Unlike Hubei, Gao Sai is a relative of the royal family and has lived in Shengjing for a long time. In the first volume, the editor-in-chief of the Eight Banners Poetry Collection briefly introduced the cloud in the name of "Zhen Guo Yan Hou Gong": "Gong Ming, Hao, the sixth son of Taizong Wen. There is a collection of Gong Shoutang ... Wang Shizhen's "I Talk about Red Equipment":' Respect one person, be indifferent to an old woman, be good at reading, play the piano, be good at poetry and painting, and enjoy music. The common imitation cloud forest is small, the pen and ink are far away, and it is beyond the realm, although the literati can't surpass it. "Chao" listed him as the first imperial poet in Ode to Ya, and also followed this determination, that is, he was called "the first imperial poet in Qing Dynasty".
Although he was the prince of Emperor Taizong and the younger brother of the emperor shunzhi, Gao Sai's political career was not satisfactory. Living outside Shanhaiguan for a long time, Shunzhi for nine years (1652) was established as a subsidiary Lord protector. In the early years of Kangxi, he entered the customs and worked as lord protector in Jinzhen for nine years. This is just a middle-level title in the royal family and has no real power. This is mainly because he was young when he entered the customs, and more importantly, his biological mother was an ordinary princess.
Because he was neglected in the imperial clan, he was indifferent and disliked military life, but he was very interested in Han culture and art. Jiang, a scholar from the south of the Yangtze River, was a guest in his home, and Han poets became his good friends. He also keeps close contact with learned monks and Taoists and is friendly to them. His poems include Mourning for the Remaining Monk, To Monk Zheng, and To Taoist Jiao Ming.
A leaf flows eastward, and flowers fly to Zuoshan, Liaoning.
Be more complacent with dust, and play with the world.
The ancient pagoda is foggy, and Zen is closed and idle.
Stay empty and worry, climb together today.
"The monk is left", that is, the monk is credible. In the third year of Shunzhi, they were imprisoned in Shengjing because of the literary inquisition, and then the abbot Ji 'ang. He initiated the organization of the Ice Club and wrote many poems to express his anguish and dissatisfaction in exile, which shocked the court. After 40 years of Qianlong, he ordered Assistant Minister of Shengjing Ministry of Industry and Commerce and Chashan of Fengtian Prefecture to accept his poems and delete their inscriptions, which shows that he was regarded as a dangerous person in the early Qing Dynasty. As an aristocrat of Tian Huang, Gao Sai not only associates with him, but also writes poems to mourn him, which shows his deep friendship. These five laws show Gao Sai's admiration and nostalgia for the remaining monks and monks.
The poem is elegant and extraordinary. The letter can go, but the poet feels like a "leaf", like a "flower flying" between the mountains and rivers of Liaoning and Shenyang forever. Recalling the image in the letter, the poet thinks that it is cynical for monks to be free and easy on earth and say goodbye to the world. What still exists today are the "fog of ancient pagodas" and "meditation on water and moon". "Ya", Buddhist scriptures also. The old friend left, leaving the poet with him in the holy land of chanting. How could he not want to climb the mountain with his old friends? The sincere friendship between a celestial nobleman and a monk is well integrated between the lines.
Gao Sai: The Temple of Su Xiangyang.
Perhaps influenced by the remaining monk Hank and Taoist Miao Jijun (Jiao Ming), Gao Sai yearned for the Zen state created by Buddhism. In his Shenyang poems, there are some chapters about Buddhist temples, such as Su Xiangyang Temple.
The image of the sacred dynasty has been preserved, and the ancient temple has heard the bells again.
Flowers lead to Shanmen Road, and clouds open wild temples.
Gao Zhai talks about quietness, while Yuan Dao Qiu Guang.
At dusk, I still carry a stick and the moonlight shines outside the forest.
The site of Xiangyang Temple is located at the northern foot of Qipanshan Mountain, surrounded by mountains and sheltered from the wind and the sun. It is about seven miles from Puhe Town in the west and two miles from Lianhua Village in the north. This is an ancient temple in the Ming Dynasty. "The History of Shengjing" contains: Xiangyang Temple is located on the gray mountain forty miles east of the city, with one main hall, one Wei Tuo Hall, three kings halls, one Guanyin Hall, five wing rooms, four meditation rooms, five doors and one archway. On the plaque of the archway, the four characters "Double Peaks and Forever Green" are written. "Shuangfeng" refers to Huishan and Qipanshan. "Cui Yong" means that the two mountains are always green, and spring is always there. Such an ancient temple in Shan Ye naturally attracted Gao Sai who had lived in Shengjing for a long time. It is reasonable for him to pay tribute and burn incense.
In Five Laws in front of Su Xiangyang Temple, Gao Sai showed his quiet and elegant life pursuit through his experience and feelings of Su Xiangyang Temple on Qipanshan Mountain. The first part is written to seek the true meaning of "image method", and he rushed from Shengjing to Qipanshan Ancient Temple. When he heard the bell, he knew that the mountain temple was not far away. Zhuan Xu saw the scenery of Xiangyang Temple when he wrote about looking for a temple on the mountain: gorgeous flowers lead to the mountain gate, and white clouds surround pine trees, lining the temple in Shan Ye. In Gao Zhai, the poet and abbot of Xiangyang Temple talked about Buddhist Sanskrit (Jing Li, here refers to Buddhist Sanskrit); Autumn scenery, the mountain view outside my house, is as far away as people's mood. The poet who wrote the last sentence stayed in Xiangyang Temple, but he came out with his staff as it was getting late, hoping to count the Qingfeng Mountains by the bright moon. The "crutch" here is for the convenience and safety of mountaineering, not because the poet is old. Gao Sai was born in the second year of Chongde (1637) and died in the ninth year of Kangxi (1670). He is only 33 years old, and he was less than 30 years old when he was in Shengjing. Like the poem "Mourning for the Remaining Monk", what is revealed between the lines of the five laws of Su Xiangyang Temple is the poet's indifference. He only hopes that the quiet and distant feelings are exactly the same as the poetic style.