And my favorite movie scenes are fourteen acts, arranged according to the movie screening time:
In the first scene, the heroine saw the hero coming from the rain and gave her red umbrella to a wretched man. Then, the hero and heroine met under the eaves in the rain, exchanged the wrong photos in the photo studio, and walked with an umbrella until the hero fainted in the street. This series of scenes is super brilliant, and the romantic feeling mixed with reality is self-evident.
In the second act, the heroine received a phone call from the hero from the hospital, gave up the aid communication project she had just talked about without saying a word, hung up the phone of the hero all the time, and couldn't wait to take a taxi to the hospital to pick up the hero, chatting with the hero in a chair in the hospital corridor. This scene was also interpreted by two actors as natural, comfortable, humorous and playful. Perfect.
In the third act, when the hero was giving a class (history) to students at school, he suddenly found that the heroine was sitting under her podium in a French Lolita costume (big hat and big sunglasses), listening to his lecture with fascination. This scene of less than 30 seconds is actually the most shocking plot in the film: the spiritual spark generate by the budding of human adolescence and the calmness and prudence of human maturity is extremely wonderful.
In the fourth act, the dialogue between the hero and the heroine at dinner in a humble restaurant after class (the heroine eats Lamian Noodles, and the hero mainly smokes and drinks) once again shows the tacit understanding between the two actors. The perfect combination of the hero's eyes and smoking posture can definitely be used as a classic cigarette advertising scene.
In the fifth act, the hero and heroine wear hats of ancient Japanese generals to go on a date, and the scene of playing in the Woods in the suburbs is also amazing. The original soundtrack of this scene is super nice.
In the sixth act, the heroine accompanied the hero in the library, reading a book and searching for information, until the hero dragged the heroine to squat in front of the bookshelf and gave a surprise kiss, and then a brisk soundtrack sounded instantly. This kiss is so classic that I was shocked by it. I haven't seen a love movie for a long time.
In the seventh act, when the heroine accompanied the hero in the cinema to watch the movie that the hero was interested in, she saw that the hero in the movie was also holding an umbrella, so she also held up an umbrella in the cinema. This scene also makes me feel warm.
In the eighth act, gay friends, who had been secretly with the heroine, said goodbye to the heroine on the roof of the school until she committed suicide by jumping off a building, which was really shocking. The two women acted so well that it was fucking like that. Don't show this scene to the employees of Foxconn factory in Chinese mainland, otherwise this group of employees who are addicted to jumping off buildings will definitely follow suit again.
In the ninth act, when the hero's cousin took a pineapple to the hospital to visit the heroine who fainted because of anemia, the conversation between the two women was super shocking, which fully showed the universal love view of women on earth. Almost every line is classic-"What do you feel when you see the teacher's face in the photo (the heroine asks herself)? It seems that you are electrocuted all over and can't remember anything in your mind. I think this is love." However, a woman can only know her destiny through love. "
In the tenth act, the heroine's calm and frank dialogue with the hero on the coast in the second half of the film and the heroine's heartfelt words can fully explain that the girl has gradually matured in the process of interacting with the old man (it seems that the interaction with the old man does have a positive impact and help on the growth of the little girl), and we can also see the heroine's gradual maturity in the film from this heartfelt words.
In the eleventh act, the hero accompanied the heroine waiting for the bus at the bus stop. Shortly after seeing the heroine get on the bus, the hero fell down on the road again. The heroine turned around and screamed for the driver to stop and get off and ran to the place where the hero lay down. This series of shots also surprised me secretly, which not only relieved every audience, but also pushed the whole movie to that tragic climax.
In the twelfth act, the heroine wears the ancient Japanese samurai costume with the word "love" and goes to the hospital ward to visit the hero's series of opponents. The lines of this opposite play are so fucking tearful that I cried my eyes out. After watching the movie, I recalled and chewed all the conversations in this scene for more than five times, and my heart was full of tears.
In the thirteenth act, before the last brain operation, the hero finally said "I love you" to the heroine before he died, which made my eyes red and swollen; Hearing this, the heroine's confident and optimistic smile made our audience thoroughly feel the gradual maturity and perfection of her personality and mentality.
In the fourteenth act, before the end of the film, the hero and heroine finally embrace in the rain-facing the hero who lost his memory after the operation, the heroine is so sad that even if she is mature, she can't restrain the female mentality as a perceptual animal, and finally she has a peerless hug with the hero who has been cleaned up by the operation in the endless rain. A sweet English song "Waltz" by Japanese rock band "Love Psychedelic" sounded instantly, which finally made me cry again.
This Japanese film "Angel's Love" has certain social research value-it shows the love, life and death, outlook on life and values of the entire Yamato nation in Japan.
Support, money worship, underage assistance, suicide, extortion, calculation, abortion, underage sexual behavior, underage pregnancy, rape, naked use, cancer, death, incest, seduction, homosexuality and other heavy-tasting contents all appear in this film which is still "pure love" on the whole. But even these can't hide the inspirational brilliance of human care hidden in the depths of the film (and the plot of the whole film always stops at once, and the audience looks very oppressive), which is an unprecedented experience of Japanese pure love movies. Perhaps, this film has created a new film variety-cruel pure love movies. The movie role Ichiro Ozawa (played by Sasaki Nozomi) and the talented Ichiro Ozawa (played by Shosuke Tanihara) will remain in the history of Japanese love movies forever and become classics.
Finally, I applaud again for the singing band "Love Psychedelic" which owns the soundtrack of this movie. This college band with only one man and one woman has excellent English attainments. The English songs I heard in this movie are almost the same as those sung by the Japanese, and I feel vaguely that they are the works of Avril Ramona Lavigne, the Canadian rebellious rock queen.