Every time Zhang Yunlei performs on the stage, I am very interested. Slowly, I followed him to learn Gankun Band, Legend of the White Snake, Flowers as Media, Qinhuai scenery, flower stands, different levels of happiness, a hundred mountains, and so on. Although I can't imitate the charm of a professional singer, it's not easy to sing the lyrics with euphemistic tunes.

Under the impetus of Zhang Yunlei, through these traditional operas, we also learned the stories behind them. I also have a certain understanding of the Kunqu Opera Peony Pavilion, not only the rigid written knowledge, but also a deeper understanding of the feudal ethics behind the traditional feudal system.

Through the program "The West Chamber" performed by Zhang Yunlei, I realized Cui Yingying's persistence in love and the bitterness behind the great love story. I don't know these contents, but through Zhang Yunlei, I not only learned to sing traditional tunes, but also became more interested in traditional culture. I usually read some books about traditional culture and make progress with my favorite actors.