Li Qingzhao's life experience Li Qingzhao was born into an official family in the seventh year of Yuanfeng (1084), Emperor Shenzong of the Song Dynasty.
His father, Li Gefei, was born as a Jinshi and served as an official in the court. His status was not low. He was a scholar and writer, and he was also a student of Su Dongpo.
My mother is also a lady from a famous family and is good at literature.
Such a background was very valuable for a woman at that time.
The influence of her official family background and political activities gave her a broad vision and noble temperament.
The influence of literature and art allowed her to perceive life in a more profound and subtle way and experience beauty.
Because there are no photos from that time, we have no way of knowing what she looked like now.
But based on the speculation about her background, and referring to the charm revealed in her later poems, it seems that she was born to be a beauty.
Li Qingzhao began to receive aesthetic training in traditional Chinese culture almost as soon as he became sensible.
Almost at the same time, she was creating, judging others, and studying literary theory.
Not only can she enjoy beauty, she can also control it, and she has jumped to a very high starting point, and at this time she is still a girl waiting to be married.
Please look at the following three poems: [Huanxi Sha] The hibiscus on the embroidered face smiles, and the duck flies sideways to line the fragrant cheeks.
Only when the eyes are moving can people guess.
One side is charming and full of charm, half of the paper is full of tenderness and hatred, and the moon is moving and the shadows of flowers are about to come back again.
(Bao Ya, hairstyle.) [Huanxisha] In the cold spring weather, the jade furnace sinks into the water, and the remaining smoke curls up. In the dream, the flowers are hidden on the pillow of the mountain.
In the future, Haiyan people are fighting for grass, Jiangmei has passed willow cotton, and the swing is wet with rain at dusk.
(Sinking water, the name of a fragrance; fighting grass, a kind of game.) [Pointing crimson lips] Stop playing on the swing and get up to straighten your slender hands.
The dew is thick and the flowers are thin, and the sweat is thin and the clothes are light.
When the guests come in, the gold hairpin slips out of their socks.
He walked away shyly, leaned against the door and looked back, sniffing the green plums.
(Keep socks off, no shoes.) An innocent girl with beautiful hair and fragrant cheeks, a face as beautiful as a jade flower, her love interest is beginning to bloom, and her spring heart is budding, which is hard to suppress.
She lay in the boudoir, or looked at the curls of agarwood innocently, or got up to write a love letter, and then went to the back garden to fight with her female companion for a while.
It is not surprising in a thousand-year-old feudal society that rich ladies from official families enjoy a comfortable life and receive a certain amount of education.
What is surprising is that Li Qingzhao did not first learn writing, become proficient in needlepoint, and then wait to get married as usual.
She devoured all her father's books, and the juice of culture made her not only as beautiful as a flower on the outside, but also as graceful as a bamboo on the inside.
She has mastered the rhythm of poetry as freely as fighting grass or swinging on a swing.
But when it comes to criticizing historical figures, one has a strong sense of confidence and is as grand as a rainbow.
The Anshi Rebellion during the Kaiyuan Tianbao Period of the Tang Dynasty and its suppression were a major event in Chinese history, and have been commented upon by later generations.
The poet Yuan Jie of the Tang Dynasty wrote the famous "Ode to the Zhongxing of the Tang Dynasty" and asked the great calligrapher Yan Zhenqing to inscribe it on the wall, which is known as Shuangjue.
Zhang Wenqian, who was at the same time as Li Qingzhao, was one of the "Four Scholars of the Soviet Union". He was already famous for his poetry and was considered a big figure. He once wrote a poem about this stele, lamenting: "Heaven sent two sons to pass on the future, and the mountains are ten feet tall."
Cangya. Whoever brought this stele into my room made my eyes open when I saw it." This poem was transferred to the boudoir, entered the embroidery room, and reached Li Qingzhao's ears. She immediately sang with a poem: "Fifty years of work is like lightning.
Sweep, Huaqing flowers and willows, Xianyang grass. Five squares are used to fight cocks. Hu soldiers suddenly come from the sky. Hu horses are walking in front of the Qinzheng building, and the pearls and green flowers are all covered with dust.
He is invincible when he goes into battle, and it is said that many horses and lychees will die. The virtues of Yao and Shun are as good as the sky, and the inscriptions on the inscriptions are so bad that they make gods and ghosts grind on the cliffs. "Look at this poem, it doesn't look like it came from a girl.
The woman's hand.
Describing scenes, commenting on merits and demerits, and lamenting worldly affairs, Li Bai and Xin Qiji, who are romantic and unrestrained, are not allowed to do so.
Li's father Ge Fei was surprised when he first saw this poem.
When this poem spread outside, it caused a lot of restlessness among the literati.
A daughter of the Li family has just grown up, and her writing moves like a dragon and a snake makes a sound of thunder.
The girl Li Qingzhao quietly enjoys the beautiful halo woven by her pampering and talent.
Love is the most beautiful chapter in life.
It is a ferry where a person will start from here, from boyhood to youth, from the warm wings of parents to an independent life, including the continuation of a new life.
Therefore, it is full of the anxiety of expectation, sparks of collision, refreshing warmth, and the sadness of failure.
It can play the most complex and shocking symphony.
The lives of many great men shine with brilliance at this moment.
When Li Qingzhao was filled with all the happiness that a girl in a boudoir can get and fell in love, her beautiful life reached a new level, leaving us a love classic.
Her love is not like Romeo and Juliet in the West, nor is it like Liang Shanbo and Zhu Yingtai in the East. It is not the kind of sweetness that can only be enjoyed after going through all kinds of difficulties and life and death, but it starts very high.
I fell into the honeypot, stood on the top of the mountain, and lived in the Crystal Palace.
Her husband, Zhao Mingcheng, is a handsome young man, and they are literary confidants, so they share the same love.
Zhao Mingcheng's father was also an official in the court, and the two families were well matched.
What's even more rare is that in addition to the general literati's interest in poetry, poetry, music and chess, the two of them also have a more similar career connection point - the study of epigraphy.
In the feudal era where free love was not allowed and depended on the words of the matchmaker and the will of the parents, it was truly a God-given match for the two of them to have such a love ending.
Just like Lu You's "The Hairpin Phoenix" left us with the sadness of love, Li Qingzhao left us with the other side of love - the sweetness of love.
This love story, lovingly polished by Li Qingzhao's wonderful pen, has become the spiritual enjoyment of Chinese people for more than a thousand years.