We used to think that the basic skills of cross talk, that is, giving lectures and singing, were just literally simple. Usually, he has a bad mouth, thick skin, funny speech and quick brain response, all of which have the potential qualities to become a cross talk actor. Of course, it is best to have a big fat face and a big smile, because there are more comedy factors on the big fat face, and the tone of speech is also good-looking and more interesting. Pay more attention to life on weekdays, and the ability to observe and summarize life is slightly better.
For some leaders in the field of Quyi, it is understandable that they have not made new works for a long time and always feel that they are busy with their work. Later, it was discovered that, in fact, he had nothing in his stomach, no knowledge, no knowledge, and could not design new jokes.
It was not until a Degang Guo appeared that we knew that there were so many inside stories behind cross talk: we had to clearly and cadently say "the name of the newspaper", "the place name behind it" and "the family name of a hundred families" before we could pass the customs.
Learning: I memorize Beijing Pingbangkun, Drum Huangmei Opera and other categories, which all come down to this "learning".
Tease: Is it a performance method made of all kinds of cigarettes and bags? What is mother and daughter, what is ethics, what is legs and activities, and what is a "blind child" (embodied by Zhou Yunpeng)? Are they all here? Please give me some advice from experts and friends.
Singing: Oh, singing "Taiping Lyrics" is singing.
Mr. Zhu Shaowen is a recognized granddaddy in the field of phonology. He made a systematic summary of cross talk, and sorted out various patterns that can be used as baggage in popular language for the young disciples to learn from. So far, only the door of Deyun Society is dedicated to ancestral tablets. Only Deyun Society has done it. Is this a pity in phonology?
After the climax of the sketch passed, the sudden emergence of Deyun Society brought us endless laughter, which infected the general public to relax in a fast-paced life and people to laugh in a dull life. Therefore, compared with sketches, cross talk with low cost, fast pace and simple production has become a happy dessert and bean that ordinary people are unwilling to give up every day.
A small theater with less than 500 people can perform about 3000 performances a year. Hundreds of large-scale performances with more than 5000 people each year. Look at the joyful crowds in Shang Yan, and you will know how much people need cross talk. Busy people all over the country can also click a small video on their mobile phones and enjoy the last paragraph in a hurry, haha.
Degang Guo counted, and he took part in all kinds of projects. More than 600 paragraphs have been staged, and all the young apprentices trained by Deyun Society have become talents. The creative talents of these young people are also unexpected. The singing and dancing of Meng drew many young people from games and joy into the theater.
Zhang Helun's hubbub and Yun-peng Yue's meanness make Tan Xing feel elated and free. Deyun Society has eight small theaters in Beijing and its own Deyun Society in Changchun, Harbin and Melbourne, Australia. But this is far from enough, and the public's desire for happiness is endless.
Degang Guo not only enrolled more than 400 students, but also established schools to train new crosstalk performers, so the public can rest assured that Deyun Society will continue to be popular for a long time. Although Deyun Society has many shortcomings along the way, and young students often make some mistakes, those who have been asking Deyun Society really want to ask what your intention is, because Deyun Society has contributed to the revival of cross talk.
Laughter, why not become a science? Sooner or later, mankind will have a subject-"the knowledge of laughter" aesthetics is also from scratch. It is often said that there is no lack of beauty in life, but a lack of discovery. There is no shortage of laughter in life, and people also demand more laughter. The appearance of crosstalk has taught us that laughter can be made, and there are routines and rules to follow.
Degang Guo is a country that has saved crosstalk, and sincerely hopes that crosstalk, a language art, will be born. It can summarize the "knowledge of laughter" of cross talk like Zhu Shaowen and teach it openly. Deyun Society, which has been contributing new crosstalk on the stage, has occupied the main market of crosstalk, and tens of millions of people who come here to laugh and laugh are the main consumers of crosstalk. Then, who is the mainstream, the market has been confirmed in silence. From these perspectives, did Degang Guo save crosstalk or hurt crosstalk?