1. Determine the scale and graphic combination.
First of all, we need to determine the size ratio of the whole cartoon character and the combination of basic graphics. Generally speaking, with the face as the center and the head as the basis, the limbs and body are gradually extended downwards, and finally the whole image is outlined.
2. Single element represents limbs and parts
By outlining the basic shapes of the body and limbs, then reducing the details and increasing the simplicity of the elements, the real cartoon style is expressed. For example, the curve of arms and hands composed of various angles is simplified to several levers, and the legs are simplified to a forward posture with the same side of a right triangle.
3. Outline features with simple lines
In order to make cartoon characters have individuality and particularity, we must rely on certain characteristics to distinguish them from other cartoon characters. At this time, we might as well start with the eyes, because the eyes represent the core of the character's personality, and other unforgettable features can be gradually created later.
4. Be concise and clear, and emphasize expression.
The biggest feature of cartoon characters lies in their dynamic sketches, so they need to be concise, easy to understand and streamlined, and some curved and round coherent lines can be used to express the body posture, and the technique is extremely concise.
5. Details and color matching
The choice of details and colors is an important link to highlight the cartoon style. For example, when sketching lines, black and white can be used to reflect each other and increase the sharp contrast; In distinguishing eyes, weather, color and other aspects, you can choose rich colors with rich personality.
Step 6 get inspiration from real life
If you want to create interesting and creative cartoon characters, you need to keep observing the surrounding environment and life details at all times, and look for elements and clues that can stimulate creative inspiration. For example, the characteristics of pets, relatives or friends around you can be integrated into the image, which can be used as a sketch to make simpler and more vivid cartoon characters.
7. Keep practicing and improve your skills
Cartoon painting skills need to be constantly tempered and improved. Only by constantly practicing, trying and exploring can we better understand and grasp the essence and essence of cartoon characters. Therefore, in the usual painting process, we should practice and study more, improve our basic skills and imagination, and gradually reflect the simple drawing of cartoon characters more incisively and vividly.
8. Create with digital tools
In today's digital age, more and more artists begin to use various digital tools to create, which is also applicable to cartoon image making. Using digital drawing software, cartoon images with rich personality and characteristics can be made more conveniently and efficiently, and vectorization and drawing standardization can be realized.
In a word, the simple drawing of cartoon characters needs to take the sense of image as the core, adopt simple and smooth line drawing methods, enhance its vividness and vitality through the combination of geometric figures and physical elements and the performance of characteristic details, and continuous innovation and improvement of skills are the key to making better cartoon images.
How to make cartoon character illustrations in PPT? I want to focus on this question first-the subject asks how to "make" the cartoon illustrations in PPT, not how to "draw"-which means that we don't necessarily have to go to great lengths to draw villains ourselves.
After all, there are two ways to make PPT, one is to do it manually, and the other is to do it with the help of materials. Cartoon illustration belongs to the latter.
In my personal experience, cartoon characters mainly come from the following sources:
Material website
Only one website is recommended here-Freepik:
Search for the material keywords you want (English) to search:
Check the classification of Vectors and Selection in the structure:
So all the filtered cartoon materials are free:
After downloading the material, you get an Ai file (you need to install Ai software to open it), not a picture. This has the advantage that any part of it can be selected separately and imported into PPT for modification. For example, I can only want a child in the picture and want to modify her clothes and hair color.
If you want to make it more detailed, you can even use the edit vertex function in PPT to modify the actions of the characters.
Not long ago, I made a courseware, and the material was that my little friend had a stomachache:
Single him out in Ai:
After importing into PowerPoint (left), ungroup (right):
Change the color of hair and eyebrows into China children;
After selecting the arm, rotate the angle, edit the vertex, and adjust the position of auxiliary elements to become chest pain:
Finally, express what I want to express in PPT:
Think about it, if you draw by yourself, how long will it take you to draw an image to achieve this level of detail? There are three characters on this page, and a set of PPT is all in this style. How long are you going to do it? Half a year?
PPT plug-in
If the requirements are not so high, you don't need to modify the material twice, and you don't want to install Ai, then you can install iSlide and pocket animation plug-ins.
Both plug-ins have similar vector gallery resource functions:
ISlide's "Insert Gallery":
"online PNG" of pocket animation:
Everything is very easy to use.
For the sake of your mouse and wrist, don't try to draw it yourself easily!
Anime figure stick figure girl simple ancient style 1. Anime figure stick figure
How to draw a cartoon character sketch with a cartoon character stick figure.
If the painting technology is not up to imagining the expressions and movements of characters out of thin air, it is suggested that the best way is to start from copying.
All kinds of paintings can be copied, especially the colors and composition methods used by masters, as well as the description of characters' expressions and body movements. This is a very useful and effective training method.
After all, the so-called "familiar with 300 Tang poems, you can recite them even if you can't write poems", and you can copy more, and some fixed and commonly used expressions and angles will be much more handy. The second is to describe more real photos.
After all, the so-called vividness is to make a fake painting look real. The key is the so-called "true".
What the real action is like, what the real eyes are like, it still depends on how the "real" characters are made. And if you want to draw realistic cartoon characters, such as the works of illustrators such as Ordinary, Chen Shufen, Masago Kimiya and even Zhang Wang, it is very necessary to draw according to photos.
Because it can greatly exercise your level of character proportion, body structure, clothing material and so on. Among them, the proportion of human body is the most important.
If the proportion is wrong, no matter how excellent the details are, it is also a failed work. Of course, if you are talking about anime characters such as Xiaoxin, Maruko and Garfield, please automatically ignore this one.
(but in fact, this kind of cartoon characters also need to use proportion, but it's not that important.) The proportion of human body is really very important (I seem to have emphasized it? )。 If you don't have any confidence in this, I suggest starting with the basics.
Read more regular art textbooks, at least in two parts, first, the perspective principle, and second, the proportion of human body. These two are the foundation of all good works, the foundation, the soil, the bones, the meat in the braised pork and the money in the wallet.
In fact, these two things are not difficult to learn. You can understand them all in an hour or less. However, the key is to use it skillfully and draw it without any mistakes.
There is no other way to think about this, only to see more and practice more. Do you know the story of Da Vinci painting eggs? People have practiced so much, and we are not geniuses. Naturally, we have to work harder.
Of course, if you don't want to be that kind of super master, you don't have to practice drawing eggs every day. -draw more apples and green peppers or something.
The human body is the most complex mechanical structure in nature. Sorry, I forgot who said that.
But it makes sense. The actions that people can make are almost incalculable.
So after getting familiar with the proportion of human body, we should start to exercise the movements of drawing characters. Generally speaking, there are not many facial movements. Of course, Jim Carrey, who can make more than 100 kinds of expressions, is not in the ordinary category.
So the main thing to exercise is the whole body movements. This also requires more observation and practice.
Observe what it's like to walk, what it's like to talk on the phone while walking, and what it's like to watch the beautiful women around you while talking on the phone and drinking coffee (in fact, if you can draw the above description accurately, it's a very interesting cartoon). Of course, generally speaking, it's not so coincidental to see such a scene, but our brains can imagine it. After mastering some basic movements, you can combine all kinds of complicated movements.
As for facial expressions, you can look in the mirror more often and pose and express yourself more. Sure, please practice alone.
Otherwise, your roommate will panic if you put on a cold and arrogant expression for a while and a flattering expression for a while. Mirrors are not only used for facial expressions. If the mirrors are big enough, you can display many actions you want to draw first, and get to know what angle your arms will be, how to twist your waist naturally, and what the wrinkles on your trouser legs are like.
This is very useful for beginners. After all, the difficulty of following and thinking about painting is completely different by several grades. Another important point to mention is hand drawing.
Hand is a very complicated thing, and it is also a headache for the author. Because there are too many forks.
Moreover, each fork is divided into three small segments, and although the position of the hand on the screen is very small, it is very important. If the hand is drawn rigidly or even unreasonable, the characters will never be vivid. Generally speaking, my experience is that I draw my own hands when practicing.
Just can see, and there are two, is the best model, don't delay the other hand to draw. When I was practicing, I used to draw my hands in various positions.
This exercise is very effective. You can accurately grasp what the hand looks like when making various movements, how the joints change, how the shadows are covered, and so on. And the biggest advantage of this exercise is that it can be done anytime and anywhere.
As long as you have a pen and paper and a desk. When the left hand is practiced, the right hand will actually be self-taught.
If it really doesn't work, you can also borrow the help of the mirror, and the left hand in the mirror becomes the right hand. Then clothes.
Clothes are too much, because there are problems with style and material. It is suggested that novices draw simple clothes first. The advantage of this is that there is no need to consider the style and the material is single.
The function is to practice how to express the body curve of the characters under the cover of clothes and how to draw the basic folds of clothes. With this foundation, when you are proficient, you can advance to two different development directions, one is clothes with different materials, and the other is clothes with different styles.
The first development direction I choose is different materials. So the characters put on leather shirts, linen shirts, silk shirts, pure cotton shirts and patent leather shirts (do you have patent leather shirts? Because the lines and wrinkles produced by various materials are different, the light and shadow effects are also different, so this is very useful for practicing sketching and color techniques.
It's like a leather garment with many folds, but the span is small but long and smooth, and the contrast between highlights and shadows is very heavy. The folds of cotton shirts are large and long, but not smooth and the boundaries are clear.
Silk shirts, on the other hand, are generally light in wrinkles and smooth in undulations. Unless the elbows are bent at a large angle, the wrinkles are small, and they are mostly round, which means looking at many bodies.
Cartoon, cartoon character sketch (picture)
Beginners use 8B6B4B2BHBB pencils. The higher the number of pencils, the softer they are, easier to color and change, and less likely to damage the paper.
H2H3H starts from HB.
By 6H, these are hard pencils, which are difficult to draw black. It is not recommended to use them when the manipulation control ability is not mature at the beginning. Rubber: 4B rubber is softer than 2B rubber, which is cleaner and less likely to scratch the paper.
Next, napkins or soft paper, because drawing cartoon characters inevitably involves the photosensitive surface, so it should be wiped with paper towels, so that the carbon powder of the pencil is evenly scattered, and the wiped photosensitive layer is not easy to be "polluted" by carbon powder after being wiped with clean paper towels. .