Meaning: We just lack leisure people like the two of us.

This sentence should be: "But few idle people are like my ears"; From Su Shi's Night Tour in Chengtian Temple/Chengtian Night Tour in Song Dynasty

Original text:

On the night of October 12, Yuan Feng took off his clothes and wanted to sleep, and entered the house in the moonlight, and set out happily. Thinking of the people who didn't play with me, I went to Jotenji Temple to find Zhang huaimin. And the people were not sleeping, and we walked together in the courtyard. Moonlight is full of clear water in the courtyard, as clear as clear water, algae in the water, Nymphoides, the original is the shadow of bamboo and cypress. Which night has no moonlight? Which place does not have bamboo and cypress? Just lack of people like us who are so free.

Full-text translation:

On the night of October 12, Yuan Feng (or October 12, 183), when I took off my clothes to get ready for bed, I happened to see the moonlight shining on the door, so I got up happily and went out for a walk. Thinking that there was no one to play with me, I went to Chengtian Temple to look for Zhang Huaimin. Huaimin didn't sleep either, so we walked in the courtyard together. The moonlight shines as clear and transparent as clear water in the courtyard, and the algae and shepherd's purse in the water crisscross, which turned out to be the shadows of bamboo and cypress. What night is there no moonlight? Where is there no bamboo and cypress? It's just the lack of leisure people like us.

why is there no moon at night? Which place does not have bamboo and cypress? However, the appreciation of those who have few idle people like me:

The "beauty" here first comes from the "truth" of the content. The bright photos of the East Moon aroused the author's interest, thinking that it would be a fly in the ointment if there were no "musicians", so he sought a companion. At this time, the illusion was interesting and the emotion was touched, so it was logical to write down this scene, and everything was so harmonious and natural, without the feeling of carving. This beauty comes from the purity of language. Notes are like pulling home, and they are narrated. Although there are no wonders, you can't add, delete or change any words. It is necessary to point out the date, and it is necessary to note the travel notes. "Moonlight entering the house" and "gladly starting" are mutually causal, and few figures are how to practice! When writing about the scenery under the courtyard, the word "empty and bright" is used, which reflects the ethereal and magnanimous artistic conception. It is very appropriate to compare the shadow of bamboo and cypress to algae in water, and the word "crossing" more accurately shows the posture of algae, as if it is within reach. Then, the author turns sharply and asks two questions in succession, which is not only kind and natural, but also rich in rhythm, expanding time and space and making people think. The feelings expressed in Night Tour in Chengtian Temple are subtle and complicated.

About the author:

Su Shi (137-111) was a writer, painter and gourmet in the Northern Song Dynasty. Zi Zi Zhan,no. Dongpo lay man. Han nationality, Sichuanese, was buried in Yingchang (now jia county, Pingdingshan City, Henan Province). I have a bumpy career, profound knowledge, high talent, and excellent poetry, calligraphy and painting. His writing, Wang Yang, is unrestrained and fluent, and he is called Ousu with Ouyang Xiu, one of the "Eight Great Masters in Tang and Song Dynasties"; Poems are fresh and vigorous, making good use of exaggeration and metaphor, and their artistic expression is unique. They are also called Su Huang with Huang Tingjian. The school of bold and unconstrained ci has a great influence on later generations, and it is called Su Xin with Xin Qiji; Calligraphy is good at running script and regular script, and can create new ideas. It is full of ups and downs with a pen, and it is childlike. It is also called Song Sijia with Huang Tingjian, Mi Fei and Cai Xiang. Painting is the same as literature. On painting, it advocates spirit likeness and "scholar painting". He is the author of The Complete Works of Su Dongpo and Dongpo Yuefu.