The Life I yearn for is a large-scale documentary program on life service launched by Hunan Satellite TV. At present, it has been broadcast halfway, and CSM52 City ranks third in the ratings. Huang Lei, the man most suitable for food festivals, He Jiong, the man most suitable for healing programs, and Henry Lau, a talented musician, rent a residential courtyard in the suburbs of Beijing, and the three of them return to rural life together.

The positioning of the program group is that "The Desire of Life", which carries love and delicious food, will bring the audience a life picture of "self-reliance, self-sufficiency, warm hospitality and perfect ecology", and talk about the hospitality of China people by understanding the true value of a meal. I don't know if the students who like Han Zong think this painting style is similar to Three Hours and Three Meals after reading it.

The left is Life I yearn for, and the right is Three Hours and Three Meals.

Those enigmatic and similar painting styles and task settings ...

They all return to the countryside. The same is the plot setting of cooking and entertaining guests:

The life I yearn for

Three meals at three o'clock

The cooking ingredients of the guests have to break corn by themselves in exchange for a hot meal:

The life I yearn for

Three meals at three o'clock < Milk-producing sheep and cute pet dogs are also designed exactly the same as family members:

Little H

Winter

such task environment selection and character conflict settings in Life I yearn for, are they too "face-butting"? The program group of "Yearning for Life" said, "We hope that China's program will not be promoted by three meals a day, but by the coming and going of guests. The core concept is the way to entertain guests, which is a bit like the variety version of" I Love My Family "-we hope that" Yearning for Life "will be based on the airborne of a single episode of guests, which will give a new chemical reaction to the mushroom house and put more emphasis on the story of' people'. If this is "that different flower" in the mouth of the program group, have they really done it?

The rural part of the Korean version of "Three Hours and Three Meals" can let you see a piece of cultivated land and a garden full of fruits and vegetables. From sunrise to sunset, there is a strong contrast with the city. You can witness with your own eyes the temptation of fresh ingredients obtained from labor to become delicious food, and you can really experience a slowing down rhythm from the program. However, in "The Life I yearn for", such a process will always be edited out. There is only a pose and close-up of food in the lens, but the strong visual sense of approaching food is not visible.

The working scene of South Korea's "Three Hours and Three Meals"

Imagination is the last word, and we can't just be porters of Korean variety entertainment

If the CCTV reality show "Great Challenge" was the China version of South Korea's "Infinite Challenge" earlier, I'm afraid this time we've adopted the concept of Korean variety. CCTV, as a big media platform, often sublimated the human part too hard in the Great Challenge program. However, after a series of exploration and discussion, this year's "Seeing Words as Face" and "The Reader" received a fierce response, and CCTV finally found a program type that matched the tonality of its own platform.

Wen/Wu Bihan

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