The name "The City with the Ribbon" is tacky. I thought the drama of the Republic of China was another kind of hip-pulling story, but I didn't expect there were still many good-looking ones.
As can be seen from the poster of "The City with the Ribbon", this TV series is full of sincerity because of its exquisite costumes and strong sense of the times. This TV series is mainly about revenge and love. Love, hate and fate entanglement in the play are one of the highlights in the play, and the setting of the plot will also cause suspense, which makes people feel unfinished when watching the play.
Costume props
To shoot this drama with the theme of the Republic of China well, civilization is very important and the scene is also very important. Since Jing Tian appeared, I have felt a strong sense of the Republic of China, because her clothes are so elegant and the whole set looks very comfortable!
Jia Rong's big house has a sense of the times in an instant, including the clothes and cakes of the maids, and no one is allowed to play. It's a little unacceptable for a woman to steal something from the kitchen and then take two loaves of bread, but this paragraph is too sweet to ignore the props!
The plot is smooth, causing suspense to the audience.
80% TV series with this theme will add a narration before the first episode to let the audience know the background of the story. This play is very simple. The first scene is that the hostess is applying for a tutor.
Although there are many names in the dialogue, it does not affect the viewing and even makes the audience curious. The first episode is about the reason why women become governesses.
The plot is as smooth as silk, and it won't make the audience feel pressured at all. Even if you miss some details, you can learn from your lines.
The hostess is not stupid or sweet.
Judging from the angry neighbors of the hostess, this time the hostess is no longer a weak woman, a silly and sweet image, and her IQ is even higher than that of the male host. At present, she is a clever hostess, and I hope she won't be used by two men.
Excellent lines and excellent acting skills.
The lines of this play are the most comfortable lines I have ever heard, which are completely integrated into the background of the Republic of China. When the male host tests the female host, he is often angry and has good lines, but he has an inexplicable sense of joy!
The supporting actor's acting skills are also very good, and the male host's sisters are very good big ladies. This kind of family drama does not join the strong struggle with the giants, but focuses on the main plot of the heroine's revenge, which is quite good. A little spoiler, it seems that the female host is the big miss, so she gets along well with the male host and sisters, like sisters.
The city of the ribbon is not a literary master with a purity of 100%.
In order to cover up the core of the plot with too much earthy flavor, the main creators still made some efforts to make people doubt the effect. For example, "The Story Wang Dachui and Sister Bao had to tell" was redecorated, but the "overbearing young master" was actually hidden, and "Sister Bao" was the top scholar, intelligent and transparent, and had a family feud to go undercover.
As a result, when they met for the first time, their IQ went crazy and they forced themselves to "dance" without saying a word. Jia Rong found that Feng Shizhen "naturally" became his mentor and created all kinds of difficulties. Later, he was "naturally" impressed by his sister's talent and beauty, and was troubled by dreams every day. Then he kissed Feng Shizhen with blood, and successfully helped Feng Shizhen erect the banner of "I want to slap you".
For example, in order to make the identity of "Clean Little Sister" have more room for drama development, Feng Shizhen joined him in Jia Rong's bridge and became a commercial spy to avenge his family. Unfortunately, the creativity is full, and the skill of the screenwriter is very skinny. Feng Shizhen is not so much "calm, resolute and thoughtful" as she relies on the heroine's aura and infinite openness.
The loveliness of this character portrayed in the script lies in persistence and persistence. He sticks to his basic principles, the principles of love, morality and dignity. At the same time, he insisted on the pursuit of true love and repented and dug deep into family crimes. If Feng Shizhen's mass base is young friends who are still struggling for love in reality, then Feng Shizhen's role tells us a love story worse than reality and better than a dream, which gives us hope.
Jia Rong, a character, lives in a woman's utopia, so simple but so lonely, so beautiful in Pan An, but so caring and warm to men, sometimes so overbearing and sometimes so humiliating. Jia Rong gave women the fantasy and hope for a better human nature, and let the public reminisce in the scars of true love. It is these two characters that make me think "City of Time" is worth seeing. City of Time is beating the city of hope in our hearts. Let's continue to pursue those two pairs of eyes, their breath, their sweat, their whisper, their fire and lightning, their palace youth in the picture frame world of the screen. Let's swim with them in the red dust of 1928.