They seem to be masters of waving flags, holding high horns and often calling names. They seem to be tearing the screenwriter and director to pieces. Every time I see them, I am secretly surprised. This is just a TV play, not a public service advertisement. How can we upgrade to three views?
So I read these comments carefully, and the focus of controversy is nothing more than two:
1. On the surface, the heroine Luo Zijun is an independent housewife after divorce. In fact, she still drives her girlfriends all the way and relies on men to reach the top of the workplace.
2. This Luo Zijun is proud of the workplace, but actually robbed He Han, her boyfriend for ten years. Breaking the moral bottom line is intolerable!
Let's talk about the first point. I just think the existing plot is the most reasonable. For a housewife in her thirties who has almost no workplace experience, she has been raised for more than ten years. Do you want her to come out alone? Luo Zijun is miserable enough, and he can't count on it at home without a skill. At this time, she is not allowed to give her a reliable girlfriend. Even in real life, who doesn't have a few bosom friends?
In addition, the plot has shown that Luo Zijun and Tang Jing have been good friends for more than ten years. When Tang Jinggang graduated, he struggled alone and got the help of Luo Zijun, who married well. At this time, Tang Jing is willing to help Luo Zijun, which is not only the witness of friendship, but also the return of old love. This is a resource, and this is wealth. It is the lifeline of Luo Zijun's failed life. Why not catch some?
Where's He Han? Why does a successful person have leisure to take care of the shit of an abandoned wife? In this regard, I was deeply impressed by what Tang Jing said to him:
"If you can handle Luo Zijun, then I believe there are no people and things you can't handle."
He Han is a senior consultant. His job is to provide suggestions for people to solve problems and turn decay into magic. 10 years ago, he single-handedly trained Tang Jing. 10 years later, he met a white Luo Zijun in the workplace, and his girlfriend Tang Jing helped him push him. How can he not inspire his desire to fight?
This reminds me of Junichiro Tanizaki's Love for an Idiot, in which the hero takes the girl home to raise and prepares to turn her into his ideal woman. However, in the end, he was completely carried away by desire and fell at the feet of the girl. Isn't this exactly the same as the out-of-control He Han?
This is also the most controversial part of the whole drama. How can He Han fall in love with his girlfriend's best friend? How did Luo Can catch his best friend's boyfriend? Isn't this the routine of Qiong Yao's drama?
On the contrary, I think this is the most interesting paragraph; Before, He Han's face was full of more than 30 episodes, which were always correct and impeccable. I almost feel that he is a man without lust, and I just want to poke and tear him. Later, I saw that He Han finally lost his foothold in front of Luo Zijun and "formed a game". I didn't expect him to become flesh and blood.
I am addicted to it, and it doesn't prevent my mother from scolding: "He Han is really a smelly man!" However, after scolding, she continued to stare at the TV hungrily, and did not immediately adjust the channel and shouted, "This TV series is incorrect! Will teach the bad guys! "
Since this TV series is so logical, highly discussed and the ratings are rising, what are the "three views"?
Why didn't everyone scold Lingling as a mistress before? Perhaps everyone knows that she is only a supporting role, and according to the instructions of the State Administration of Radio, Film and Television circulating on the Internet, we are all looking forward to Luo Zijun's comeback after divorce, and she will attack Lingling in a gorgeous way.
However, Luo Zijun is a middle-aged housewife who divorced with her children. She wants to be independent, to enter the workplace, and to be a junior, bearing the infinite expectations of the audience. She is simply the embodiment of thousands of housewives in front of the TV!
We watched her grow up little by little, and in the end she still couldn't live without men! Still a best friend's man! How can you not be angry? What kind of independent female growth history is this? This is a wrong view!
This is the root of the problem-the audience's sense of substitution. It seems that they always want to learn the truth of being a man in the urban drama at eight o'clock and find the positive energy that touched the top ten people in China. Why not go to see Lei Feng's documentary?
Bi Feiyu, a famous novelist, said: "The greater an author's ability, the less his power." Power here refers to the author's power over the characters. He will not rush to substitute his three views into the characters, but let the characters develop freely according to their own behavioral logic.
On that day, I saw teacher Hong Yan's comment: It is said that Zijun in Yi Shu's original "My First Half Life" came from Lu Xun's "Mourning for the Past". He was a sad figure who resolutely fled his old family and lived with his lover Juansheng. However, love was finally exhausted in trivial life, Juansheng broke up and Zijun died sadly.
Mr. Lu Xun's story is heavy, and the author's strength completely gives way to social reality; Yi Shu can't stand it. She will always show her elegance and pride with her heroine. After leaving love rat, she worked hard all the way and finally found a better person with a good career. This kind of article looks cool, and the "three views" are very positive. However, it is not the majority of this society after all.
Yi Shu herself said: A middle-aged divorced woman had a narrow escape. Luo Zijun in the work is a legend, and the stupid housewife who wears red and green in the TV series is the general public. It is the imperfect Zijun and the imperfect He that make this drama. Truth is a sword, which hurts some people's fragile three views.
In Regret for the Past, Zijun broke through the feudal forces to pursue free love but failed. Is Mr. Lu Xun also praising the unhealthy three views? Women who pursue true love come to no good end? Obviously not, this is just a cruel exposure of that cruel society. Lu Xun's compassion for the protagonist is everywhere between the lines. He did not enthusiastically shout for thousands of sons and gentlemen in Qian Qian. He is always cold, only relying on the tension of the story itself to alert the world.
In the TV series "My First Half Life", I didn't see any problems with "Three Views", but I just lamented that it was not easy for women to survive: even a young and beautiful woman like Luo Zijun, who can bear hardships and has the ability to help her girlfriend, is inevitably dealing with all kinds of powerful men, being hated and vilified by all kinds of women, and finally getting better, because her feelings are badly hurt by love rat; Even if it is as perfect as Tang Jing, it can't achieve both career and love. Today, when we think that women are becoming more and more independent, more social core resources are still firmly controlled by men. Needless to say, he, Chen Han and Sheng Jun are rich and willful. Even the white light fed by his wife is a face that can be ignored.
People who can face the bloody reality face to face must have great compassion in their hearts; Although the story of the inspirational queen's scenery counterattack is enjoyable, it is not as sobering as the frustrated Luo Zijun: men are unreliable and three views can't be eaten. Look at your bank card balance and fight again.