Guan Yu, the poster of Guan Yunchang, shot Cao Cao, the general, but behind the mighty, he suffered emotional torture! At the same time, Cao Ying's generals were shaken by Cao Cao's repeated concessions to Guan Yu. In order to stabilize the morale of the army, Cao Cao personally went out and vowed to capture Guan Yu alive. After many hardships, I finally arrived at the Yellow River Ferry, and the embattled Cao Jun soldiers were lying in ambush by the calm river. Do or die, Cao Cao, the sworn enemy, is polite again and again; Loyalty and righteousness, like Guan Yu, cannot but be shaken. Guan Yunchang had to choose between "affection" and "righteousness".
Cao Cao buried Guan Yu's head in Luoyang as a vassal in order to provoke the dispute between Wu and Shu. Sun Quan of Soochow also buried Guan Yu's body as a vassal and built a temple to calm the storm. Finally, the alliance between Shu and Wu broke down, and Liu Bei sent troops to Wu Dong, where he made a big sacrifice to Guan Yu and built the Guandi Temple in Yuquan Mountain.
Cast list, cast list, roles and actors dubbing remarks Guan Yu Donnie Yen Wu Lingyun Liu Bei's second brother Guan Yunchang Yilan Sun Li-Guan Yu's sister-in-law Cao Jiangcao Liu Wen Qingyun Prime Minister Hanfu Nie Yuan-Wang Zhi Wang Xuebing, one of the five customs and six generals-Cast producer: Liang Ting director: Mai Zhaohui? ; ? Zhuang screenwriter: Zhuang? ; ? Siu Fai Mak Photography: Chen Zhiying Art Design: Bill Lui Action Direction: Donnie Yen Fashion Design: Shirley Chan Role Introduction Guan Yunchang (Donnie Yen) Guan Yunchang (Donnie Yen)
A warrior is also a flesh-and-blood man, who has killed all sides on the battlefield and "confronted" Jiang Wen on the battlefield. In order to send the eldest sister-in-law back to her eldest brother Liu Bei, she was repeatedly stopped by General Cao Jun.
Cao Cao (Jiang Wen) Cao Cao (Jiang Wen)
Domineering, love like life. The situation that Wei Shuwu is divided into three parts of the world has not yet formed. Cao Cao, who was relying on the emperor to make the vassal, was bent on attracting Guan Yu to his subordinates. In desperation, he made a move to let Guan Yu send his sister-in-law back to Liu Bei, and ambushed him all the way, thus achieving the story of "going through five customs and killing six generals".
Lan Qi (Sun Li) Lan Qi (Sun Li)
The first heroine, with a mysterious background, seems to be waiting, but in fact she is very lost. Is a 100% fictional character, specially designed for the plot of the film. It was to escort her safely back to Liu Bei from Cao Ying that Guan Yu triggered a legendary experience, and there was a complicated and hazy affair between them.
Liu Bei (Fang Zhongxin) Liu Bei (Fang Zhongxin)
With benevolence, I am a courtesy corporal, a man with lofty ideals who loves things and knows how to do things well. Won the love of the people. Sharp eyes and imposing manner.
Zhang Liao, Zhang Liao (Shao Bing)
Cao Jun is the first warrior. During the Three Kingdoms period, Cao Wei was a famous general, from official to former general, general Zheng Dong and Jinyang Hou. Later generations called him the "Five Generals" of Cao Wei with Le Jin, Yu Jin, Zhang He and Huang Xu. A military uniform, magnificent, there is a kind of "empty-handed holding a white blade" heroic.
Xun You (Yong Dong) and Xun You (Yong Dong)
Cao Cao's number one strategist has designed to assassinate Guan Yu many times. Xun You and Zhang Liao were divided into two right-hand men, Cao Cao's "one article and one weapon", but Zhang Liao always wanted to protect Guan Yu, while Xun You would design and kill Guan Yu many times.
Shoujiang Kong Xiu (Andy On) Shoujiang Kong Xiu (Andy On)
Street fighting with Guan Yunchang in ancient costume. Kong Xiu is a clown. In the movie, he showed his arms, put on chiseled armor and held a domineering pike. This is not only like a general, but also shows his brave temperament. One of Guan Yu's strongest opponents, the brave general loved the people and was loyal to the king, and vowed to execute Guan Yu according to the emperor's orders.
Bian Xi (Yu Ailei) and Bian Xi (Yu Ailei)
Guan Shoujiang of Yishui was killed by Guan Yu. Originally the yellow turban insurrectionary party, he surrendered to Cao Cao and became the general of Sishuiguan. Guan Yu traveled thousands of miles to find his brother, passing through Surabaya Pass, and went straight to the county government to challenge Bian Xi, denouncing his indiscriminate killing and beheading his head.
Chyi Chin (Calvin) and Chyi Chin (Calvin)
The "female warrior" with both civil and military skills staged a wonderful crossbow battle. General Wei, who was guarding the Yellow River ferry, was once saved by Guan Yu, but because he was loyal to Cao Cao and Emperor Xian of Han Dynasty, he had to be killed in the end to save his life, and staged a wonderful crossbow battle in the jungle of the ferry filled with water mist.
Wang Zhi (Wang Xuebing) Wang Zhi (Wang Xuebing)
Xingyang Guan satrap, elegant scholar, good at governing counties. Is a good official who makes decisions for the people,
Being the master of the people, killing corrupt officials who harm the party, I heard that Guan Yu was killed all the way, and I was determined to stop Guan Yu with my own strength, setting an unexpected trap for Guan Yu. Finally, in order to protect the safety of Xingyang, Wang Zhi had to hold a sword against Guan Yu, but the scene full of vitality became a decisive battle between them.
Mengtan (black spot) Mengtan (black spot)
The commander-in-chief of Luoyang City was killed by Guan Yu. A fictional character, the tooth general of Cao Cao Luoyang satrap Han Fu, avenged Han Fu and was killed by Guan Yu.
Hanfu (Nie Yuan) Hanfu (Nie Yuan)
The satrap of Luoyang City was originally the difference between life and death of Guan Yu. He lost an arm because of a battle. Weapons expert who followed Liu for many years, Jianghu boss. Later, he surrendered to Cao Cao as the satrap of Luoyang and was ordered to intercept Guan Yu. Until the war between Cao and Liu resumed, he broke up with Guan Yu, who had saved his life, and hit Guan Yu hard with poisonous needle hidden weapons.
Han Xiandi (Wang Baijie) Han Xiandi (Wang Baijie)
Puppet emperor, schemer, leading civil and military officials to do farm work. Liu Xie first worked with Cao Cao to design a way to kill Guan Yu, and then planned to take Cao Cao back after that. It can be said that he tried his best.
Writing, composing, arranging and singing the theme song "Riding a Thousand Miles" for original music types. Guan Houfu was engraved on the plaque of Wang Pingjiu, Ikuro Fujiwara, Ikuro Fujiwara, TanJing and other behind-the-scenes dramas. Shortly after Guan Yu beheaded Yan Liang, Cao Cao invited Guan Yu to drink and talked about "Short Songs", which was written by Cao Cao in 208 AD, but Guan Yu beheaded Yan Liang in 200 AD. At the end of the play, Emperor Xian of the Han Dynasty encircled Guan Yu. Guan Yu stabbed himself, and he was fine. And there is no blood in the wound, and platelets coagulate quickly. When Liu Bei rode a horse, he actually held a sword in his left hand. When did Liu Bei become left-handed Mrs. Gan said, "Big Brother has absolute trust in Second Brother." This sentence is out of tune. When Guan Yu left, the child who ran to find Guan Yu was Zuo Zhou. There is also a woman with a hat and a household registration book next to the talking civilian man. It seems that she is also left-handed. Emperor Xiandi called himself me. You call yourself me, you call yourself me. Guan Yu slashed Yan Liang and Hua Xiong with one knife, but fought dozens of rounds with Kong Xiu. When did Kong Xiu become so awesome? Cao Cao invited people to cook home-cooked dishes for Guan Yu, and there was a scene of cutting carrots, but carrots were not introduced to China until the13rd century. Liu Bei said to Lan Qi, "Why don't you greet your second brother?" But the correct name should be "uncle". The behind-the-scenes film was produced by Beijing Xinghui Sky Film Investment Co., Ltd., distributed by Dong Fangzhiguang Film and Taiwan Province Longxiang Entertainment Multimedia Co., Ltd., and directed by Hong Kong filmmaker He Zhuang, who personally acted as the action director.
Guan Yunchang's poster film intercepts the well-known story of "Riding a Thousand Miles Alone", in which "Being in Cao Ying's heart is in Han Dynasty" and "Going through five customs to defeat six generals" show the tension of civil and military scenes. He Zhuang, who has always been good at scripts, also intends to strengthen the literary drama of films, break the convention of valuing martial arts over literary works, and refuse to turn Guan Yunchang into a pure costume action film with developed limbs and simple mind, positioning it as a "heroic epic", which is actually a "competition for hegemony" to show heroes and lean men. As an action director, Donnie Yen intends to turn a dragon crescent moon blade into another protagonist in the film, and put a guard knife in his lounge to accompany him day and night to find inspiration. There are as many as four or five main action scenes in the whole film, including Touma, drawing water, street fighting and indoor fighting. Each scene has a completely different expressive force, and it has the momentum of "come with me with a knife in your hand".
Release information: local release time: regional release time: 201April 26th, China (premiere) 201April 28th, China 201kloc-0/April 29th, Taiwan Province Province, China 20/kloc. May 5, 5438+0, UK 201May 5, Singapore 201May 19, Korea 201kloc-0/September/kloc. Because it subverts people's inertial cognition on at least three levels, this cognition has been deeply rooted in people's hearts through the long-term accumulation of literary classics and historical legends. One subversion is to rewrite the classic narrative of "riding a thousand miles alone", changing Guan Yu's loyal journey of escorting two sisters-in-law to his brother into a suspicious and ambiguous journey of escorting an old lover. And "going through five customs and beheading six generals" was regarded as the result of the emperor's conspiracy. The second subversion is to rewrite the stereotyped images of Cao Cao and Guan Yu, two historical figures who have long been shaped by grand narratives, with secular and humorous daily words and deeds. The third subversion is to rewrite the moral judgments of Cao Cao and Guan Yu in literary classics. In other words, the traditional generation of treacherous Cao Cao has been turned into a lean man who keeps his promise and is full of ambition, while Guan Yunchang, who was offered an altar for Once upon a time and accepted sincere worship for thousands of years, has been rewritten into a man who wavers between righteousness, loyalty and affection. (Xinmin Evening News Review)
From the perspective of artistic creation, these rewrites are successful. The film Guan Yunchang is not a fragment adaptation of The Romance of Three Kingdoms, but a brand-new creation. Since the image of Guan Yunchang in history is also the result of literary processing, there is no firm reason to ban reprocessors. What's more, this process is unified in logic and style, the story is reasonable, and the rewriting of characters is not completely without historical basis. It is also a historical fact that Cao Cao's strong rule objectively reduced the degree of war in the late Han Dynasty. Therefore, the subversion of the classic image by the film is not groundless. After this rewriting, the two characters changed from the flat characters of a single character in classical novels to the round characters of complex characters, and the main characteristics of the characters were also preserved. (Xinmin Evening News Review)
What's even more rare is that the cross-examination on the theme of the film is not whiny, but more contemporary. In traditional literature, Guan Yu did not hesitate to escort his sister-in-law back to his eldest brother, nor did he regret going through five customs and beheading six generals. Supported by loyalty, he never doubted the legitimacy of his actions. However, in the film, faced with the killing of officers and soldiers and the emperor he really supported, he wanted to commit suicide and began to ask about the purpose and significance of his actions. Brotherhood in the private sense, affection between men and women, and loyalty to the monarch in the public sense have all become suspicious in the face of human life, that is, humanitarianism, which is why Guan Yunchang, who has always been arrogant and arrogant, has become vacillating and preoccupied in the film. Guan Yunchang proved that classics cannot be rewritten, as long as the rewriting is serious. The so-called seriousness not only refers to the perfection of artistic creation, but also requires the film to be constructed while deconstructing. (Xinmin Evening News Review)
The negative film repackages the legend of the Three Kingdoms, which is well known to women and children in the Chinese world, namely, "being in the Han Dynasty" and "going through five customs and beheading six generals". It is a pity that "success is also Xiao He, and failure is also Xiao He." Jiang Wen plays Cao Cao, so it's hard to draw a conclusion about the quality of the film. Whether as a director or an actor, Jiang Wen is a creator who pursues perfection, which ensures the quality of his works and characters. He did add a lot of fresh elements to Cao Cao, a classical "tough guy in troubled times", outside the audience's mindset. However, this is Guan Yunchang, not Cao Mengde. When Jiang Wen shines on the big screen, such questions will appear in the hearts of many viewers. Jiang Wen didn't steal the play, but he endowed Cao Cao with a self-contained personality, which made the role more noticeable than Guan Yu. Compared with Guan Yu, played by Donnie Yen, who always frowns and pretends to be restrained in the film, the role of Cao Cao is unrestrained and really vivid. It is said that the most unlikely mistake made by two directors who started as screenwriters like Mai Zhuang is the story. But this time, Guan Yunchang's biggest problem is the story. In order to reproduce the embodiment of loyalty, the two directors put Guan Yu in a dilemma: the woman they like finally married Liu Bei; As one of the five tiger generals under Liu Bei, Cao Cao invited him to die again and again. This design is vulgar in emotional drama; On the main line, more space was left for Cao Cao, leaving only endless action scenes in which Donnie Yen killed Shu Han one by one, but never giving a generation of martial artists a chance to go inside. Compared with the identity confusion in Infernal Affairs, this entanglement in Guan Yunchang is superficial and powerless. (Southern People Weekly Review)
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