From the perspective of cultural output, we are still lagging behind the United States, Japan, South Korea and so on. In recent years, domestic variety shows have been sweeping the country with the help of domestic capital. At first, they were just some games and simple competition-style content, and gradually evolved into cultural trends and fashion themes, with debates in the front and hip-hop in the middle. , there were complaints later that although they were all imported products and had not become the dregs of the times, they were inevitably flawed and not adapted to the local environment. Although I am a die-hard fan of "Xiao Shuo", I have never read "Qi Pa Shuo", so I can't say more. I like rap and diss, but I can't praise "China Has Hip Hop" and "Tucao Conference". The content is really good, and the contemporary rebellious young people who have the sequelae of killing Matt in the past use broken Chinese and pitiful foreign languages ??to make up for it. , then there are internet joke writers who use clichés of depression and embarrassment to prevaricate the audience. It can only be said that making a fortune by cheating gifts with rhythm is really the number one skill today. I’m convinced!

The meaning of this program to me is simply to watch an entertainment program, the kind of "just have fun", that's all.

This reminds me of the time when Guo Degang was very popular. Back then, the so-called orthodox people in the cross talk circle stopped working, and they collectively belittled Guo Degang, saying that Guo Degang was vulgar, unauthentic, etc. To put it this way, it was the same as "being distorted" "Chinese Crosstalk" means almost the same thing.

I don’t really understand it anyway, I just think we ordinary people watch these just for entertainment and relaxation.

The traces of reading the new season from the script are too obvious. Too embarrassed to stand it.