The majority of anglers have a basic **** knowledge, the stuttering is the right meaning of fishing. In the wild carp fishing, all like to go to catch a strong staccato mouth, experience that kind of incomparable feeling of soul. But there are also many anglers, wild fishing for many years but rarely see a powerful staccato, most of the top drift or black drift in the fish, to be able to more staccato in the fish may be the thing they dream of.

In fact, as long as you are clear about the reason for the drift, you can adjust your fishing method and realize that it's not difficult to get a good bite. The following is a brief introduction to the causes and principles of the drift, as well as how you can adjust the clear mouth of the dongkou.

The top float is a float that appears to be on top to varying degrees, increasing the number of floating eyes on the surface of the water. The main cause is that the fish will lift the bait up after sucking the bait into their mouths, and part of the weight of the bait will no longer be able to pull down on the float, resulting in a small upturn in the float due to the lack of downward pulling force; a big upturn occurs when the fish rise higher after taking the bait.

The appearance of the top float is due to the fish's baiting habits, the weight of the fish's mouth, and other reasons; and in terms of tuning, it's mainly due to the blunt tuning. The weight of the hook and bait is completely borne by the ground when the fishing is tuned bluntly and the double subline is bent. Carp cocked his tail and sucked the bait head down, the bait into the mouth, because it has not been able to straighten the subline, at this time there is basically no reaction to the float, and so on the carp on the bait floating, there is a larger amplitude of the top of the drift.

The drift image of a "ton-mouth" is characterized by a rapid and powerful sinking of the float, which is followed by a momentary pause. A small pause is usually about half an eye, or even just a slight pause; a large pause is more than 1 eye, sometimes up to 2 or 3 eyes. The opposite is true for the negative drift, which is sharp and powerful with clear boundaries, and the negative drift, which is a slow sinking of the float with no clear boundaries.

Tonk is one of the typical drifting images of crucian carp sucking bait into the mouth. There are two main reasons for this: firstly, crucian carp sucks the bait with force, and at the same time sucks the bait into the mouth of the water, which creates a localized negative pressure in the water, and then the water current drives the float to move downward suddenly; and secondly, the swinging head of crucian carp sucks the bait, which drives the float to sink fiercely, and then it will form a tonk, as well. The drift image of carp stuttering mainly has two categories: small upward top and downward stuttering and pointing movement. If you wait for the float to stop sinking for a few moments before catching the fish, the catch rate will be very high.

Anglers should adjust their tuning according to the cause of the dongkou drifting image, and then they can make a clear and powerful dongkou. Specifically, focus on the following four aspects.

1. Float with care.

First of all, the amount of lead should be slightly larger. If you want to make a strong staccato, you should use a float with a slightly larger lead draft to increase the float's upward pulling force. At this point, the carp will need to put more effort into sucking the bait, and the inertia of the float will also increase, which will naturally increase the chance of producing a stutter.

Secondly, pay attention to the float pattern. Different types of floats will have different strengths, and a date-core type of float is very likely to produce a strong staccato. With this type of float, it takes more force for the fish to pull the float, and once pulled a clear staccato will appear.

2. The tuning should be a little flexible.

Generally speaking, it's easy to make a sudden stop when you're fishing, so you only need to set your tuning level slightly higher than your fishing level, and you can use methods such as setting the level of 4 and 3 or 3 and 2. This is a good way to get the most out of your fishing trip, as you will be able to get to the bottom with both hooks, and the subline is basically perpendicular to the bottom of the water, so it is easy to produce a fast and powerful bite.

These are not the best ways to get the most out of a fishing trip, but they are the best ways to get the most out of a fishing trip, and they are the best ways to get the most out of a fishing trip.

3. The line should be taut.

The line is the basic requirement of the tuning, but also the prerequisite to produce a staccato image. Only if the line can be taut, it can quickly transmit the signal of the fish's mouth, which is convenient to produce the drift image; if the line can't be taut, the signal of the carp's mouth will be lost and delayed, and the phenomenon of slowly drifting will often occur.

Using a slightly smaller diameter line set can also help to produce a staccato drifting image. Smaller line sets are not only tighter, making the signal transmission more sensitive and faster, but also amplify the fish's bite signal, increase the amplitude of the float's downturn, and increase the frequency of the bite.

4. Hook and bait should be moderate.

The bait is the right size. In order to increase the chance of the fish in the mouth, anglers should ensure that the size of the bait ball is appropriate, especially not too big, because the mouth of the carp is small, the bait ball is too big carp sucked into their mouths; at the same time, we also need to ensure that the state of the bait and palatability, palatability of the bait, the carp tend to a mouthful of bored off, eat dry, there will be a big mouth, so the pulling of the bait mouth in the probability of the fish will be bigger than the rubbing of the bait.

The hook should be slightly lighter. The hook is similar to the bait ball, small and light hook, easy for carp to suck the bait into the mouth, but also conducive to produce the drift of the mouth. If the hook is too big and too heavy, the fish can't eat it, and often there will be a broken mouth drift, no matter how to catch the mouth is very difficult to hit the fish.