Changsha Mawangdui Han Tomb Exhibition
Changsha Mawangdui Han Tomb Exhibition is located in the exhibition hall on the third floor of Hunan Provincial Museum, covering an area of 5,243.8 square meters. It is divided into four units: preface and amazing excavation, life and art, bamboo and silk collection and eternal dream. Mawangdui Han Tomb is the tomb of Li Cang, the prime minister of Changsha and his family in the early Western Han Dynasty, located in Changsha, Hunan Province, in central China. From 1972 to 1974, archaeologists excavated three tombs of the Western Han Dynasty here. The structure of the tomb is magnificent and complex. The coffin chamber is built at the bottom of the tomb pit and consists of three coffins, three coffins and stow-wood. Around the wooden coffin and its upper part are filled with charcoal, and the charcoal is filled and sealed with white paste. Burial objects are very rich, and more than 3,000 relics such as silk fabrics, silk books, silk paintings, lacquerware, pottery, bamboo slips, seals, clay seals, bamboo and wood utensils, agricultural and livestock products and Chinese herbal medicines have been unearthed.
Hunan People-Sanxiang Historical and Cultural Exhibition
Hunan people-Sanxiang historical and cultural booth is located in the exhibition hall on the second floor of Hunan Provincial Museum. Show the history and culture of Hunan in the first person, and interpret the natural environment and development outline of Hunan people's life, that is, the first part of Home; What kind of people live in Hunan, and how Hunan people are formed now, that is, the second "Where am I from"; How do Hunan people obtain living resources, that is, the third "Dongting Land of Fish and Rice"; The living conditions and related living customs in different historical periods, that is, the fourth part "the footprint of life"; Hunan people's spiritual temperament Part V "Xiang Soul".
Family life and belief display in figure painting since Ming and Qing Dynasties
The exhibition "Qijia-Family Life and Belief in Figure Paintings since Ming and Qing Dynasties" was held from June 65438+1October 65438+May to June 65438+May 2020 (postponed), and was held in the Painting and Calligraphy Museum of Hunan Provincial Museum. Family life and belief in figure painting since ming and qing dynasties. A special exhibition on China traditional culture about "Home Country" shows nearly 60 figure paintings and related exhibits since the Ming and Qing Dynasties.
Figure painting is an important branch of traditional painting in China, which matured earlier than landscapes and flowers and birds. With the development of figure painting in Ming and Qing dynasties, the position of painting history is no longer prominent, but its superb skills have not declined, but it has maintained a very high standard and continued to develop. Especially with the growth of the middle and lower gentry class, the demand for visual expression of family life and beliefs has increased. Ancestor paintings, harmonious pictures of joy and joy inside and outside, and auspicious paintings shared by man and god, with their social functions of "educating, helping others", "cultivating oneself and keeping the family in order", have extended and popularized to every corner of China traditional society and even the whole East Asian cultural circle, becoming a striking cultural phenomenon. It can be said that the ancient people's "self-cultivation and family harmony" are in the same strain as the core values of "attaching importance to family, family education and family style" in modern society.