Add 100 points! The history of the development of Tianjin folk art music, the good environment for the emergence and development of folk art music - the relationship between Tianjin's population characteristics and folk music before the founding of the People's Republic of China - the music development mechanism centered on actors and chord masters - Tianjin in the Qing Dynasty

Folk Art Music - Tianjin Folk Art Music during the Beiyang Warlords' Rule - Tianjin Folk Art Music during the Kuomintang's Rule - Tianjin Folk Art Music during the Anti-Japanese War and Liberation War - The development of Tianjin's industry and commerce and population growth after the founding of the People's Republic of China are the same as the development of Tianjin Folk Art Music

Relationship - an organized and planned drum music development mechanism centered on music designers - Tianjin Folk Art Music before the "Cultural Revolution" - Tianjin Folk Art Music during the "Cultural Revolution" - Tianjin Folk Art Music after the "Cultural Revolution" -

—The diversity of Tianjin folk art music —The openness of Tianjin folk art music —The Tianjinization of Tianjin folk art music —Diverse genres Tianjin is located in the northeast of the North China Plain, bordering the Bohai Sea in the east, Yanshan Mountain in the north, Ziya River, Daqing River,

The Yongding River, South Canal, and North Canal merge into the Haihe River and flow into the Bohai Sea.

It is the gateway to Beijing, an important port for maritime transportation in northern my country, and a transportation hub connecting North China, East China, Northeast China, Northwest China, Central South China, and all parts of North China.

Due to this special geographical location, it has become the economic center of North China.

As a city, it doesn't have a long history.

During the Jin, Yuan and Ming dynasties, it was only a water transportation hub and a military fortress.

In order to shield Beijing and protect water transportation, the Jin Dynasty built Zhigu Village here; the Yuan Dynasty changed the Zhigu Village to Haijin Town; the Ming Dynasty built a city as a guard and named it Tianjin.

During the Yongzheng period of the Qing Dynasty, Tianjin Prefecture was first established, and then Tianjin Prefecture was changed to the Zhili Province.

The government established Tianjin County, with the original state boundary as the county boundary.

In 1913 (the second year of the Republic of China), the government was reduced.

In 1928 (the seventeenth year of the Republic of China), Tianjin Special City was established in the center of Tianjin County, directly under the National Government; Tianjin County belongs to Hebei Province (in January 1934, the city and county were demarcated, and the four townships were Tianjin County).

In June 1930 (the 19th year of the Republic of China), Tianjin Special City was renamed Tianjin City and placed under the Executive Yuan; in November of the same year, it was changed to a provincial city and became the capital of Hebei Province.

In 1935 (the 24th year of the Republic of China), the provincial government moved to Baoding, and Tianjin City was once again subordinate to the Executive Yuan.

During the Anti-Japanese War, the Japanese and puppets changed its name to Tianjin Special City. After victory, the original name was restored to this day.

After the founding of the People's Republic of China, it has been a municipality directly under the central government, except for the period from February 1958 to January 1967 when it belonged to Hebei Province (it was once the provincial capital).

Tianjin's administrative divisions have been adjusted many times.

The minimum is limited to urban areas, and the maximum includes urban areas, Tanggu, Hangu, suburbs, as well as Wuqing, Jinghai, Huanghua, Cangxian, Yanshan, Baxian, Ningjin, Wuqiao, Jiaohe, Xianxian, Hejian, Ren

Qiu and other twelve counties.

Currently, the jurisdiction of Tianjin City includes: six central urban areas including Heping, Hexi, Hebei, Hedong, Nankai and Hongqiao; three coastal urban areas including Tanggu, Hangu and Beidagang; the eastern suburbs, southern suburbs, western suburbs and northern suburbs.

There are four suburbs including Jixian, Wuqing, Ninghe, Jinghai and Baodi.

It covers an area of ??approximately 11,000 square kilometers.

Although Tianjin does not have a long history as a city, its commercial prosperity began in the Yuan Dynasty.

"Every day the grain boat arrives in Zhigu, Wu poppies fill the streets."

Cao ships not only carried grain but also cargo.

The area around Houjiahou and Guayi Street had become the most prosperous place in Tianjin at that time.

In the Ming Dynasty, with the development of river and sea transportation, Tianjin's commercial trade became increasingly prosperous and became a distribution center for commodities in northern my country.

The areas along the river outside the east gate and north gate of the old city had become a commercial center in the mid-Ming Dynasty.

At the turn of the Ming and Qing Dynasties, Tianjin was already prosperous, as stated in Kangxi's "Tianjin Wei Zhi? Preface": "It is more than 200 miles from Tianjin to Shenjing. When the north and south are rushing, tens of thousands of canals transporting from the south pass through here.

It is a place where boats bow to each other, where merchants gather, and where people from all directions mingle... Even though it is called Wei, it is a place that cannot be surpassed by a large city. "For more than three hundred years, Tianjin has become increasingly prosperous, especially since it opened as a port.

Later, it developed even more rapidly and gradually became a world-famous industrial and commercial city.

As a transportation hub, the economic center of North China, a developed industrial and commercial city, and a prosperous metropolis, Tianjin provides a good social environment for the birth and development of folk music.

1. Tianjin Folk Art Music before the Founding of the People's Republic of China As a popular performing art, under normal circumstances, the development of Tianjin Folk Art Music is directly proportional to Tianjin's social stability, economic prosperity, and population increase.

When talking about population, we must point out that the economic structure of old China and the development of population urbanization caused a large number of agricultural people, mainly men, to flow into Tianjin one by one.

The consequence is that the gender ratio of Tianjin citizens is seriously imbalanced.

For example: from 1903 to 1905 (from the 29th to the 31st year of Guangxu), the male and female ratios of Tianjin citizens were 150:26, 150:95, and 15:95 respectively. Another example is the gender ratio from 1937 to 1948.

The lowest was 128:35 (1948), and the highest was 146:19 (1944).

In order to kill their leisure time, a large number of male citizens flocked to entertainment venues. The low ticket prices and flexible performance methods of folk arts had a strong appeal to them.

Their artistic hobby was an important driving force for the development of Tianjin folk music before the founding of the People's Republic of China.

At that time, the competition among actors for their livelihood was fierce.

The main judges of competition success and failure are the audience.