A post-viewing review is an article written about the specific feelings and revelations gained after watching a movie or TV series. The so-called "sense" can be the truth or exquisite thoughts learned from the work, it can be the thinking and association inspired by the content of the work, it can be the determination and ideal inspired by viewing, or it can be Criticism of certain ugly phenomena in society caused by watching. The expression of feelings after viewing is flexible and diverse, and it basically belongs to the category of argumentation, but the writing method is different from ordinary argumentative essays, because it must be based on feelings after viewing. To put it simply, it is the feeling after watching it. Below are 5 sample essays that I collected and compiled after watching "Farewell My Concubine". Welcome to refer to them.

5 sample essays on the review of "Farewell My Concubine" (1)

Review of the movie "Farewell My Concubine": Only one person on the stage fell into the role

After acting on the stage for half a lifetime, Cheng Dieyi became obsessed with the show and became crazy. However, on and off the stage, the historical changes are all transparent, and the only real person in the drama is Cheng Renren.

When I was studying opera when I was a child, I saw that the theater was glamorous inside and outside. It was the decadent and extravagant scene of the Qing Dynasty. The actors looked luxurious and the audience was buzzing. It seemed that the graceful and prosperous age could last forever, but in fact Just like the exchange of new and old roles from generation to generation, it is the only glory left before the collapse of the dynasty. The so-called stage plays out the joys and sorrows, and reflects the changes of the times.

From the time Cheng first appeared as a famous actor, he went back and forth and performed many times on the stage. At the beginning, the Qing Dynasty was still glorious. Peking Opera’s huge consumption power in citizens’ cultural and pastimes is irreplaceable. The people are in need, and there are crowds of people inside and outside the theater. They are eagerly looking forward to catching a glimpse of the graceful figure and posture of the corner, and looking around eagerly to listen to Xipi Erhuang. The great Qing Dynasty was still experiencing the last glimmer of light before going through darkness.

Then the Japanese army entered the city, and the theater fell silent for three minutes due to the appearance of the Japanese generals. The song "The Peony Pavilion" was played in the hall. Regardless of whether the Japanese soldiers as listeners really liked this Chinese opera or not, the respect and appreciation they showed in return was hard to find in the second half of the film. When everyone's eyes turned to the lively stage, the different emotions of different audiences under the stage were a true portrayal of the personalities of the time. Leaving aside what happened next, this silhouette of Japanese officers and soldiers sitting solemnly and enjoying Peking Opera really highlights the overall cultural quality of Japan.

Then pull back the story of the stage. From the time when the warlords and generals gathered to listen to the opera, but could not hear that Cheng's voice was bad due to smoking, and even cheered in unison, Peking opera has been heading towards an irreversible end step by step. It has been destroyed, manipulated, and reshaped. No matter how few people are obsessed with a frown, a smile, a voice, or an appearance, they have no intention of indulging in drama. The quality of the people is low and their cultural literacy is backward. The excitement on the stage continued, and the people in the audience changed again and again. An audience without cultural support is just like a country without support in a turmoil.

Then, after the Liberation War ended, soldiers with no cultural accomplishments from rural areas were seen teasing the actors with flashlights on and off the stage. A red song is better than thousands of colorful flowers. No one cares about aesthetics and appreciation. What everyone wants is real victory, real achievements, and real land.

The Four Olds are gone, culture is gone, and for Peking Opera, it is even worse than the previous article. Not to mention respect and appreciation, all that remains is abuse and contempt. Models are jokingly called, complicated decorations are not advisable, and glitz is not acceptable. The culture that has been passed down for hundreds of years has been shattered in an instant, and it was like a big dream. Everyone is in danger, and Cheng Cai suddenly realizes at this time that this era never waits for anyone, and Yu Xi has nothing to do. In the play, Yu Ji sacrifices herself to die generously, but outside the play, Yu Ji does not change her obsession. Life in and out of the drama, he was just a burial object washed away by the waves of time. In the end, he was the only one on stage who got into the role.

Not only on the stage, his past has faded away, but he is the only one in the drama.

The brilliance of the film is not only the joys and sorrows of a generation, but also the subtle details of the changing light and shadow. A small stage plays out Cheng's life and also the story of the times. The ups and downs of history.

Looking at it again, people leave the building empty to drink tea, and historical changes are just a drama, and in the end it is all in vain.

5 sample essays after watching "Farewell My Concubine" (2)

Recently, I wanted to watch some movies and books to improve myself, so I watched the Top 250 movies on Douban and chose The second place was "Farewell My Concubine".

I have watched many movies, and this is the first time I shed tears for the plot in it. Whether it is the acting skills of the actors in the movie or the expression of the emotions of the characters in the movie, I think it is very good.

In which era of emotions, a person can express his feelings that he wants but does not get after being suppressed for many times.

In particular, the sentence in the film, "I am a man, not a girl", is the finishing touch in the film.

The classics in Douban videos are selected by the public. In my opinion, classics will never be buried.

If one day you also want to watch a movie, you can watch "Farewell My Concubine" if you have time.

5 sample essays after watching "Farewell My Concubine" (3)

The teacher spent two classes allowing us to fully appreciate the film "Farewell My Concubine" directed by Chen Kaige "My Concubine", thoughts after watching "Farewell My Concubine". This shows that the teacher loves and highly appreciates this film.

To be honest, if the teacher had not shown it to us in class, I would have never watched this film. Because I have never had a good impression of some so-called blockbusters in the past, and I have no interest in or even some rejection of some big-name stars such as Director Chen Kaige and Leslie Cheung. I have basically never watched their movies. But after watching this film, I have to admit that this is really a classic film that makes people moved. The acting skills of those actors are great. Whether it is Zhang Fengyi who plays Duan Xiaolou, Leslie Cheung who plays Cheng Dieyi, or Gong Li who plays Juxian, they all interpret their roles so vividly that it can't help but make people cry.

"Farewell My Concubine" is a drama with strong emotions and twists and turns, full of dramatic conflicts of life and death. Some people have rated it as an epic work. The judges of the International Federation of Film Critics believed: "Farewell My Concubine" has a profound exploration of Chinese culture, history and human nature, with gorgeous images and delicate plot." The film uses the art of Peking Opera, which has the deepest cultural heritage in China, and the lives of its artists, to express thoughts on human nature and the state of human existence. It also reflects a philosophical thinking of traditional Chinese culture through decades of current events. The life experiences of the characters in the film are like "dream life".

The emotions between Dieyi, Xiaolou and Juxian are really confusing and confusing. It is impossible to make it clear. Maybe even they themselves can’t understand it. When Xiao Douzi and Xiao Shitou were together day and night during their teenage years, they must have had feelings for each other. It was not impossible for them to fall in love with each other after Dieyi Xiaolou. What's more, I think there was a lot of ambiguity among actors in that era. There is love between Duan Xiaolou and Dieyi, but their love is different. Duan Xiaolou loves his junior brother in real life, but Dieyi is obsessed with the all-powerful overlord in the play. This is doomed to be a tragic story. Duan's love is reflected in many places. No matter what Chen Dieyi did to disobey him or what requests he made to him, he would not dare to show Dieyi's face unless it was Chen Dieyi's whom he cared about. Festival", thoughts after watching "Farewell My Concubine". Every time Dieyi and Juxian had a conflict, he always stood on Dieyi's side. You only need to watch the part where the master trains them to find out. When he was a child, Xiao Shitou, who had always been talking about beating skin, had a bitter look on his face. Was that cowardice? No, he was really ashamed! When the master went to beat the butterfly clothes, he immediately moved a stool and fell in front of the master. Isn’t it love? As soon as Juxian finished saying Die Yi’s fault, Duan Xiaolou slapped her hard. There was also his reluctance when Juxian asked him to leave Dieyi, and how he dared to cause trouble with the soldiers Youzi because of Chen Dieyi in the theater. . . These details all reflect the love that a senior brother has for his junior brother. In comparison, Dieyi is cowardly. He did not stand up when his senior brother was beaten with a stick by his master. During the gang fight in the theater, he just stood there motionless and at a loss. In fact, his cowardice is understandable. When a man plays the role of a woman from a young age and goes through an experience that is unimaginable, his psychology is easily distorted. Speaking of which, he is actually a simple person, because he only has his overlord in his mind. He was forced by his master to sing Kunjiao since he was a child. But every time she would say, "I am a man, not a girl." He stayed for Xiao Shitou, for the elder brother who always took care of him and cared for him, and later became the overlord Duan Xiaolou. He willingly sang later: I am a girl, not a boy. Just singing and getting mixed up.

Compared with Dieyi, Juxian is much luckier and much unlucky. She gained Duan Xiaolou's love, but also suffered his betrayal. Regarding Dieyi, she has always had a complicated heart: she resents the indiscriminate obsession with her husband by others, and despises him for trying all his tricks to be with Duan Xiaolou. As a woman, she longed to be a good person when she was a famous prostitute and had an instinct to protect her family. She believed that all the bad luck was due to Dieyi, so she strongly asked her husband to separate from him; but she was extremely courageous and kind-hearted. She felt sorry for Dieyi, who was tortured to death by drug addiction, and regretted that she could not perform "Yu Ji" on stage. " Dieyi even stopped her husband when he exposed her. At the end of her life, she just returned the sword that Dieyi had given to Xiaolou to expose her Dieyi, then turned around, looked back, and smiled softly, feeling helpless and sad but infinitely tolerant. This charming woman was pushed into the abyss by her husband, whom she deeply loved and trusted, but she never harmed anyone. Strong, lonely, and so proud.

In the scene of the massacre in the square, we saw the ugly side of human nature. Duan Xiaolou betrayed Dieyi and Juxian in order to save his own life. Emotionally speaking, the audience will despise him, but rationally speaking, we can't blame him. It can only be said to be the weakness of human nature. Dieyi couldn't stand the betrayal of the overlord and went crazy.

Only Juxian moved me the most. Her disappointed eyes when she suffered the betrayal of her husband, and her sad but tolerant smile when she turned back to look back at Dieyi were so sad that I couldn't help but shed tears.

In the last scene, Duan Xiaolou and Dieyi stood on the stage again, and once again collaborated in the "Farewell My Concubine" that witnessed all their ups and downs and all their emotional stories. When Duan Xiaolou suddenly sang "I am a man", Dieyi responded so naturally: She is not a female Jiao'e. Duan Xiaolou just said, wrong, wrong again. At this time, I clearly saw Dieyi's smile. The smile was calm, as if he understood something. He smiled and repeated: I am a boy, not a girl. He finally realized that the emotions he had been indulging in for many years turned out to be "wrong, wrong again." Unfortunately, it took him a lifetime to understand. He calmly drew his sword and fell to the ground under the sword that had witnessed the whole story of their brothers from beginning to end. So calm and calm. In my opinion, this seems to be a good ending for Dieyi. He finally returned to reality and restored his identity as "Xiaodouzi". This is much better than living like crazy in a drama.

And Duan Xiaolou, a normal man with human weaknesses, was destined to live a lonely life like an "overlord" in that era.

5 sample essays after watching "Farewell My Concubine" (4)

Opera is the essence of China's five thousand years of cultural history and the quintessence of the country. It is broad and profound, has a long history, and is loved by the world. However, one can watch the opera, sing the opera, and also be part of the opera, but one must not get lost in the opera, otherwise, everything will be wiped out.

Chinese opera was basically formed during the Tang and Song Dynasties. Li Longji, Emperor Xuanzong of the Tang Dynasty, was called the "Founder of Liyuan". It began to prosper in the Yuan Dynasty and reached its peak in the Qing Dynasty. By the end of the Qing Dynasty, there were hundreds of operas across the country, among which the most influential ones included Kunqu Opera, Peking Opera, Sichuan Opera, Henan Opera and Huangmei Opera.

Before the founding of New China, no one would look down upon a person who could not write. But if you can't hum a few lines, you will be laughed at. The plot in "Farewell My Concubine" fully reflects the influence of Peking Opera at that time.

If a person likes to watch theater and can get into the theater, it is no big deal. But if you can't get out of it, it's over. Cheng Dieyi studied opera in a theater troupe with his senior brother Duan Xiaolou since he was a child, and trained hard to become a "character". He and his senior brother finally became famous actors with the performance of "Farewell My Concubine" as adults. However, Cheng Dieyi paid too much to become a Jiao'er. He is addicted to the role in the play and does not want to get out of it. He fell in love with his senior brother. This was despised by society at that time and even today. He made a big mistake. He shouldn't have gotten too involved in the drama, and he shouldn't have fallen in love with someone he shouldn't have loved. His ending is destined to be a tragedy. This tragedy is caused by himself, and no one can help him.

Ever since Cheng Dieyi fell in love with Duan Xiaolou, she objected to Duan Xiaolou seeing any woman. Not only can they not tolerate Duan Xiaolou going to prostitutes, but they can't tolerate him marrying a prostitute. Cheng Dieyi's life was torn apart by love, which was very tragic but also helpless.

We are people in the real society. To survive in this society, we must constantly change our roles to "act". We can and must play every role that belongs to us, but we must not indulge in it and forget ourselves. A person must be able to control himself and have his own sense of proportion. Not only must the play be realistic, but one can easily find oneself again. Only in this way can one be called a qualified actor.

Life is like a play, and play is like life. A person's life is like the performance of a play. We will encounter many people and things in life, and we will need to play tricks to get through the difficulties. The roles we need to play are also very different, and we must do our best to play these roles well. However, we must have our own thoughts, characteristics, and self, and we must not get too involved in the drama and lose ourselves in the drama.

The play is all-encompassing and profound. If you have a self, you are acting, and you are having fun; if you have no self, it is the play playing on you, and the play is playing on you. On the big stage of life, I hope you can advance and retreat freely.

5 sample essays on "Farewell My Concubine" (5)