"Poetry Classic - State Wind - Qin Feng"
Reed reed, white dew for frost.
The so-called Iren, in the water side.
The road is long and obstructed.
The way to the center of the water is to the center of the water.
The reed grows in a sad way, and the white dew is not yet dry.
The so-called Irena, in the water.
They are the most important of all, and they are the most important of all, and they are the most important of all.
It is a man in the water, and he is in the water.
The reed grows in the reed, and the white dew is not yet there.
The so-called Irena is at the water's bank.
The road is blocked and right.
The islet of the water is where I am.
[edit paragraph]Notes
Reed reed (jiān jiā): reed, reed, reed, like reed. Phragmites, reed.
Pale: deep green color.
For: condensed into.
So-called: said, here refers to the missed. Iren: this or that person. Refers to the person whom the poet misses and pursues.
On the other side of the water: on the other side of the river.
Buy backward (sù huí) from the river: meaning to go upstream along the river to look for her. To go backward, to go upstream. From, to pursue, to pursue.
Block: a dangerous obstacle, difficult to go.
Tracing the stream from: walking upstream along the direct current to find her. 游, 流, refers to a straight-flowing waterway.
Wan in the middle of the water: (the person) seems to be in the middle of the river.
The water was in the middle of the river.
Mournfulness: the appearance of lushness. Now it is written as "luxuriant", which has the same meaning as "采采" below.
Dry: dry.
Méi: the place where the water meets the grass, referring to the shore.
Being (jī): rising, high.
He (chí): a small continent or island in the water.
Cai Cai: lush and distinct.
Have: to stop; here it means "to dry up, to become dry".
Shi (sì): the edge of the water.
Right: in a roundabout way.
islet (zhǐ): a sandy beach in the water.
[edit paragraph] Present-day translation
The reeds by the river are blue and pale,
and the white dew condenses into frost in late autumn.
The person I think about every day and night is on the other side of the river.
The person I think about every day and night is on the other side of the river.
The search is against the current,
and the road is treacherous and long.
Finding your way downstream,
it's as if you're in the center of the water.
The reeds along the river were lush,
and the morning dew had not yet dried.
My soulmate,
was on the opposite side of the river.
Seeking against the current,
the road is rough and treacherous.
Finding your way downstream,
it's as if you're in the middle of a sandbar.
The reeds along the river are more luxuriant,
and the white dew still lingers in the morning.
The one I've been pursuing so hard,
is at the opposite end of the river.
Seeking against the current,
the path is treacherous and circuitous.
Finding my way downstream,
it was as if I was on a sandbar in the water.
[edit]Brief comments
"The ancient writing of Acacia, there has not been over the "reed reed"."
The so-called of Acacia, look at it and can not be, see it and can not be sought; although hard work and seek, and ultimately can not be obtained. And so the feelings, rippling in the text between. I have heard the string song, string stop and the remaining sound in the ear; now read the reed reed, the text stop and the remaining feelings are not scattered.
The reed, reed, also, the things that are floating, with the wind and swing, but stop in its roots, if floating if stop, if there is nothing. Thoughts unlimited, trance wavering, and hanging on to the root. Roots, love. It is the same with love. Dew is a thing that dies in a flash. The Buddha said: "All created dharmas are like dreams and bubbles. Such as dew is also like electricity, should be viewed as such; love is a thing, illusory and unformed. Zhuangzi said: music out of the virtual, steam into bacteria. A reason also. Frost, dew condensation. Earth gas and fluid from the ground, thin with cold gas is frost. Seek a good person and can not be obtained, so the love is more and more, its love is more and more firm. Therefore, it is said that "not dawn", "not yet". Even though they are not available, their feelings do not remain, and so they suffer. The pain of not being able to seek, the pain of love and separation! This is the most bitter part of the love affair!
The love is tied to the so-called Iren. But I don't know where she is," he said. Jia Changjiang has a poem: "only in this mountain, deep clouds do not know where." The pleasure of the must seek, so although I do not know its whereabouts, but also wade through the water and from the. Said "backward migration", said "backward swimming", up and down and seek also. And the road is dangerous and curved, the word of the arduous search, can be said to be "poor Bishop falls into the Yellow Springs". But in the end, the two places are all gone, and what we are chasing after is just a phantom cloud, water, moon, mirror and flower, and we can't get it.
They are the most important of all, and the most important of all is the fact that they are the most important of all, and the most important of all is the fact that they are the most important of all. "The first thing I'd like to do is to get the best out of the world, and I'm sure I'll be able to do it. The man is a fool? Dreamland? Every time I read this, I can't help but be happy, sigh, complain and cry!
[Edit paragraph]Writing background
"Reed reed" from the "Classic of Poetry? The winds of the state? Qin Feng", is a folk song produced in the land of Qin about 2,500 years ago.
On the content of this poem, there have been divergent views. To summarize, there are mainly the following three statements: First, "stabbing Duke Xiang". Mao Poetry Preface" cloud: "reed, prick Xianggong also. Failure to use the weekly ritual, will not be able to solidify its country." Today, Su Dongtian in the "Poetry" to identify the righteousness of the rushing analysis, said: "'in the water side' of the 'so-called Iren' (the sage), a metaphor for the Zhou dynasty rituals. If you rule the country against the Zhou rites, then 'the road is blocked and long', 'and among', 'and right', meaning that it is not possible to go through, and cannot be ruled well. If one obeys the Zhou rites, then 'Wan is in the middle of the water' and 'He is in the water'. 'Islet in the water' means that there is hope for ruling the country." The second is the "Recruitment of Virtue" theory. Yao Jiheng's A General Discussion of the Poetry Scriptures and Fang Yurun's The Original Poetry Scriptures both say that this is a poem that invites the virtuous, and that "yiren" means "virtuous talent": "A virtuous man is secluded on the waterfront, and people admire him and want to see him." Or it is said: "Soliciting the hidden is not in its way, the hermit avoids seeing it." Third, "love" said. Nowadays, blue chrysanthemums, Yang Renzhi, Fan Shuyun, Gao Ting, Lu Ruowen and so on hold the "love song" said. For example, Lu Chouwen said: "This is a love song, because the pursuit of the sweetheart can not be reached, the poet is in trouble. To say that the river is a barrier is a subtle metaphor."
Because there is no way to verify the skill of this poem, and it is hard to believe that the "Iren" in the poem refers to someone else, it is difficult to finalize all three of the above statements. Here, let's take it as a love poem for the time being.
"Reed reed" belongs to the Qin wind. At the time of King Xiao of Zhou, Qin's ancestor Fei Zi was sealed in the Qin Valley (present-day Gansu Tianshui). When King Ping migrated east, Duke Xiang of Qin received another large fiefdom west of Mount Qishan for his meritorious military escort. Later, Qin gradually migrated eastward, and the capital was located in Yong (present-day Xingping, Shaanxi). The land of Qin included the present area from Guanzhong in Shaanxi to southeastern Gansu. The ten Qin Feng **** are mostly folk songs from this region in the Eastern Zhou Dynasty.
]Hierarchical structure
The most striking feature is the repetition of the same structure of the chapters, not only in Reed, but also in the rest such as Tao Yao, Shi Wei and so on. This repetition can be said that the structure is exactly the same, replace only one or two of the words, so that writing can achieve a singing three sighs, repeated chanting to achieve the full effect of feelings. As for the writing technique, naturally, is the fubi Xing. And one of the most characteristic is also on the market poets should be the greatest influence on the use of Xingxing, so that you can avoid the shortcomings of the abrupt, with the qualities of the Oriental elegance of the meandering
This poem three chapters overlap, each chapter can be divided into four levels:
The first two lines of the reed reed Xingxing, to show a picture of the river in autumn color: the late autumn morning, the autumn water Sen Sen Sen, reeds pale, the dew is full of crystals, crystal like frost. This realm, is in the emptiness of silence in the slightly bleak and mournful color, and thus the poem is written in the persistent pursuit of love, hard to reach, played a very good atmosphere rendering and mind baking role.
The third and fourth stanzas show the central image of the poem: the main character wanders along the river, gazing after the "Iren" on the other side of the river. This "Iren" is the person he misses day and night. "On the other side of the water" is isolated, meaning that the pursuit is difficult, resulting in a realm that is unattainable. Although the main character looks through the water, persistent pursuit, but the "Iren" are remote isolation. It's hard to see, so the poem is full of hopeless feelings and empty melancholy.
The following four lines are two levels of juxtaposition, respectively describing two different scenarios of the realm of being on the other side of the water and the realm of being unattainable. "The road is long and difficult" is a description of the dilemma of pursuing against the current: the difficulties and obstacles are endless, the journey is long and endless, and it is not possible to reach the end of the journey. "The way back from the swim, just like in the middle of the water", this is to depict the illusion when pursuing with the current: the trip is smooth everywhere, the Yi Ren is always like in, but ultimately can not be close to also. Both against the current, and downstream, a hundred pursuits, obsessive meaning can be seen; either the plight is difficult to reach, or the illusion is difficult to approach, and ultimately can not be, the deeper the feeling of frustration and intimidation. At this point, the unattainable situation of the Irena has been concretely and fully demonstrated.
The whole poem has three chapters, and each chapter only changes a few words, which not only brings into play the artistic effect of overlapping chapters, repeated recitation, and three sighs, but also produces the effect of advancing the meaning of the poem continuously. From "white dew is frost" to "white dew is not yet dry" to "white dew has not yet been", this is the passage of time, symbolizing the long period of time for which the main character is gazing and searching; from "on the other side of the water" to "on the other side of the water". "in the water", to "in the water", to "in the water", to "in the water", from "in the middle of the water", to "in the water". "in the middle of the water", to "in the middle of the water", to "in the islet of the water", this is a change of location, symbolizing the elusiveness of the Izzy; from "the road is blocked and long", to "the road is blocked and among", to "the road is blocked and among", to "the road is blocked and among", to "the road is blocked and among". From "the road is blocked and long", to "the road is blocked and among", to 'the road is blocked and right", is repeatedly rendering the pursuit of the process of hardship, in order to highlight the spirit of the main character of the lyric perseverance. Repeating chapters and phrases, advancing layer by layer, is a common method of expression in the folk songs of the Shijing Chong. The poem also skillfully uses the words "苍苍", "、凄凄", to make the whole text both sound and emotion.
Content Review
If the "Iren" in the poem is recognized as the lover, the lover, then the poem is a manifestation of the main character's persistent pursuit of beautiful love and the melancholy mood of the pursuit of failure. The spirit is valuable, the feelings are sincere, but the result is remote, the situation is pathetic.
However, the most valuable meaning of this poem, the most ****ing things, not the pursuit of the main character and the loss of lyricism, but his creation of "on the other side of the water" - can be expected to be difficult to be that is the artistic mood of universal significance. Good poems can create mood. Context is a pattern, a structure, which has the performance of accommodating all heterogeneous things with similar pattern and similar structure. The structure of "On the Waterfront" is: the pursuer - the river - Yi Ren. Since the poem's "Iren" has no specific reference, and the significance of the river lies in the barrier, all the pursuits in the world that are difficult to reach because of the barrier can be isomorphic***vibrating and sympathetic***sound here.
In this view, we might as well "reed" poetic understanding of a symbol, "in the water side" as the expression of social life in all the hard to reach the situation of an artistic paradigm. Here, "Iren", can be a talented person, friends, lovers, can be a career, ideals, future, and even can be a blessed place, sacred realm, fairy world; here, "river", can be a high mountain, deep moat, can be the patriarchal law, rituals, but also can be the reality of life. The "river" here can be high mountains, deep moats, patriarchal laws and rituals, or any other obstacle that one may encounter in real life. As long as there is a pursuit, there is a barrier, there is a loss, are its reproduction and performance of heaven and earth. In this case, the ancient people to reed reed to persuade people to follow the weekly rituals, recruiting, pregnant, today it is regarded as a love poem, and even some people see it as the ancient people of the water god ancestor rituals, I am afraid that there is a certain truth, it seems inappropriate to stick to one and reject the other, because they are all encapsulated in the symbolism of the "side of the water," the symbolism of the.
Naturally, when we are in a situation similar to that of "in the water", we should appreciate its determination to pursue rather than its pessimism.
The poem creates a hazy, fresh and mysterious mood with images of water, reeds, frost and dew. The morning mist shrouds everything, and the crystalline dew has frozen into frost. A shy maiden walks slowly. The imagery of water in the poem represents women and embodies their beauty, while the thin mist is like a veil over the maiden. She appears at the water's edge one moment, and then at the water's oasis the next. I can't find her, and I feel as anxious and helpless as the ants crawling and itching, and as painful as a knife. As we often say, "distance creates beauty", this beauty becomes hazy, fuzzy and unclear because of the distance. The identity of the protagonist and Iren, face, spatial location are fuzzy, giving a person in the fog, if hidden, hazy feeling. The reed, the white dew, the Yi Ren, and the autumn water appear more and more elusive, forming a hazy and light watercolor painting. The beginning of each chapter of the poem adopts the writing style of the fugue in the Xing. Through the description and admiration of the real scene in front of him, an ethereal and misty mood is painted, enveloping the whole poem. The poet seizes the unique characteristics of autumn colors, and uses heavy ink and colors to repeatedly depict and render the empty and desolate atmosphere of late autumn, in order to express the poet's disappointment and passionate admiration for his friends. The first two lines of each chapter of the poem start with an autumnal scene and lead to the main text. It not only points out the season and time, but also rendered the reed reed dew white bleak atmosphere, set off the mood of the characters disappointed, to achieve the mood in the scene, the artistic situation of the scene blending. "Reed", "water" and "Iren" image of the interplay, integrated, used as a starting point of things and the object to be depicted to form a complete art world. In the beginning, the scene of reeds growing by the water in the fall is written, which is exactly the "image to illustrate the meaning", and has the function of "arousing feelings". Because of the reeds, and in the light of the sky and water, it will inevitably show a kind of confused realm, which from one side shows that the main character of the poem in the heart of the realm of "hazy love". Wang Fuzhi "Jiang Zhai Poetry" said: "The scene of love, since the love for Perennial mustard. Although there is a difference between the scene in the heart and the object. And the scene gives birth to feelings, feelings give birth to the scene, the touch of sadness and happiness, the welcome of glory and pining, mutual hiding its house", "reed reed" this poem is the unique scenery of the twilight of autumn and the characters euphemistic melancholy feelings of lovesickness cast together, so as to render the atmosphere of the whole poem, to create a bewildering, scenarios blending of the realm of the meaning, it is "all the scene of the language is the language of the love! The embodiment of "all landscape language is the language of love". In short, "reed" poem rich beauty, whether from the perspective of appreciation, or from the perspective of creation, quite worthy of our attention and to be seriously discussed.
[Edit Paragraph]Artistic Features
"Reed" is one of the best chapters in the Book of Songs. Its main features, concentrated in the factual virtualization, imagery ethereal, the overall symbolism of these three closely related aspects.
One, the fact of the virtualization
Generally speaking, the creation of lyric poetry is derived from the feelings of specific things, and therefore in its mood, you can always see some of the real personnel scenes. However, it seems that the author of the poem has intentionally de-emphasized the main events of the characters in the poem. Who is the pursuer? Why is he pursuing? We don't know; what is the identity of the sought-after "Yi Ren"? Why is he so difficult to obtain? We also do not know, so much so that there is no way to confirm whether they are male or female. In particular, the "Yi Ren" has no physical appearance; he is upstream and downstream of the river, sometimes in the middle of the water, sometimes in the grass by the water, so erratic and remote that one simply wonders if he really has a physical existence. Undoubtedly, due to the pursuer, especially the pursued person's virtualization, make the whole pursuit of the character, the pursuit of the event, the pursuit of the content have become illusory; however, it is also due to the fact that the virtualization, membrane Judas, the poem's mood is so ethereal and symbolic.
Second, the imagery of the ethereal
In fact, the scene described in the poem is not the reality of the personnel of the eye, but a kind of heart home. This kind of mental image is not a memory of a real thing that has been experienced, but a typical psychological situation synthesized, cohesive and virtualized by many similar events and similar feelings. The most important characteristic of this psychological situation is that it is not sticky and not stagnant, and it has a lot of spiritual content. The "On the Water's Edge", which is hard to reach, is the artistic manifestation of this ethereal psychological situation. Here, due to the virtualization of the pursuer and the pursued, the river, the road obstacles, and even the pursuit routes against the current and downstream, as well as the "center of the water" where Iren is located have all become virtual symbolic imagery. They can not be made when and where, the river and mountains and water in-depth, otherwise, I both in the river upstream and downstream of the river on the self-contradictory, and even the two people why not cross the river to become a problem. The success of "reed" lies in the poet accurately captured the human heart image, to create a flower-like non-flower, ethereal psychological situation, only to make the poem's mood is presented as a holistic symbol.
Three, the overall symbol of the mood
The symbol of the poem is not a word or a sentence with a symbol of rhetoric or techniques, but the overall symbol of the mood. "In the water side", can be expected to be difficult that is often the situation of life, "back and forth from the road, the road is long and blocked" dilemma and "back and swim from the, just like in the middle of the water," the illusion of the situation, but also is often the situation of life; people may often be affected by from the water side, but also in the middle of the water, but also in the middle of the water. People may often suffer from the excitement of pursuit. To the obstruction of the trouble, and then to the loss of the melancholy of this complete emotional flow of the baptism, more likely to be often against the flow of more pain or downstream of the emotional impact of empty joy; readers can be associated with the love of the situation and evoke the love of the experience, but also can be associated with the ideals, careers, the future of the many aspects of the situation and evoke the many aspects of the experience of life. The overall symbolism of the mood makes "Smacking the Night" truly have an inexhaustible philosophical meaning of life. Wang Guowei once compared this poem with Yan Shu's Butterfly Lovers Flower, "Last night the west wind was blowing through the blue trees, and I went up to the tallest building alone to see the end of the world", and thought it was "the most beautiful of all", which was obviously focused on the symbolic meaning of life in the context of its meaning.
Factualization, imagery of the ethereal and the overall symbolism of the mood, is a problem of three levels. From factual falsification to imagery ethereality to overall symbolism, this is roughly the process of constructing the symbolic poetic mood.
References
The foreigner and the foreign realm make people want to be immortal. (Ming? Zhong Xing's Commentary on the Poetry Scriptures)
This is a poem from a sage who lives in seclusion on the waterfront, while people admire and think of seeing him. "In the water of the follow", this sentence has been added "back to the wandering", "back to the swim" two times to imitate, so write its deep wish to see the situation. So in the next word "in" on the word add a "wan'jail, then feel the eyes want to fly, the pen of man and God. (Qing? Yao Jiheng, "Poetry")
To play with the word "so-called", it is difficult to tell the person in the intention, and "on the water side" is also the word of imagination. If there is a certain party, that is, the human track can be reached, why up and down to seek and can not be? The poet's purpose is very far, stubbornly seeking to suppress and far away. （
The three chapters have only one meaning, but the rhyme is changed. The first chapter has actually become a masterpiece. The ancients composed poems, more than one into three stacks, the so-called one singing three sighs, good more than the sound of the aftermath. (Qing? Fang Yurun (The Original Poetry)
The poetic situation is quite similar to symbolism, and contains a mysterious meaning. (Chen Zizhan (Straight Explanation of the Classic of Poetry)
"The so-called Yiren is on the side of the water, and when I go back and forth from it, the road is blocked and long; when I go back and forth from it, it is like being in the center of the water." Curtain": "One side, it is difficult to reach." Press (Han Guang): "Han has a traveling woman, not to be sought for thought; Han's wide, not to be swum for thought; Jiang's eternal, not to be squared for thought." Chen Qiyuan (Mao Poetry and Ancient Poetry). Appendix to the said: "The pleasure of the must seek, but only visible and not seek, then Mu Yue Yi to." The two poems given, all the so-called Western Romanticism, admiration (compassionate 11 Shantou) of the situation. Ancient Roman poet Huanjier famous line; "look across the river and reach out to the", the later generation will think that the good road can be expected to be difficult to reach, the desire to seek not to achieve. The ancient German folk song about good things are very difficult, every Tuo Xing put deep water in the obstacles. Dante's "Divine Comedy" is a micro-objective to put the beauty across the river and smile, three steps away from each other, such as blocking the sea. Modern poets to the cloud: "joy long on the other side of the river." ...... (Qian Zhongshu Shijiezhu)