Little girl picking mushrooms on the piano.
Carrying a big bamboo basket
Walk barefoot through the Woods and hills in the morning
She picked the most mushrooms.
Count as many stars as you can.
The mushrooms she picked were as big as umbrellas full of baskets.
Thibaugh, Thibaugh, Thibaugh, Thibaugh
Thibaugh, Thibaugh, Thibaugh, Thibaugh
T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T-T
Who doesn't know the mushroom fragrance in this mountain?
She refused to taste it.
Looking forward to the fair.
Go back to the market.
Put on a small sickle
Plus some lollipops
With that little friend
Share the joy of labor.
Thibaugh, Thibaugh, Thibaugh, Thibaugh
Thibaugh, Thibaugh, Thibaugh, Thibaugh
Hey hey hey hey hey hey.
Hey hey hey.
Zhu Fengbo, female, was born on April 4, 1937 in Jinan, Shandong Province. Han nationality, a national first-class actress and a famous soprano in China, is an expert who enjoys special government allowance from the State Council. She has the reputation of "China Nightingale" and "Mother of New Folk Songs in China" and is the originator of modern pop music in China. She initiated the singing style of a generation, was a great artist of China national vocal music, and was the pioneer and iconic figure of China music. Won the first China Gold Record Award, the artist's lifetime achievement award, and the top ten female singers in China. Zhu Fengbo is a talented soprano who appeared in China in 1960s. 1985 founded China's first light music group-Shanghai light music group and served as the person in charge, and faded out of the music scene in the late 1990s. Zhu Fengbo was the most active and influential female singer in China in 1970s and 1980s. She was the first person to sing pop songs after the reform and opening up. It can be said that Zhu Fengbo led the revival movement of China folk songs after the reform and opening up!
More than 65,438+000 songs she sang are widely known at home and abroad. The main representative works are White-Haired Girl, Beautiful Mind, Inviting Tea Songs, Golden Shuttle and Silver Shuttle, Olive Tree, Red Leaves over the Mountain, That's Me, and Always Being with You. White feather sends affection > wipe away sad tears, young friends come to meet, winding paths lead to a secluded place, etc. Her cover of Sun Island, Wild Goose in the South, Girl in Alishan, Song by the Nile and Baby are also classics.
Zhu Fengbo's timbre is sweet, mellow, bright and clear. On the basis of national singing, she borrowed from western vocal methods. In order to further improve China's national singing method, she made arduous attempts and explorations and achieved gratifying results. She mastered the mixed resonance of western traditional vocal music and China opera singing, solved the combination of true and false voices, and gradually formed her own unique style with distinct charm. She is not only good at singing China folk songs, but also good at mastering the styles of various foreign songs.
1960 graduated from the Department of Architecture of Tongji University, that is, transferred to Shanghai Opera House with special talents, and then entered Shanghai Conservatory of Music for further study, from which she began her brilliant artistic career.
1960- 1965 worked in Shanghai Opera House, starring in many operas, such as Red Coral, Sister Liu, The President's Daughter, The Furious Tide of Jialing River, etc., and successfully created artistic images of different times and personalities.
Shanghai Dance School 1965- 1974, the lead singer of the role of Xi 'er in the ballet White-haired Girl. Her moving and unique singing skills successfully set off the image of the heroine and made her famous in the music world. The wonderful aria in "White-haired Girl" that she sang has become a well-known song and an eternal classic at home and abroad.
From 1974 to 1976, she was the main soloist in China Art Troupe, an art group representing the highest artistic level in China. As the main pillar of the troupe, she visited many countries with the China Party and country, and was welcomed and praised by people all over the world. She was known as "Oriental Night" and entered the heyday of singing art from then on.
1976- 1985, principal soloist and artistic director of Shanghai Ballet and Shanghai Song and Dance Troupe. During the period, he was invited to hold solo concerts in many cities across the country and participated in thousands of performances at home and abroad, which was the mainstay of various large-scale evening performances in China at that time.
Since 1985, she has established the first light music group in China-Shanghai Light Music Group, and served as the first head, honorary head and artistic director. In the meantime, she participated in and planned a number of light concerts with different styles, which spread all over the country and cultivated a group of outstanding singing talents. She also founded "Zhu Fengbo Restaurant" and "Zhu Fengbo Art School" in China, which played a leading role in the whole country.
1998, over 60 years old, she still enthusiastically participated in the successful performance of the ballet "White-haired Girl" in Hongkong, Singapore and Australia with her exquisite artistic skills, strong feelings and delicate and euphemistic singing, and was worthy of being called "China Nightingale" and "Art Evergreen" in domestic and international music circles.
Zhu Fengbo has also served as a judge of many domestic and international singing competitions, including the 2nd, 3rd, 4th and 5th National Young Singers Competition.
In 2000, Zhu Fengbo began to fade out of the music scene, giving the singing stage to young singers, focusing on cultivating singing talents and vocal music teaching.
Since 1985, she has established the first light music group in China-Shanghai Light Music Group, and served as the first head, honorary head and artistic director. At the same time, he is recognized by Chinese and foreign audiences as the first person of Chinese mainland pop music.
1998 is really worthy of her reputation as "the nightingale of China" and "the evergreen tree of art" in music circles at home and abroad.
Zhu Fengbo has also served as a judge of many domestic and international singing competitions.
1986- 1999 was awarded the Outstanding Artist Award and the Lifetime Achievement Award of World Artists by Japan, Germany, Austria, the United States, Hong Kong and other countries and regions, and was listed in the Who's Who of the World and 100 World Artists. Zhu Fengbo was repeatedly elected as a deputy to the National People's Congress, a member of the Chinese People's Political Consultative Conference and a special representative; Many times by the party and the country * * * cordial reception.
Zhu Fengbo's singing career of more than forty years has left us countless classic works, and his singing has influenced several generations. She has sung more than 800 songs, and published nearly 30 solo albums, cassettes and records, such as Northern Shaanxi Folk Songs, Shandandan Blossoms, Lanhuahua, Shanxi Folk Songs, Embroidered Pocket, Lamp Bowl on the Window sill, Xinjiang Folk Songs, mayila, Waiting for You till Dawn, etc. Nearly 100 Chinese and foreign songs she sang are well-known at home and abroad, and have been sung for a long time, such as: The North Wind Blows, Tie the Red Head Rope, Xi 'er Crys Dad, Invite Tea Song, Beautiful Mind, Redwood Tree, Winding Path leading to a secluded place, Red Leaves Like Clouds over the Mountain, Skiing Song. Among them, she is the backup singer of Xi Er in the ballet "White-haired Girl", and was rated as one of the top ten classic works of art in China by the Ministry of Culture, which is also a landmark work of Zhu Fengbo. "Beautiful Mind" was selected as a UNESCO music textbook in the Asia-Pacific region, and "That's Me" was selected as one of the top ten classic art songs in China by the Ministry of Culture. There are red leaves like rosy clouds and skiing songs all over the mountains. How can I forget you, fly to my distant hometown and stay with you forever? Songs such as redwood trees and winding paths have won national audiences' favorite songs. Her songs "Olive Tree" and "Treading on the Waves" became the songs with the highest on-demand rate among radio listeners that year.
In more than 40 years, I have recorded nearly 30 solo albums with different themes, including dozens of records, such as: solo albums Roses Everywhere, Flying in the Wild South, How Can I Forget You, Coconut Tree in My Hometown, Volleyball Girl, Chinese and Foreign Movie Songs, Hello, Children! Anhui folk songs, winding paths leading to a secluded place, Shi Honge and Zhu Fengbo foreign songs duet, etc. Among them, Roses Everywhere is the first stereo tape in New China. At that time, the number of home tape recorders in China was very small. At that time, the sales volume was 6,543.8+3,000 boxes, ranking first, and now it has been recorded in the China Book of Records. She first used popular singing methods in her singing, such as Shanghai pop songs Evening Primrose, Roses Everywhere and First Love Girl in the 1930s. Under pressure, she took the lead in introducing Taiwan Province campus songs to the mainland, which made a number of campus songs such as Olive Tree widely sung, opened a beautiful window for people and made special contributions. At 1980- 198 1, two albums of campus songs in Taiwan Province province, China, were recorded. From the late 1970s to the 1980s, Zhu Fengbo was the first person to hold a concert of foreign songs in China. Together with the famous singer Shi Honge, he introduced a large number of outstanding music works from all over the world to the audience in China, which was widely praised and welcomed by people and brought people artistic enjoyment of foreign cultures.
He has won the Lifetime Achievement Award of Top Ten Soprano Singers and Artists in New China, the First China Gold Record Award awarded by the Ministry of Radio, Film and Television and China Record Corporation, the Bailing Award awarded by Pacific Ocean, the largest audio-visual company in China, the Golden Rooster Award for Chinese films, the Best Music Singing Award for Hundred Flowers Award films and the Excellent Singing Award for China films for four consecutive years. She won the Special Award for Singing in China International Music Festival, the Pioneer Contribution Award for 30 Years of Singing in 2008, and the Most Influential Female Singer Award in Chinese Music. Many of his songs have been awarded excellent works and pop songs by the Ministry of Culture or in national cultural performances and competitions.
Zhu Fengbo has made remarkable achievements in his 40-year vocal career. The songs she has performed include Chinese and foreign folk songs, art songs, campus songs and children's songs. She can sing operas, folk songs and pop songs, and has outstanding performance at any time and all over the world. She is famous for her diverse singing styles and changeable lyric ways. She has reached a high level in exploring the combination of national singing and bel canto, the use of breath, mixed resonance, and the conversion of true and false voices. She has high skills. During the transition period of reform and opening up and the initial stage of opening up, Zhu Fengbo's singing art reached its peak, which can be said to be unique for 20 years and unique in China music scene.
Zhu Fengbo's singing is sincere and moving, with strong emotion, expressiveness and appeal; Her timbre is sweet, round, bright and clear. Because of her eclecticism, assiduous study, strict requirements and meticulous creation, she takes every aria and lyrics seriously and strives for perfection in voice, expression, articulation and pronunciation, which makes her not only good at singing China folk songs, but also good at mastering the styles of various foreign songs.
Zhu Fengbo's vocal articulation is clear, combining rigidity with softness, beautiful atmosphere, lively affection, handsome and lively, gorgeous and sweet, full of national flavor. She has a singer's voice, excellent sense of music, wide range, no transition trace in the middle and high range, like an unadorned natural voice, "no skills." In fact, she used a lot of vocal techniques in her singing, such as "Kuqiang", "Coloratura" and later "Chorus", but the use of these techniques is very artistic and is based on the artistic conception of the song, which is not obvious. Generally speaking, Zhu Fengbo's singing is warm and soft, but it has a noble metallic luster, which is unique among national singers.
Zhu Fengbo is a man who dares to surpass. Almost every work of hers has different characteristics and originality. No matter what songs others have sung or not, she can always find a unique and suitable form of expression. She can give full play to the advantages of a wide range and make her own harmony with different voices, especially some lively and romantic works, and the processing effect is refreshing. She uses her cultural knowledge to interpret different styles of local songs in the languages of many countries. In singing foreign folk songs and lyric songs, no matter from the subject matter, content, the number of tracks and the wide influence, it is unparalleled and unique in China music scene, and no one can match it so far.
Zhu Fengbo's singing method is "the combination of local culture and foreign culture". It is rooted in the soil of "indigenous voice singing". Because Zhu Fengbo is not limited to Chen Fa, but is good at absorbing all kinds of nutrients extensively, and never refuses to graft some branches of "European Singing" into her original singing method, her original singing method has been changed and improved, which has expanded her performance field. Her voice is flexible, mellow and moderate, and the treble is easier to sing. The trembling of sound waves is like kneading on a stringed instrument, which gives the audience a strong artistic infection. Zhu Fengbo's singing is good at expressing the meaning and feelings of words clearly and vividly, which is full of touching artistic charm. Art is inseparable from exaggeration. In order to achieve a more concentrated and stronger artistic effect than real life, Zhu Fengbo always uses exaggeration in his singing.
In Zhu Fengbo's singing art, there is also a great feature, that is, the songs she sings are not only diverse in style, but also always like what she sings. She has a good performance in many themes and tracks, and also has her own understanding, breakthrough and new interpretation in treating the same work. In every subject, in every region, her works have formed a unique style and artistic charm, forming many insurmountable peaks in the mountains. Zhu Fengbo's uniqueness in many works lies in her high artistic comprehension and accurate grasp of the connotation of her works. As for skills, singing skills, pronunciation, etc., she has rubbed them into the interpretation of her works without trace. Zhu Fengbo dabbled in many folk songs all over China. She made bold attempts at almost all the works for which she could get information. The songs she dabbled in all have their own unique innovations and interpretations of personality, and they are rarely simple covers and repetitions, which were very valuable in those years. It can be said that in the history of China folk songs, such extraordinary achievements are unique. She has set a new artistic peak, a very unique and steep mountain peak and various landscapes for future generations in the field of China folk songs.
If Zhu Fengbo has raised the artistic level of China folk songs to a new height, then her lyric singing in artistic creation is the first in the new period.