Even in modern society, dialogues written in Chinese characters have played a great role in the communication between people in East Asia. During the Vietnam War, a platoon leader sent by the Korean National Army to Vietnam, after talking with the local village head in Chinese characters, allowed the innocent villagers in this small village to escape the fierce bombing by the US military. Some Korean tourists vomited while traveling in China, so they gave a note with "Abdominal Pain" and "Dyspepsia" to a pharmacist in China and got a prescription immediately. The cultural circle of Chinese characters follows China's summer calendar and the custom of offering sacrifices at the age of 20. China's calendar began in the Xia Dynasty, so it is also called the Xia calendar. The annual festival of the Han people is based on 24 solar terms in a month. According to Zhou Shu's "Zhou Yue" and "Time is Training", there are four seasons in a year, namely, spring, summer, autumn and winter, which are divided into twelve months and twenty-four solar terms. There are three truths in ancient times, namely, Jian Yin (the first month), Jian Ugly (the winter season in December) and Jian Zi (the middle winter in November). China took the first month as the beginning of the year, which originated from "going to Xia Zhishi". This is the essence of governing the country by Confucianism, and it is also the profound meaning of Shinto, which can be said to be the essence of inheriting the days of sages. The calendar at the age of 20 can be found in The Book of Rites, Moon Order, Twelve Chapters of Lu Chunqiu, Guan Zi You Gong and Shi Zexun of Huainanzi. The Book of Rites Moon Order not only reflects the folk customs at the age of 20 before it was written, but also is the direct source of folk customs at the age of 20 after it was written. /kloc-at the age of 0/8, this folk custom was born out of the moon culture and the literature related to the moon. Corresponding to the four seasons, there are a group of emperor gods in each period. Contrary to the changes of time, month and day, there are corresponding regulations and rituals for ancestor worship every month.
China's year, year, month and season are called "mid-year behaviors" or "famous festivals" in Japan and "year customs" in South Korea. Fujitsu Fu You wrote The Story of Dongdu in the Edo era, Liu Degong wrote Kyoto Magazine () (1800 or so) in the Korean era, and Jin Maichun wrote The Story of the Sun (? ) (18 19), Hong's History of Eastern Countries (? ) (1840 or so), in which China's classics are quoted, and Hua Mu's thoughts are profound. On New Year's Eve in China, it was a traditional Japanese festival in China and Hongkong. When he was one year older, he acted in Korea/North Korea. On his New Year's Eve, in Taiwan Province Province, China Province, ancestor worship, Lantern Festival, Shangyuan Lunar New Year, Lantern Festival, porridge on the first and fifteenth day of the first lunar month, Shangyuan Imperial Wish Ceremony, Shangyuan Imperial Day, Red Bean Porridge, Tianchuan Day, Lantern Festival, February Temple Fair, Hong, and February Royal Guanyin's birthday, as well as Di Gong's birthday on March 3 (thinking above), crazy Mazu of young travelers, and long Xia Buddha in Tomb-Sweeping Day in April. May Festival, Tianzhong Festival, Dragon Boat Festival on June 1, People's Day Dragon Boat Festival in June, Chinese Valentine's Day in July, Magnolia Basin, Central Plains Magnolia Victory Festival, Mid-Autumn Festival in Jiao Jian, Central Plains, August 15 Mid-Autumn Festival, dedication ceremony, Double Ninth Festival in September, endgame banquet, double ninth festival in shrine 10 yuan, supplementary transportation day1.
Historically, Chinese (classical Chinese) was mostly used in formal occasions, and the folk also used the national document system of mixed ethnic characters and Chinese characters (see: Chinese and Korean mixed). China's technology can be traced back to 30 types of work in the six major technologies recorded in the Textual Research of Zhou Li, including wood tapping, gold tapping, leather tapping, coloring and scraping, as well as carpentry, metalworking, leather dyeing, polishing and pottery making. South Korea and Japan have directly learned or inherited China's skills and creative spirit in many aspects of traditional crafts. The development of ancient craft culture in China and South Korea was influenced by Japanese culture, including the teaching and imitation of craft skills and forms, as well as the reference and learning of deep cultural concepts. For example, lacquer craft was introduced to Japan through the Korean peninsula. On the southern route, China's lacquerware mainly circulates with Baiyue, Annan, Shangdu, Siam and other countries, and reaches India, Vietnam, Cambodia, Indonesia and other regions. The introduction of mother-of-pearl technology is of great significance to lacquer art on the Korean peninsula. China's Intangible Cultural Heritage: Japanese Carpenter's Bow-making Skills (No.47), Archer (No.93), Grand Carpenter (No.74), Small Carpenter (No.55), Woodworker's Woodcarving, Dongyang Woodcarving, Yueqing Boxwood Carver (No.0/08), Woodworker's Cloud Musical Instrument, Suzhou Folk Musician's Craft (No. Elegant Pipa Making and Repairing Lacquerware Chengdu Lacquerware, Yangzhou Lacquerware Finishing Technology, Fuzhou Fitness Osaka King Kong Curtain Paper Making Technology (Handmade Paper) Han Papermaker (No.1 17) Tang Papermaking, Manual Infiltration and Papermaking Gold Foil Forging Technology Nanjing Gold Foil Forging Technology (No.1 19 Craftsman (No.77) Carving Golden Flower Silk Chengdu Silver Flower Silk Making Skills Entering Silk Craftsman (No.78) Carving Gold Stone Carving Craftsman (No.65438 +006) Leather Craftsman Liaocheng Beef Ribbon Making Skills Dyeing and Weaving Xiabu Rongchang Ramie Making Skills Lasting Xiabu Weaving Skills Hanshan Ramie Weaving (No.65438 +04) and Ancient City Weaving Skills (No.32) Gonggu. After Vietnam, we put on kapok, Weixian native spinning technology, Wunijing manual cotton spinning technology, Luozhou national spinning cotton (No.28), Zhengang kapok, Yuanzhou kapok, Sanhe kapok, Matsuzaka kapok, Danbo kapok silk, Nanjing Yunjin wood machine makeup, hand weaving technology, Shu brocade weaving technology, weaving technology, Hangluo weaving technology and Lu silk weaving technology. Knitting (No.87) professional fabrics, Luo, Jin, Saga Jin, Zibodo weaving, Weaving Department, Yuuki Tsumugi , Kumi Island? Excellent Sendai embroidery worker Su embroidery, Xiang embroidery, Shu embroidery and Yue embroidery worker (No.80) Stab dyeing worker Nantong blue calico dyeing worker (No.80) Red type, Edo small pattern, blue dyeing shoemaker Chaozhou clogs, Hangzhou Hecun embroidered shoes making skills, Pizhou Ma Xie boot shoemaker (No.65438+) Beijing jade carving and jade craftsman (No.65438)